New Poetics of Chekhov's Major Plays PDF Download
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Author: Harai Golomb
Publisher: Liverpool University Press
ISBN: 178284127X
Category : Performing Arts
Languages : en
Pages : 408
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Book Description
This text attempts to map the unique structure and meaning that comprise Chekhov's immensely rich artistic universe. The prime components of his theatrical technique and fictional world are explored to uncover the basic principles governing the Chekhov's universe.
Author: Harai Golomb
Publisher: Liverpool University Press
ISBN: 178284127X
Category : Performing Arts
Languages : en
Pages : 408
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Book Description
This text attempts to map the unique structure and meaning that comprise Chekhov's immensely rich artistic universe. The prime components of his theatrical technique and fictional world are explored to uncover the basic principles governing the Chekhov's universe.
Author: Harai Golomb
Publisher:
ISBN: 9781903900482
Category : Performing Arts
Languages : en
Pages : 252
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Book Description
? Casts new light on how Chekhovs plays can be interpreted and enacted ? The author explores all the prime components of Chekhovs theatrical technique: text construction, themes and ideas, scenes, dialogue, plot, and interaction between verbal and nonverbal elements ? A rigorous and comprehensive treatment of the many aspects of Chekhovs artistic universe ? All the major works explored One century after the death of Anton Chekhov (18601904), his plays are celebrated throughout the world as a major milestone in the history of theatre and drama. Outside the Russian-speaking community, he is undoubtedly the most widely translated, studied and performed of all Russian writers. His plays are characterised by their evasiveness: tragedy and comedy, realism and naturalism, symbolism and impressionism, as well as other labels of school and genre all fail to account for the uniqueness of Chekhovism, i.e., the essence of his artistic system and world view. Presence through Absence is a bold attempt to map the unique structure and meaning that comprise Chekhovs immensely rich artistic universe. Golombs text is an incursion into Chekhovs vision of unrealised potentials and present absences. His timeless works are shown with rare insight and clarity to have artistic principles and coherence above and beyond the scope of the individual play.
Author: Peta Tait
Publisher: Routledge
ISBN: 1351912100
Category : Literary Criticism
Languages : en
Pages : 211
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Book Description
In Performing Emotions, Peta Tait's central argument is that performing emotions in realism is also performing gender identity. Emotions are phenomena that are performable by bodies, which have cultural identities. In turn, these create cultural spaces of emotions. This study integrates scholarship on realist drama, theatre and approaches to acting, with interdisciplinary theories of emotion, phenomenology and gender theory. With chapters devoted to masculinity and femininity specifically, as well as to emotions generally, it investigates social beliefs about emotions through Chekhov's four major plays in translation, and English language commentaries on Constantin Stanislavski's direction (of the play's first productions) and his approaches to acting, and Olga Knipper's acting of the central women characters. Emotions exists as social relationships; they are imagined and embodied as gendered. Tait demonstrates how theatrical emotions are predicated on social performances and vice versa. In Chekhov's plays, which came to dominate a twentieth century theatre of emotions, characters interpret their emotions intertextually in relation to other theatrical and fictional narratives of emotions. Tait here interrogates these plays as sustained explorations of the inherent theatricality of characters expressing emotions from their phenomenological awareness. A theatrical language of gendered interiority is produced in the acting of emotions in Stanislavski's early realistic theatre. Alternatively, remapping the performances of emotional bodies can destabilise the culturally constructed boundary separating an inner, private self and an outer, social self in culturally produced geographies of emotions. As Tait shows, emotions can be performed as indivisible spatialities. Performing Emotions integrates theories of theatre, gender identity and emotion to investigate how sexual difference impacts on the representations of emotions. The book develops an accumulative analysis of the meanings of emotions in twentieth century realist drama, theatre and acting.
Author: Harvey Pitcher
Publisher: Univ of California Press
ISBN: 0520339509
Category : Poetry
Languages : en
Pages : 236
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Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1985.
Author: Neil Cornwell
Publisher: Routledge
ISBN: 1134260776
Category : Literary Criticism
Languages : en
Pages : 1020
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Book Description
First Published in 1998. This volume will surely be regarded as the standard guide to Russian literature for some considerable time to come... It is therefore confidently recommended for addition to reference libraries, be they academic or public.
Author: Charles Moser
Publisher: Cambridge University Press
ISBN: 9780521425674
Category : Literary Criticism
Languages : en
Pages : 724
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Book Description
An updated edition of this comprehensive narrative history, first published in 1989, incorporating a new chapter on the latest developments in Russian literature and additional bibliographical information. The individual chapters are by well-known specialists, and provide chronological coverage from the medieval period on, giving particular attention to the nineteenth and twentieth centuries, and including extensive discussion of works written outside the Soviet Union. The book is accessible to students and non-specialists, as well as to scholars of literature, and provides a wealth of information.
Author: Dead Centre
Publisher: Bloomsbury Publishing
ISBN: 1783197587
Category : Drama
Languages : en
Pages : 65
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Book Description
‘I’m having absolutely nothing to do with the theatre or the human race. They can all go to hell.’ – Anton Chekhov During the turmoil of the Russian Revolution in 1917, Maria Chekhov, Anton’s sister, placed many of her late brother’s manuscripts and papers in a safety deposit box in Moscow. In 1921 Soviet scholars opened the box, and discovered a play. The title page was missing. The play they found has too many characters, too many themes, too much action. All in all, it’s generally dismissed as unstageable. Like life. A new play by Dead Centre, creators of the OBIE / Fringe First winning LIPPY.
Author: Michael C. Finke
Publisher: Reaktion Books
ISBN: 1789144299
Category : Biography & Autobiography
Languages : en
Pages : 237
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Book Description
An enlightening, nuanced, and accessible introduction to the life and work of one of the greatest writers of short fiction in history. Anton Chekhov’s stories and plays endure, far beyond the Russian context, as outstanding modern literary models. In a brief, remarkable life, Chekhov rose from lower-class, provincial roots to become a physician, leading writer, and philanthropist, all in the face of a progressive fatal disease. In this new biography, Michael C. Finke analyzes Chekhov’s major stories, plays, and nonfiction in the context of his life, both fleshing out the key features of Chekhov’s poetics of prose and drama and revealing key continuities across genres, as well as between his lesser-studied early writings and the later works. An excellent resource for readers new to Chekhov, this book also presents much original scholarship and is an accessible, comprehensive overview of one of the greatest modern dramatists and writers of short fiction in history.
Author: Gregory Stephens
Publisher: Cambridge Scholars Publishing
ISBN: 1527532445
Category : Literary Criticism
Languages : en
Pages : 170
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Book Description
This book contributes to a re-visioning of the literature of revolutions, repositioning the writings of Subcomandante Marcos as quasi-“indigenous” literary texts. Highlights include a study of the role of Zapatista mythopoetics in re-imagining the nature of revolution; and an examination of how a native subculture and cosmovision were made intelligible to an international audience. Close readings of a group of stories, essays and communiques by Marcos explore the emergence of a thoroughly hybrid literary style. These texts are analyzed in relation to existing genres such Native American literature, environmental literature, and the literature of the Mexican revolution. The book shows that, while Marcos employs the iconography of Che Guevara, Zapata, et al, and in some ways furthers the “romance of revolution” for an electronically networked world, he has also popularized on an international stage the post-Cold War aspiration to “change the world without taking power.”
Author: Laurence Senelick
Publisher: Rowman & Littlefield
ISBN: 1442249277
Category : Performing Arts
Languages : en
Pages : 693
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Book Description
A latecomer continually hampered by government control and interference, the Russian theatre seems an unlikely source of innovation and creativity. Yet, by the middle of the nineteenth century, it had given rise to a number of outstanding playwrights and actors, and by the start of the twentieth century, it was in the vanguard of progressive thinking in the realms of directing and design. Its influence throughout the world was pervasive: Nikolai Gogol', Anton Chekhov and Maksim Gor'kii remain staples of repertories in every language, the ideas of Konstantin Stanislavskii, Vsevolod Meierkhol'd and Mikhail Chekhov continue to inspire actors and directors, while designers still draw on the graphics of the World of Art group and the Constructivists. What distinguishes Russian theater from almost any other is the way in which these achievements evolved and survived in ongoing conflict or cooperation with the State. This second edition of Historical Dictionary of Russian Theatre covers the history through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 1000 cross-referenced entries on individual actors, directors, designers, entrepreneurs, plays, playhouses and institutions, Censorship, Children’s Theater, Émigré Theater, and Shakespeare in Russia. This book is an excellent access point for students, researchers, and anyone wanting to know more about Russian Theatre.
