Anthropology Applied to the American White Man and Negro PDF Download
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Author: Robert Gilbert Wells
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 356
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Book Description
Author: Robert Gilbert Wells
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 356
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Book Description
Author: Texas Southern University. Library
Publisher:
ISBN:
Category : Afro-Americans
Languages : en
Pages : 344
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Book Description
"Purchased from Mr. Charles Heartman, a book dealer, this collection consists of books, pamphlets, periodicals, maps, broadsides, documents, almanacs, lithographs, oil paintings, musical scores, clippings, cartoons, and various curios dating from 1600 to 1955. Devoted not only to the Negro in the United States, but contains information dealing with the background and development of Negro people in every section of the globe where they have lived in concentrated numbers."--Page [1.] of v.5, no. 12.
Author: Schomburg Center for Research in Black Culture
Publisher:
ISBN:
Category : African Americans
Languages : en
Pages : 980
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Author: New York Public Library. Research Libraries
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 604
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Author: Robert Bernasconi
Publisher: Oxford University Press
ISBN: 0197587968
Category : Critical race theory
Languages : en
Pages : 393
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Book Description
The fifteen essays by distinguished philosopher of race Robert Bernasconi that are collected here demonstrate why the critical philosophy of race needs to take a historical turn. Genealogies of the concepts of both race and racism clarify why some of the dominant strategies for combattingracism tend to be ineffective. For example, the Boasian/UNESCO strategy that highlights biology's rejection of race neglects cultural racism. Drawing on the work of Frantz Fanon, the late Sartre, and Michel Foucault, Robert Bernasconi argues for a holistic approach that integrates the concreteexperience of racism faced by individuals into the study of institutional, structural, and systemic racism. His philosophical studies of such Black philosophers as Ottobah Cugoano, Antenor Firmin, and W. E. B. Du Bois, contribute to challenging the dominant philosophical canon. This volume will bean essential resource for scholars and students interested in this resurgent topic.
Author: Schomburg Collection of Negro Literature and History
Publisher:
ISBN:
Category : African Americans
Languages : en
Pages : 1032
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Author: Susan Gubar
Publisher: Oxford University Press
ISBN: 0195350774
Category : Literary Criticism
Languages : en
Pages : 356
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Book Description
When the actor Ted Danson appeared in blackface at a 1993 Friars Club roast, he ignited a firestorm of protest that landed him on the front pages of the newspapers, rebuked by everyone from talk show host Montel Williams to New York City's then mayor, David Dinkins. Danson's use of blackface was shocking, but was the furious pitch of the response a triumphant indication of how far society has progressed since the days when blackface performers were the toast of vaudeville, or was it also an uncomfortable reminder of how deep the chasm still is separating black and white America? In Racechanges: White Skin, Black Face in American Culture, Susan Gubar, who fundamentally changed the way we think about women's literature as co-author of the acclaimed The Madwoman in the Attic, turns her attention to the incendiary issue of race. Through a far-reaching exploration of the long overlooked legacy of minstrelsy--cross-racial impersonations or "racechanges"--throughout modern American film, fiction, poetry, painting, photography, and journalism, she documents the indebtedness of "mainstream" artists to African-American culture, and explores the deeply conflicted psychology of white guilt. The fascinating "racechanges" Gubar discusses include whites posing as blacks and blacks "passing" for white; blackface on white actors in The Jazz Singer, Birth of a Nation, and other movies, as well as on the faces of black stage entertainers; African-American deployment of racechange imagery during the Harlem Renaissance, including the poetry of Anne Spencer, the black-and-white prints of Richard Bruce Nugent, and the early work of Zora Neale Hurston; white poets and novelists from Vachel Lindsay and Gertrude Stein to John Berryman and William Faulkner writing as if they were black; white artists and writers fascinated by hypersexualized stereotypes of black men; and nightmares and visions of the racechanged baby. Gubar shows that unlike African-Americans, who often are forced to adopt white masks to gain their rights, white people have chosen racial masquerades, which range from mockery and mimicry to an evolving emphasis on inter-racial mutuality and mutability. Drawing on a stunning array of illustrations, including paintings, film stills, computer graphics, and even magazine morphings, Racechanges sheds new light on the persistent pervasiveness of racism and exciting aesthetic possibilities for lessening the distance between blacks and whites.
Author: Martin R. Delany
Publisher: Harvard University Press
ISBN: 0674088727
Category : Fiction
Languages : en
Pages : 374
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Book Description
Martin R. Delany’s Blake (1859, 1861–1862) is one of the most important African American—and indeed American—works of fiction of the nineteenth century. It tells the story of Henry Blake’s escape from a southern plantation and his subsequent travels across the United States, into Canada, and to Africa and Cuba. His mission is to unite the black populations of the American Atlantic regions, both free and slave, in the struggle for freedom, whether through insurrection or through emigration and the creation of an independent black state. Blake is a rhetorical masterpiece, all the more strange and mysterious for remaining incomplete, breaking off before its final scene. This edition of Blake, prepared by textual scholar Jerome McGann, offers the first correct printing of the work in book form. It establishes an accurate text, supplies contextual notes and commentaries, and presents an authoritative account of the work’s composition and publication history. In a lively introduction, McGann argues that Delany employs the resources of fiction to develop a critical account of the interconnected structure of racist power as it operated throughout the American Atlantic. He likens Blake to Upton Sinclair’s The Jungle, in its willful determination to transform a living and terrible present. Blake; or, The Huts of America: A Corrected Edition will be used in undergraduate and graduate classes on the history of African American fiction, on the history of the American novel, and on black cultural studies. General readers will welcome as well the first reliable edition of Delany’s fiction.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 920
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Book Description
Author: Vernon J. WilliamsJr.
Publisher: University Press of Kentucky
ISBN: 0813188644
Category : Biography & Autobiography
Languages : en
Pages : 243
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Book Description
In this thought-provoking reexamination of the history of "racial science" Vernon J. Williams argues that all current theories of race and race relations can be understood as extensions of or reactions to the theories formulated during the first half of the twentieth century. Williams explores these theories in a carefully crafted analysis of Franz Boas and his influence upon his contemporaries, especially W.E.B. DuBois, Booker T. Washington, George W. Ellis, and Robert E. Park. Historians have long recognized the monumental role Franz Boas played in eviscerating the racist worldview that prevailed in the American social sciences. Williams reconsiders the standard portrait of Boas and offers a new understanding of a man who never fully escaped the racist assumptions of 19th-century anthropology but nevertheless successfully argued that African Americans could assimiliate into American society and that the chief obstacle facing them was not heredity but the prejudice of white America.
