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Author: Roger Hallas
Publisher: Oxford University Press
ISBN: 0190057769
Category : Art
Languages : en
Pages : 281
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Book Description
"Having undergone profound material, aesthetic, and institutional transformations since the arrival of digital technologies, photography and film frequently intersect in the processes of convergence (the shared technological basis of diverse media in digital code) and remediation (the mutual reshaping of old and new media). However, the foundational relations between film and photography have a long history extending well back into the nineteenth century. This history includes many acclaimed practitioners who have worked in both media, such as Albert Kahn, Helen Levitt, Agnès Varda, Chris Marker, Robert Frank, Wim Wenders, Abbas Kiarostami, and Fiona Tan, but it also involves a range of intermedial forms that combine elements of both media, such as the film still, the film photonovel, and the photofilm. These hybrid forms were long neglected critically because they were considered marginal forms of paratextuality or deviations from medium specificity-the idea that a medium must be deployed according to its own specific capacities compared to other media"--
Author: Roger Hallas
Publisher: Oxford University Press
ISBN: 0190057769
Category : Art
Languages : en
Pages : 281
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Book Description
"Having undergone profound material, aesthetic, and institutional transformations since the arrival of digital technologies, photography and film frequently intersect in the processes of convergence (the shared technological basis of diverse media in digital code) and remediation (the mutual reshaping of old and new media). However, the foundational relations between film and photography have a long history extending well back into the nineteenth century. This history includes many acclaimed practitioners who have worked in both media, such as Albert Kahn, Helen Levitt, Agnès Varda, Chris Marker, Robert Frank, Wim Wenders, Abbas Kiarostami, and Fiona Tan, but it also involves a range of intermedial forms that combine elements of both media, such as the film still, the film photonovel, and the photofilm. These hybrid forms were long neglected critically because they were considered marginal forms of paratextuality or deviations from medium specificity-the idea that a medium must be deployed according to its own specific capacities compared to other media"--
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 724
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Book Description
Author: Jo Ann Asher Thompson
Publisher: John Wiley & Sons
ISBN: 1118532384
Category : Architecture
Languages : en
Pages : 580
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Book Description
THE HANDBOOK OF INTERIOR DESIGN The Handbook of Interior Design offers a compilation of current works that inform the discipline of interior design. These examples of design scholarship present a detailed overview of current research and critical thinking. The volume brings together a broad range of essays from an international group of scholars who represent the diversity of work in the field. Intended to engage those involved in the study and practice of interior design, the Handbook considers the connections between theory, research, and practice that shape the field of interior design, as well as the theoretical perspectives that inform the field. It contains over thirty essays which together demonstrate the wide range of opinions and knowledge in the discipline, grouped in sections to reflect key components of their content. A close reading of the essays will uncover contradictory as well as supporting positions on aspects of interior design, challenging the reader to think critically and develop a personal stance toward the subject.
Author: Great Britain. Patent Office
Publisher:
ISBN:
Category :
Languages : en
Pages : 790
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Book Description
Author: Caroline Tagg
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110670836
Category : Foreign Language Study
Languages : en
Pages : 400
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Book Description
Studies of digital communication technologies often focus on the apparently unique set of multimodal resources afforded to users and the development of innovative linguistic strategies for performing mediatised identities and maintaining online social networks. This edited volume interrogates the novelty of such practices by establishing a transhistorical approach to the study of digital communication. The transhistorical approach explores language practices as lived experiences grounded in historical contexts, and aims to identify those elements of human behaviour that transcend historical boundaries, looking beyond specific developments in communication technologies to understand the enduring motivations and social concerns that drive human communication. The volume reveals long-term patterns in the indexical functions of seemingly innovative written and multimodal resources and the ideologies that underpin them, and shows that methods are not necessarily contingent on their datasets: historical analytic frameworks can be applied to digital data and newer approaches used to understand historical data. These insights present exciting opportunities for English language researchers, both historical and modern.
Author: Dan Witz
Publisher: Gingko Press Editions
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 232
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Book Description
In Plain View - 30 years of Artworks Illegal and Otherwise is the first and long overdue monograph on the work of Dan Witz. New York artist Dan Witz has been doing street art since the late 1970s. In his enduring street art career, he has specialized in a smaller, more intimate kind of street art. For Witz, a sense of wonder and curiosity are key. Strongly influenced by the changing cultural landscape of the New York City streets where he developed his craft, Witz has traveled the path from dark to light and back again. In the book, his wandering journey through the no-wave and DIY movements of New York's Lower Eastside of the 70's, the Reaganomics of the 80's to the flourishing of graffiti art in the new millennium is beautifully illustrated in 250 color photographs and narrated through an interview with the Wooster Collective.
Author: Glenn A. Peers
Publisher: Cornell University Press
ISBN: 1501775049
Category : History
Languages : en
Pages : 325
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Book Description
Byzantine Media Subjects invites readers into a world replete with images—icons, frescoes, and mosaics filling places of worship, politics, and community. Glenn Peers asks readers to think themselves into a world where representation reigned and humans followed, and indeed were formed. Interrogating the fundamental role of representation in the making of the Byzantine human, Peers argues that Byzantine culture was (already) posthuman. The Byzantine experience reveals the extent to which media like icons, manuscripts, music, animals, and mirrors fundamentally determine humans. In the Byzantine world, representation as such was deeply persuasive, even coercive; it had the power to affect human relationships, produce conflict, and form self-perception. Media studies has made its subject the modern world, but this book argues for media having made historical subjects. Here, it is shown that media long ago also made Byzantine humans, defining them, molding them, mediating their relationship to time, to nature, to God, and to themselves.
Author: J. Edwards Smith
Publisher:
ISBN:
Category : Microscopes
Languages : en
Pages : 428
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Book Description
Author: Josh Ellenbogen
Publisher: Penn State Press
ISBN: 0271052597
Category : Photography
Languages : en
Pages : 281
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Book Description
"Examines three projects in late nineteenth-century scientific photography: the endeavors of Alphonse Bertillon, Francis Galton, and Etienne-Jules Marey. Develops new theoretical perspectives on the history of photographic technology, as well as the history of scientific imaging more generally"--
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 850
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Book Description
