Author: George Redford
Publisher:
ISBN:
Category : Sculpture, Ancient
Languages : en
Pages : 380
Book Description
A Manual of Ancient Sculpture Egyptian-Assyrian-Greek-Roman
Author: George Redford
Publisher:
ISBN:
Category : Sculpture
Languages : en
Pages : 312
Book Description
Publisher:
ISBN:
Category : Sculpture
Languages : en
Pages : 312
Book Description
A Manual of Ancient Sculpture, Egyptian - Assyrian - Greek - Roman
Author: George Redford
Publisher:
ISBN:
Category : Sculpture, Ancient
Languages : en
Pages : 380
Book Description
Publisher:
ISBN:
Category : Sculpture, Ancient
Languages : en
Pages : 380
Book Description
A Manual of Ancient Sculpture, Egyptian - Assyrian - Greek - Roman
Author: George Redford
Publisher:
ISBN:
Category : Digital images
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category : Digital images
Languages : en
Pages : 0
Book Description
A Manual of Sculpture
Author: George Redford
Publisher:
ISBN:
Category : Sculpture, Ancient
Languages : en
Pages : 302
Book Description
Publisher:
ISBN:
Category : Sculpture, Ancient
Languages : en
Pages : 302
Book Description
A Manual of Ancient Sculpture - Egyptian, Assyrian, Greek, Roman; With Numerous Illus., a Map of Ancient Greece, and a Chronological List of Ancient S
Author: George Redford
Publisher:
ISBN: 9781018128955
Category : Art
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9781018128955
Category : Art
Languages : en
Pages : 0
Book Description
Manual of Ancient Sculpture
Author: George Redford
Publisher: Forgotten Books
ISBN: 9780260939456
Category :
Languages : en
Pages : 310
Book Description
Excerpt from Manual of Ancient Sculpture: Egyptian Assyrian Greek Roman, With One Hundred and Sixty Illustrations a Map of Ancient Greece and a Chronological List of Ancient Sculptors and Their Works The back and crown of the head are wanting. The eye sockets are hollowed, as having originally had eyes of glass or enamel. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Publisher: Forgotten Books
ISBN: 9780260939456
Category :
Languages : en
Pages : 310
Book Description
Excerpt from Manual of Ancient Sculpture: Egyptian Assyrian Greek Roman, With One Hundred and Sixty Illustrations a Map of Ancient Greece and a Chronological List of Ancient Sculptors and Their Works The back and crown of the head are wanting. The eye sockets are hollowed, as having originally had eyes of glass or enamel. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Manual of Ancient Sculpture
Author: George Redford
Publisher: Forgotten Books
ISBN: 9781330015742
Category : Art
Languages : en
Pages : 265
Book Description
Excerpt from Manual of Ancient Sculpture: Egyptian Assyrian Greek Roman, With One Hundred and Sixty Illustrations a Map of Ancient Greece and a Chronological List of Ancient Sculptors and Their Works The Study of Antique Sculpture has two principal directions, the Historic or Archæological, and that on the side of Art. Each view has its own special interest, and both contribute mutually to the elucidation of the general subject; but while the one has comparatively little direct relation to the cultivation of the fine arts, the other is constantly concerned with artistic practice as well as the principles. The great truths which ancient art evolved, and which remain as firmly established as those which science has determined, belong to art, not to archæology. Feeling this to be so, I have endeavoured to lay before the reader the view of an art student, as that which is more directly the intention of this volume. This course seemed not only the one which chiefly concerns the interests of art, and calculated to conduct to the full appreciation of the beautiful in sculpture, but, at the same time, the more practical and the more suitable for a short treatise with illustrations. To have attempted more in the historical section, even had it been possible within the limits, and had I been qualified to deal fully with so large a subject in all its varied relations, would have been to distract attention from the main point. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Publisher: Forgotten Books
ISBN: 9781330015742
Category : Art
Languages : en
Pages : 265
Book Description
Excerpt from Manual of Ancient Sculpture: Egyptian Assyrian Greek Roman, With One Hundred and Sixty Illustrations a Map of Ancient Greece and a Chronological List of Ancient Sculptors and Their Works The Study of Antique Sculpture has two principal directions, the Historic or Archæological, and that on the side of Art. Each view has its own special interest, and both contribute mutually to the elucidation of the general subject; but while the one has comparatively little direct relation to the cultivation of the fine arts, the other is constantly concerned with artistic practice as well as the principles. The great truths which ancient art evolved, and which remain as firmly established as those which science has determined, belong to art, not to archæology. Feeling this to be so, I have endeavoured to lay before the reader the view of an art student, as that which is more directly the intention of this volume. This course seemed not only the one which chiefly concerns the interests of art, and calculated to conduct to the full appreciation of the beautiful in sculpture, but, at the same time, the more practical and the more suitable for a short treatise with illustrations. To have attempted more in the historical section, even had it been possible within the limits, and had I been qualified to deal fully with so large a subject in all its varied relations, would have been to distract attention from the main point. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
MANUAL OF ANCIENT SCULPTURE
Author: GEORGE. REDFORD
Publisher:
ISBN: 9781033347805
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9781033347805
Category :
Languages : en
Pages : 0
Book Description
Classed List
Author: Princeton University. Library
Publisher:
ISBN:
Category : Classified catalogs
Languages : en
Pages : 1248
Book Description
Publisher:
ISBN:
Category : Classified catalogs
Languages : en
Pages : 1248
Book Description
Builders of My Soul
Author: Brian Arkins
Publisher: Rowman & Littlefield
ISBN: 9780389209133
Category : Literary Criticism
Languages : en
Pages : 280
Book Description
To Yeats, as well as to Eliot, Pound, Joyce, and other major writers, as Erich Auerbach put it in Mimesis, "Antiquity means liberation and a broadening of horizons, not in any sense a new limitation or servitude." That is why Greco-Roman themes can be endlessly stimulating, why Yeats could call the Greek and Roman writers "the builders of my soul." Brian Arkin's thematic consideration of Yeat's subject matter under philosophy, myth, religion, history, literature, visual art, and Byzantium, allows us to see coherently how Yeats exploited this material and how, especially in his middle and later periods, he transformed and metamorphosed subject matter from Homer, Phidias, Plato, Plotinus, and Sophocles, and from the myths of Dionysus, Helen of Troy, Leda, and Zeus, to exemplify his central preoccupations. Irish Literary Studies Series No. 32.
Publisher: Rowman & Littlefield
ISBN: 9780389209133
Category : Literary Criticism
Languages : en
Pages : 280
Book Description
To Yeats, as well as to Eliot, Pound, Joyce, and other major writers, as Erich Auerbach put it in Mimesis, "Antiquity means liberation and a broadening of horizons, not in any sense a new limitation or servitude." That is why Greco-Roman themes can be endlessly stimulating, why Yeats could call the Greek and Roman writers "the builders of my soul." Brian Arkin's thematic consideration of Yeat's subject matter under philosophy, myth, religion, history, literature, visual art, and Byzantium, allows us to see coherently how Yeats exploited this material and how, especially in his middle and later periods, he transformed and metamorphosed subject matter from Homer, Phidias, Plato, Plotinus, and Sophocles, and from the myths of Dionysus, Helen of Troy, Leda, and Zeus, to exemplify his central preoccupations. Irish Literary Studies Series No. 32.