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Author: John Richardson
Publisher: Knopf
ISBN: 0375711503
Category : Biography & Autobiography
Languages : en
Pages : 514
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Book Description
In the second volume of his Life of Picasso, Richardson reveals the young Picasso in the Baudelairean role of “the painter of modern life.” Never before have Picasso’s revolutionary vision, technical versatility, prodigious achievements, and, not least, his sardonic humor been analyzed with such clarity. Hence his great breakthrough painting, Les Demoiselles d’Avignon, with which this book opens. As well as portraying Picasso as a revolutionary, Richardson analyzes the more compassionate side of his genius. The misogynist of posthumous legend turns out to have been surprisingly vulnerable—more often sinned against than sinning. Heartbroken at the death of his mistress Eva, Picasso tried desperately to find a wife. Richardson recounts the untold story of how his two great loves of 1915–17 successively turned him down. These disappointments, as well as his horror at the outbreak of World War I and the wounds it inflicted on his closest friends, Braque and Apollinaire, shadowed his painting and drove him off to work for the Ballets Russes in Rome and Naples—back to the ancient world. In this volume we see the artist’s life and work during the crucial decade of 1907–17, a period during which Picasso and Georges Braque devised what has come to be known as cubism and in doing so engendered modernism. Thanks to the author’s friendship with Picasso and some of the women in his life, as well as Braque and their dealer, D. H. Kahnweiler, and other associates, he has had access to untapped sources and unpublished material. In The Cubist Rebel, Richardson also introduces us to key figures in Picasso’s life who have been totally overlooked by previous biographers. Among these are the artist’s Chilean patron, collector, and mother figure, Eugenia Errázuriz, as well as two fiancées: the loveable Geneviève Laporte and the promiscuous bisexual painter Irène Lagut. By harnessing biography to art history, he has managed to crack the code of cubism more successfully than any of his predecessors. And by bringing fresh light to bear on the artist’s private life, he has succeeded in coming up with a new view of this paradoxical man and of his paradoxical work. Never before have Picasso’s revolutionary vision, technical versatility, prodigious achievements, and, not least, his sardonic humor been analyzed with such clarity.
Author: John Richardson
Publisher: Knopf
ISBN: 0375711503
Category : Biography & Autobiography
Languages : en
Pages : 514
Get Book Here
Book Description
In the second volume of his Life of Picasso, Richardson reveals the young Picasso in the Baudelairean role of “the painter of modern life.” Never before have Picasso’s revolutionary vision, technical versatility, prodigious achievements, and, not least, his sardonic humor been analyzed with such clarity. Hence his great breakthrough painting, Les Demoiselles d’Avignon, with which this book opens. As well as portraying Picasso as a revolutionary, Richardson analyzes the more compassionate side of his genius. The misogynist of posthumous legend turns out to have been surprisingly vulnerable—more often sinned against than sinning. Heartbroken at the death of his mistress Eva, Picasso tried desperately to find a wife. Richardson recounts the untold story of how his two great loves of 1915–17 successively turned him down. These disappointments, as well as his horror at the outbreak of World War I and the wounds it inflicted on his closest friends, Braque and Apollinaire, shadowed his painting and drove him off to work for the Ballets Russes in Rome and Naples—back to the ancient world. In this volume we see the artist’s life and work during the crucial decade of 1907–17, a period during which Picasso and Georges Braque devised what has come to be known as cubism and in doing so engendered modernism. Thanks to the author’s friendship with Picasso and some of the women in his life, as well as Braque and their dealer, D. H. Kahnweiler, and other associates, he has had access to untapped sources and unpublished material. In The Cubist Rebel, Richardson also introduces us to key figures in Picasso’s life who have been totally overlooked by previous biographers. Among these are the artist’s Chilean patron, collector, and mother figure, Eugenia Errázuriz, as well as two fiancées: the loveable Geneviève Laporte and the promiscuous bisexual painter Irène Lagut. By harnessing biography to art history, he has managed to crack the code of cubism more successfully than any of his predecessors. And by bringing fresh light to bear on the artist’s private life, he has succeeded in coming up with a new view of this paradoxical man and of his paradoxical work. Never before have Picasso’s revolutionary vision, technical versatility, prodigious achievements, and, not least, his sardonic humor been analyzed with such clarity.
Author: John Richardson
Publisher: National Geographic Books
ISBN: 037571149X
Category : Biography & Autobiography
Languages : en
Pages : 0
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Book Description
From the foremost Picasso scholar, the first volume of his Life of Picasso draws on Richardson's close friendship with Picasso, his own diaries, the collaboration of Picasso's widow Jacqueline, and unprecedented access to Picasso's studio and papers to arrive at a profound understanding of the artist and his work. Combining meticulous scholarship with irresistible narrative appeal, this definitive biography of one of the greatest artists of the twentieth century details the years 1881-1906, from Picasso's beginnings in Spain to age twenty-five in Paris. With more than 800 extraordinary black-and-white illustrations.
Author: John Richardson
Publisher: Random House
ISBN: 1448112532
Category : Art
Languages : en
Pages : 658
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Book Description
Drawing on exhaustive research from interviews and unpublished archival material, John Richardson has produced the long-awaited third volume of the definitive biography, full of original, groundbreaking new insights into Picasso's life and work. His lively and incisive analysis of the work meshes seamlessly with the rich and detailed narrative of this complex and sensual life. The Triumphant Years reveals Picasso at the height of his powers, producing not only the costumes and sets for such Diaghilev Ballets Russes productions as Parade and Tricorne but some of his most important sculpture and paintings. These are tumultuous years, Picasso torn between marital respectability with Olga, the Russian ballerina who was his first wife, and the erotic passion of his mistress, Marie-Therese. This extraordinary biography ends with the completion of a dramatic series of drawings of the crucifixion. From then on the horrors of war would replace any private horrors, leading ultimately to Picasso's masterpiece, Guernica.
Author: John Richardson
Publisher: Random House (NY)
ISBN:
Category : Art
Languages : en
Pages : 390
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Book Description
Insightful and opinionated, erudite and amusing, this collection by the author of "A Life of Picasso" provides a personal, close-up look at a marvelously eclectic mix of artists and writers, tastemakers and tycoons.
Author: John Richardson
Publisher: Knopf
ISBN: 0525658742
Category : Biography & Autobiography
Languages : en
Pages : 337
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Book Description
John Richardson's riveting memoir about growing up in England and, at twenty-five, beginning his twelve-year adventure with the controversial art collector Douglas Cooper. With a new introduction by Jed Perl, here is John Richardson's richly entertaining memoir of his life with the brilliant but difficult British art expert Douglas Cooper--a fiendish, colorful, Evelyn Waugh-like figure who single-handedly assembled the world's most important private collection of Cubist paintings. John Richardson tells the story of their ill-fated but comical association, which began in London in 1949 when Richardson was twenty-five and moved onto the Château de Castille, the famous colonnaded folly in Provence that they restored and filled with masterpieces by Picasso, Braque, Léger, and Juan Gris. Richardson unfurls a fascinating adventure through twelve years, encompassing famous artists and writers, collectors and other celebrities--Francis Bacon, Jean Cocteau, Luis Miguel Dominguín, Dora Maar, Peggy Guggenheim, and Henri Matisse, to name only a few. And central to the book is Richardson's close friendship with Picasso, which coincided with the emergence of the artist's new mistress, Jacqueline Roque, and gave Richardson an inside view of the repercussions she would have on Picasso's life and work. With an eye for detail, an ear for scandal, and a sparkling narrative style, Richardson has written a unique, fast-paced saga of modernism behind the scenes.
Author: John Richardson
Publisher: Knopf
ISBN: 0375711511
Category : Biography & Autobiography
Languages : en
Pages : 609
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Book Description
A three-volume study of the life and work of Pablo Picasso captures the artist from his early life in Mâalaga and Barcelona, through his revolutionary Cubist period, to the height of his talent in prewar Europe.
Author: Nicholas Fox Weber
Publisher: Knopf
ISBN: 0307270564
Category : Biography & Autobiography
Languages : en
Pages : 865
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Book Description
From acclaimed biographer and cultural historian, author of Balthus and Patron Saints—the first full-scale life of le Corbusier, one of the most influential, admired, and maligned architects of the twentieth century, heralded is a prophet in his lifetime, revered as a god after his death. He was a leader of the modernist movement that sought to create better living conditions and a better society through housing concepts. He predicted the city of the future with its large, white apartment buildings in parklike settings—a move away from the turn-of-the-century industrial city, which he saw as too fussy and suffocating and believed should be torn down, including most of Paris. Irascible and caustic, tender and enthusiastic, more than a mercurial innovator, Le Corbusier was considered to be the very conscience of modern architecture. In this first biography of the man, Nicholas Fox Weber writes about Le Corbusier the precise, mathematical, practical-minded artist whose idealism—vibrant, poetic, imaginative; discipline; and sensualism were reflected in his iconic designs and pioneering theories of architecture and urban planning. Weber writes about Le Corbusier’s training; his coming to live and work in Paris; the ties he formed with Nehru . . . Brassaï . . . Malraux (he championed Le Corbusier’s work and commissioned a major new museum for art to be built on the outskirts of Paris) . . . Einstein . . . Matisse . . . the Steins . . . Picasso . . . Walter Gropius, and others. We see how Le Corbusier, who appreciated goverments only for the possibility of obtaining architectural commissions, was drawn to the new Soviet Union and extolled the merits of communism (he never joined the party); and in 1928, as the possible architect of a major new building, went to Moscow, where he was hailed by Trotsky and was received at the Kremlin. Le Corbusier praised the ideas of Mussolini and worked for two years under the Vichy government, hoping to oversee new construction and urbanism throughout France. Le Corbusier believed that Hitler and Vichy rule would bring about “a marvelous transformation of society,” then renounced the doomed regime and went to work for Charles de Gaulle and his provisional government. Weber writes about Le Corbusier’s fraught relationships with women (he remained celibate until the age of twenty-four and then often went to prostitutes); about his twenty-seven-year-long marriage to a woman who had no interest in architecture and forbade it being discussed at the dinner table; about his numerous love affairs during his marriage, including his shipboard romance with the twenty-three-year-old Josephine Baker, already a legend in Paris, whom he saw as a “pure and guileless soul.” She saw him as “irresistibly funny.” “What a shame you’re an architect!” she wrote. “You’d have made such a good partner!” A brilliant revelation of this single-minded, elusive genius, of his extraordinary achivements and the age in which he lived.
Author: Miles J. Unger
Publisher: Simon & Schuster
ISBN: 1476794227
Category : Biography & Autobiography
Languages : en
Pages : 480
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Book Description
One of The Christian Science Monitor’s Best Nonfiction Books of 2018 “An engrossing read…a historically and psychologically rich account of the young Picasso and his coteries in Barcelona and Paris” (The Washington Post) and how he achieved his breakthrough and revolutionized modern art through his masterpiece, Les Demoiselles d’Avignon. In 1900, eighteen-year-old Pablo Picasso journeyed from Barcelona to Paris, the glittering capital of the art world. For the next several years he endured poverty and neglect before emerging as the leader of a bohemian band of painters, sculptors, and poets. Here he met his first true love and enjoyed his first taste of fame. Decades later Picasso would look back on these years as the happiest of his long life. Recognition came first from the avant-garde, then from daring collectors like Leo and Gertrude Stein. In 1907, Picasso began the vast, disturbing masterpiece known as Les Demoiselles d’Avignon. Inspired by the painting of Paul Cézanne and the inventions of African and tribal sculpture, Picasso created a work that captured the disorienting experience of modernity itself. The painting proved so shocking that even his friends assumed he’d gone mad, but over the months and years it exerted an ever greater fascination on the most advanced painters and sculptors, ultimately laying the foundation for the most innovative century in the history of art. In Picasso and the Painting That Shocked the World, Miles J. Unger “combines the personal story of Picasso’s early years in Paris—his friendships, his romances, his great ambition, his fears—with the larger story of modernism and the avant-garde” (The Christian Science Monitor). This is the story of an artistic genius with a singular creative gift. It is “riveting…This engrossing book chronicles with precision and enthusiasm a painting with lasting impact in today’s art world” (Publishers Weekly, starred review), all of it played out against the backdrop of the world’s most captivating city.
Author: John Richardson
Publisher: Random House
ISBN: 1409016579
Category : Biography & Autobiography
Languages : en
Pages : 562
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Book Description
From 1950 to 1962, John Richardson lived near Picasso in France and was a friend of the artist. With a view to writing a biography, the acclaimed art historian kept a diary of their meetings. After Picasso's death, his widow Jacqueline collaborated in the preparation of this work, giving Richardson access to Picasso's studio and papers. Volume one of this extraordinary biography establishes the complexity of Picasso's Spanish roots; his aversion to his native Malaga and his passion for Barcelona and Catalan "modernisme". Richardson introduces new material on the artist's early training in religious art; re-examines old legends to provide fresh insights into the artistic failures of Picasso's father as an impetus to his sons's triumphs; and includes portraits of Apollinaire, Max Jacob and Gertrude Stein, who made up "The Picasso Gang" in Paris during the "Blue" and "Rose" periods.
Author: John Richardson
Publisher: Random House
ISBN: 1448112524
Category : Biography & Autobiography
Languages : en
Pages : 514
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Book Description
John Richardson draws on the same combination of lively writing, critical astuteness, exhaustive research, and personal experience which made a bestseller out of the first volume and vividly recreates the artist's life and work during the crucial decade of 1907-17 - a period during which Pablo Picasso and Georges Braque invented Cubism and to that extent engendered modernism. Richardson has had unique access to untapped sources and unpublished material. By harnessing biography to art history, he has managed to crack the code of cubism more successfully than any of his predecessors. And by bringing a fresh light to bear on the artist's often too sensationalised private life, he has succeeded in coming up with a totally new view of this paradoxical man of his paradoxical work. Never before has Picasso's prodigious technique, his incisive vision and not least his sardonic humour been analysed with such clarity.
