Author: Robert Miles
Publisher: Manchester University Press
ISBN: 9780719038297
Category : Biography & Autobiography
Languages : en
Pages : 212
Book Description
To her contemporaries, Ann Radcliffe was 'The Great Enchantress'. Her wild and stormy Gothic romances made her one of the most popular and successful writers of the later eighteenth century.
Ann Radcliffe
Author: Robert Miles
Publisher: Manchester University Press
ISBN: 9780719038297
Category : Biography & Autobiography
Languages : en
Pages : 212
Book Description
To her contemporaries, Ann Radcliffe was 'The Great Enchantress'. Her wild and stormy Gothic romances made her one of the most popular and successful writers of the later eighteenth century.
Publisher: Manchester University Press
ISBN: 9780719038297
Category : Biography & Autobiography
Languages : en
Pages : 212
Book Description
To her contemporaries, Ann Radcliffe was 'The Great Enchantress'. Her wild and stormy Gothic romances made her one of the most popular and successful writers of the later eighteenth century.
A Journey Made in the Summer of 1794
Author: Ann Radcliffe
Publisher:
ISBN:
Category : Europe
Languages : en
Pages : 522
Book Description
Publisher:
ISBN:
Category : Europe
Languages : en
Pages : 522
Book Description
The Monthly Review
Author: Ralph Griffiths
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 610
Book Description
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 610
Book Description
Mistress of Udolpho
Author: Rictor Norton
Publisher: Bloomsbury Publishing
ISBN: 1847142699
Category : Literary Criticism
Languages : en
Pages : 329
Book Description
This is the biography of the Gothic novelist, Ann Radcliffe (1764-1823), author of "The Mysteries of Udolpho", the world's first "best seller". The text clarifies Radcliffe's emergence from a Dissenting Unitarian, rather than a conventional Anglican, background. This places Radcliffe within the circle of other women writers nurtured in radical Dissenting backgrounds (such as Wollstonecraft, Hays, Inchbauld and Barbauld). Radcliffe's childhood and family background are documented and the rumours of her madness and reclusiveness investigated leading to an evaluation of the resons for her probable mental breakdown. The text constitutes a "cultural history" of a writing woman, demonstrating her place within radical culture, literary tradition and aesthetic discourse, and examining her role in the rise of the professional woman writer. Her novels are analyzed mainly in the context of her biography and sources.
Publisher: Bloomsbury Publishing
ISBN: 1847142699
Category : Literary Criticism
Languages : en
Pages : 329
Book Description
This is the biography of the Gothic novelist, Ann Radcliffe (1764-1823), author of "The Mysteries of Udolpho", the world's first "best seller". The text clarifies Radcliffe's emergence from a Dissenting Unitarian, rather than a conventional Anglican, background. This places Radcliffe within the circle of other women writers nurtured in radical Dissenting backgrounds (such as Wollstonecraft, Hays, Inchbauld and Barbauld). Radcliffe's childhood and family background are documented and the rumours of her madness and reclusiveness investigated leading to an evaluation of the resons for her probable mental breakdown. The text constitutes a "cultural history" of a writing woman, demonstrating her place within radical culture, literary tradition and aesthetic discourse, and examining her role in the rise of the professional woman writer. Her novels are analyzed mainly in the context of her biography and sources.
Life-writings by British Women, 1660-1815
Author: Carolyn A. Barros
Publisher: UPNE
ISBN: 9781555534325
Category : Biography & Autobiography
Languages : en
Pages : 438
Book Description
A pioneering, diverse collection that provides insight into the powerful motive of self-expression that inspired women autobiographers around the eighteenth century.
Publisher: UPNE
ISBN: 9781555534325
Category : Biography & Autobiography
Languages : en
Pages : 438
Book Description
A pioneering, diverse collection that provides insight into the powerful motive of self-expression that inspired women autobiographers around the eighteenth century.
Refugee Nuns, the French Revolution, and British Literature and Culture
Author: Tonya J. Moutray
Publisher: Routledge
ISBN: 1317069307
Category : Literary Criticism
Languages : en
Pages : 266
Book Description
In eighteenth-century literature, negative representations of Catholic nuns and convents were pervasive. Yet, during the politico-religious crises initiated by the French Revolution, a striking literary shift took place as British writers championed the cause of nuns, lauded their socially relevant work, and addressed the attraction of the convent for British women. Interactions with Catholic religious, including priests and nuns, Tonya J Moutray argues, motivated writers, including Hester Thrale Piozzi, Helen Maria Williams, and Charlotte Smith, to revaluate the historical and contemporary utility of religious refugees. Beyond an analysis of literary texts, Moutray's study also examines nuns’ personal and collective narratives, as well as news coverage of their arrival to England, enabling a nuanced investigation of a range of issues, including nuns' displacement and imprisonment in France, their rhetorical and practical strategies to resist authorities, representations of refugee migration to and resettlement in England, relationships with benefactors and locals, and the legal status of "English" nuns and convents in England, including their work in recruitment and education. Moutray shows how writers and the media negotiated the multivalent figure of the nun during the 1790s, shaping British perceptions of nuns and convents during a time critical to their survival.
Publisher: Routledge
ISBN: 1317069307
Category : Literary Criticism
Languages : en
Pages : 266
Book Description
In eighteenth-century literature, negative representations of Catholic nuns and convents were pervasive. Yet, during the politico-religious crises initiated by the French Revolution, a striking literary shift took place as British writers championed the cause of nuns, lauded their socially relevant work, and addressed the attraction of the convent for British women. Interactions with Catholic religious, including priests and nuns, Tonya J Moutray argues, motivated writers, including Hester Thrale Piozzi, Helen Maria Williams, and Charlotte Smith, to revaluate the historical and contemporary utility of religious refugees. Beyond an analysis of literary texts, Moutray's study also examines nuns’ personal and collective narratives, as well as news coverage of their arrival to England, enabling a nuanced investigation of a range of issues, including nuns' displacement and imprisonment in France, their rhetorical and practical strategies to resist authorities, representations of refugee migration to and resettlement in England, relationships with benefactors and locals, and the legal status of "English" nuns and convents in England, including their work in recruitment and education. Moutray shows how writers and the media negotiated the multivalent figure of the nun during the 1790s, shaping British perceptions of nuns and convents during a time critical to their survival.
Ann Radcliffe, Romanticism and the Gothic
Author: Dale Townshend
Publisher: Cambridge University Press
ISBN: 1107032830
Category : Literary Criticism
Languages : en
Pages : 275
Book Description
The first fully comprehensive collection of essays devoted to the fictional output of prolific Romantic author, Ann Radcliffe.
Publisher: Cambridge University Press
ISBN: 1107032830
Category : Literary Criticism
Languages : en
Pages : 275
Book Description
The first fully comprehensive collection of essays devoted to the fictional output of prolific Romantic author, Ann Radcliffe.
Spectres of Antiquity
Author: James Uden
Publisher: Oxford University Press
ISBN: 0190910283
Category : Literary Criticism
Languages : en
Pages : 285
Book Description
Gothic literature imagines the return of ghosts from the past. But what about the ghosts of the classical past? Spectres of Antiquity is the first full-length study to describe the relationship between Greek and Roman culture and the Gothic novels, poetry, and drama of the eighteenth and early nineteenth centuries. Rather than simply representing the opposite of classical aesthetics and ideas, the Gothic emerged from an awareness of the lingering power of antiquity. The Gothic reflects a new and darker vision of the ancient world: no longer inspiring modernity through its examples, antiquity has become a ghost, haunting contemporary minds rather than guiding them. Through readings of works by authors including Horace Walpole, Ann Radcliffe, Matthew Lewis, Charles Brockden Brown, and Mary Shelley, Spectres of Antiquity argues that these authors' plots and ideas preserve the remembered traces of Greece and Rome. James Uden provides evidence for many allusions to ancient texts that have never previously been noted in scholarship, and he offers an accessible guide both to the Gothic genre and to the classical world to which it responds. In fascinating and compelling detail, Spectres of Antiquity rewrites the history of the Gothic, demonstrating that the genre was haunted by a far deeper sense of history than has previously been assumed.
Publisher: Oxford University Press
ISBN: 0190910283
Category : Literary Criticism
Languages : en
Pages : 285
Book Description
Gothic literature imagines the return of ghosts from the past. But what about the ghosts of the classical past? Spectres of Antiquity is the first full-length study to describe the relationship between Greek and Roman culture and the Gothic novels, poetry, and drama of the eighteenth and early nineteenth centuries. Rather than simply representing the opposite of classical aesthetics and ideas, the Gothic emerged from an awareness of the lingering power of antiquity. The Gothic reflects a new and darker vision of the ancient world: no longer inspiring modernity through its examples, antiquity has become a ghost, haunting contemporary minds rather than guiding them. Through readings of works by authors including Horace Walpole, Ann Radcliffe, Matthew Lewis, Charles Brockden Brown, and Mary Shelley, Spectres of Antiquity argues that these authors' plots and ideas preserve the remembered traces of Greece and Rome. James Uden provides evidence for many allusions to ancient texts that have never previously been noted in scholarship, and he offers an accessible guide both to the Gothic genre and to the classical world to which it responds. In fascinating and compelling detail, Spectres of Antiquity rewrites the history of the Gothic, demonstrating that the genre was haunted by a far deeper sense of history than has previously been assumed.
Travel Writing and Tourism in Britain and Ireland
Author: Benjamin Colbert
Publisher: Springer
ISBN: 0230355064
Category : Literary Criticism
Languages : en
Pages : 277
Book Description
From the mid-eighteenth century to the twentieth, tourism became established as a leisure industry and travel writing as a popular genre. In this collection of essays, leading international historians and travel writing experts examine the role of home tourism in the UK and Ireland in the development of national identities and commercial culture.
Publisher: Springer
ISBN: 0230355064
Category : Literary Criticism
Languages : en
Pages : 277
Book Description
From the mid-eighteenth century to the twentieth, tourism became established as a leisure industry and travel writing as a popular genre. In this collection of essays, leading international historians and travel writing experts examine the role of home tourism in the UK and Ireland in the development of national identities and commercial culture.
The Idea of Europe in British Travel Narratives, 1789-1914
Author: Katarina Gephardt
Publisher: Routledge
ISBN: 1317028120
Category : Literary Criticism
Languages : en
Pages : 249
Book Description
The nineteenth century was the heyday of travel, with Britons continually reassessing their own culture in relation to not only the colonized but also other Europeans, especially the ones that they encountered on the southern and eastern peripheries of the continent. Offering illustrative case studies, Katarina Gephardt shows how specific rhetorical strategies used in contemporary travel writing produced popular fictional representations of continental Europe in the works of Ann Radcliffe, Lord Byron, Charles Dickens, and Bram Stoker. She examines a wide range of autobiographical and fictional travel narratives to demonstrate that the imaginative geographies underpinning British ideas of Europe emerged from the spaces between fact and fiction. Adding texture to her study are her analyses of the visual dimensions of cross-cultural representation and of the role of evolving technologies in defining a shared set of rhetorical strategies. Gephardt argues that British writers envisioned their country simultaneously as distinct from the Continent and as a part of Europe, anticipating the contradictory British discourse around European integration that involves both fear that the European super-state will violate British sovereignty and a desire to play a more central role in the European Union.
Publisher: Routledge
ISBN: 1317028120
Category : Literary Criticism
Languages : en
Pages : 249
Book Description
The nineteenth century was the heyday of travel, with Britons continually reassessing their own culture in relation to not only the colonized but also other Europeans, especially the ones that they encountered on the southern and eastern peripheries of the continent. Offering illustrative case studies, Katarina Gephardt shows how specific rhetorical strategies used in contemporary travel writing produced popular fictional representations of continental Europe in the works of Ann Radcliffe, Lord Byron, Charles Dickens, and Bram Stoker. She examines a wide range of autobiographical and fictional travel narratives to demonstrate that the imaginative geographies underpinning British ideas of Europe emerged from the spaces between fact and fiction. Adding texture to her study are her analyses of the visual dimensions of cross-cultural representation and of the role of evolving technologies in defining a shared set of rhetorical strategies. Gephardt argues that British writers envisioned their country simultaneously as distinct from the Continent and as a part of Europe, anticipating the contradictory British discourse around European integration that involves both fear that the European super-state will violate British sovereignty and a desire to play a more central role in the European Union.