A History of the Japanese People from the Earliest Times to the End of the Meiji Era PDF Download
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Author: Frank Brinkley
Publisher:
ISBN:
Category : Japan
Languages : en
Pages : 848
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Book Description
Author: Frank Brinkley
Publisher:
ISBN:
Category : Japan
Languages : en
Pages : 848
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Book Description
Author: Frank & Kikuchi Brinkley
Publisher: Library of Alexandria
ISBN: 1465513043
Category : Fiction
Languages : en
Pages : 1932
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Book Description
IN the earliest eras of historic Japan there existed a hereditary corporation of raconteurs (Katari-be) who, from generation to generation, performed the function of reciting the exploits of the sovereigns and the deeds of heroes. They accompanied themselves on musical instruments, and naturally, as time went by, each set of raconteurs embellished the language of their predecessors, adding supernatural elements, and introducing details which belonged to the realm of romance rather than to that of ordinary history. These Katari-be would seem to have been the sole repository of their country's annals until the sixth century of the Christian era. Their repertories of recitation included records of the great families as well as of the sovereigns, and it is easy to conceive that the favour and patronage of these high personages were earned by ornamenting the traditions of their households and exalting their pedigrees. But when the art of writing was introduced towards the close of the fourth century, or at the beginning of the fifth, and it was seen that in China, then the centre of learning and civilization, the art had been applied to the compilation of a national history as well as of other volumes possessing great ethical value, the Japanese conceived the ambition of similarly utilizing their new attainment. For reasons which will be understood by and by, the application of the ideographic script to the language of Japan was a task of immense difficulty, and long years must have passed before the attainment of any degree of proficiency.
Author: Frank Brinkley
Publisher:
ISBN:
Category : Japan
Languages : en
Pages : 854
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Book Description
Author: W. Beasley
Publisher: Stanford University Press
ISBN: 9780804779906
Category : History
Languages : en
Pages : 534
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Book Description
First, there are questions concerning the role and relative importance of internal and external factors in the pattern of events. Did the activities of the Western powers prompt changes in Japan that would not otherwise have taken place? Or did they merely hasten a process that had already begun? Similarly, did Western civilization give a new direction to Japanese development, or do no more than provide the outward forms through which indigenous change could manifest itself? Was it a matrix, or only a shopping list? Second, how far was the evolution of modern Japan in some sense "inevitable"? Were the main features of Meiji society already implicit in the Tempo reforms, only awaiting an appropriate trigger to bring them into being? More narrowly, was the character of Meiji institutions determined by the social composition of the anti-Tokugawa movement, or did it derive from a situation that took shape only after the Bakufu was overthrown? This is to pose the problem of the relationship between day-to-day politics and long-term socioeconomic change. One can argue, paraphrasing Toyama, that the political controversy about foreign affairs provided the means by which basic socioeconomic factors became effective; or one can say, with Sakata, that the relevance of socioeconomic change is that it helped to decide the manner in which the fundamentally political ramifications of the foreign question were worked out. The difference of emphasis is significant. Finally, have recent historians, in their preoccupation with other issues, lost sight of something important in their relative neglect of ideas qua ideas? Ought we perhaps to stop treating loyalty to the Emperor as simply a manifestation of something else? After all, the men whose actions are the object of our study took that loyalty seriously enough, certainly as an instrument of politics, if not as an article of faith.
Author: Donald Keene
Publisher: Columbia University Press
ISBN: 0231518110
Category : Biography & Autobiography
Languages : en
Pages : 957
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Book Description
The renowned Japanese scholar “brings us as close to the inner life of the Meiji emperor as we are ever likely to get” (The New York Times Book Review). When Emperor Meiji began his rule in 1867, Japan was a splintered empire dominated by the shogun and the daimyos, cut off from the outside world, staunchly antiforeign, and committed to the traditions of the past. Before long, the shogun surrendered to the emperor, a new constitution was adopted, and Japan emerged as a modern, industrialized state. Despite the length of his reign, little has been written about the strangely obscured figure of Meiji himself, the first emperor ever to meet a European. But now, Donald Keene sifts the available evidence to present a rich portrait not only of Meiji but also of rapid and sometimes violent change during this pivotal period in Japan’s history. In this vivid and engrossing biography, we move with the emperor through his early, traditional education; join in the formal processions that acquainted the young emperor with his country and its people; observe his behavior in court, his marriage, and his relationships with various consorts; and follow his maturation into a “Confucian” sovereign dedicated to simplicity, frugality, and hard work. Later, during Japan’s wars with China and Russia, we witness Meiji’s struggle to reconcile his personal commitment to peace and his nation’s increasingly militarized experience of modernization. Emperor of Japan conveys in sparkling prose the complexity of the man and offers an unrivaled portrait of Japan in a period of unique interest. “Utterly brilliant . . . the best history in English of the emergence of modern Japan.”—Los Angeles Times
Author: University of Chicago. Medical Schools. Dept. of Medicine
Publisher:
ISBN:
Category : Medicine
Languages : en
Pages : 1250
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Book Description
Author: Jean Herbert
Publisher: Routledge
ISBN: 1136903763
Category : Reference
Languages : en
Pages : 1046
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Book Description
Shinto, the national indigenous religion of Japan has supplied Japan with the basic structure of its mentality and behaviour. Although its classical texts have been translated into English this volume was the first major study of this important religion. The book is a complete picture of Shinto, its history and internal organization, its gods and mythology, its temples and priests, its moral and worship. The volume also describes the metaphysics, mystic and spiritual disciplines and overall is one of the most authentic and authoritative surveys of Shinto of the twentieth century.
Author: Marius B. Jansen
Publisher: Harvard University Press
ISBN: 0674039106
Category : History
Languages : en
Pages : 933
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Book Description
Magisterial in vision, sweeping in scope, this monumental work presents a seamless account of Japanese society during the modern era, from 1600 to the present. A distillation of more than fifty years’ engagement with Japan and its history, it is the crowning work of our leading interpreter of the modern Japanese experience. Since 1600 Japan has undergone three periods of wrenching social and institutional change, following the imposition of hegemonic order on feudal society by the Tokugawa shogun; the opening of Japan’s ports by Commodore Perry; and defeat in World War II. The Making of Modern Japan charts these changes: the social engineering begun with the founding of the shogunate in 1600, the emergence of village and castle towns with consumer populations, and the diffusion of samurai values in the culture. Marius Jansen covers the making of the modern state, the adaptation of Western models, growing international trade, the broadening opportunity in Japanese society with industrialization, and the postwar occupation reforms imposed by General MacArthur. Throughout, the book gives voice to the individuals and views that have shaped the actions and beliefs of the Japanese, with writers, artists, and thinkers, as well as political leaders given their due. The story this book tells, though marked by profound changes, is also one of remarkable consistency, in which continuities outweigh upheavals in the development of society, and successive waves of outside influence have only served to strengthen a sense of what is unique and native to Japanese experience. The Making of Modern Japan takes us to the core of this experience as it illuminates one of the contemporary world’s most compelling transformations.
Author: Rebecca Salter
Publisher: University of Hawaii Press
ISBN: 9780824830830
Category : Art
Languages : en
Pages : 218
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Book Description
In the West, Japanese woodblock printing tends to be associated with the ukiyo-e tradition and the familiar portrayals of kabuki actors or courtesan beauties. These well-known images were produced by a publisher and artist using the extraordinary skills of carvers and printers, whose identities are rarely known. The same craftsmen also produced woodblock-printed objects for use in everyday life such as decorative paper (chiyogami), votive slips (senjafuda), playing cards (karuta), and board games (sugoroku). As the market changed in the late nineteenth century, the craftsmen increasingly turned to the production of these low-value, essentially ephemeral objects. Although the prices were kept low, many were imbued with the same glorious visual sophistication that had attracted Westerners to ukiyo-e. Approaching the subject as an artist rather than a print scholar, Rebecca Salter focuses on the craftsmen and the complex visual culture within which they worked. Through information gained from interviews with some of the remaining practitioners and analysis of the objects themselves, she builds up a picture of the quiet role woodblock played in the lives of the Japanese as they moved from the isolation of the Edo period to embrace modernization in the early twentieth century. This book is a fascinating exploration of this area of cultural history and the numerous color illustrations encourage a playful investigation of the many threads of Japan’s visual culture. Rebecca Salter is a well-known British printmaker. She lived in Japan for six years and is an acknowledged authority on Japanese woodblock printing. She is the author of Japanese Woodblock Printing.
Author: Maria Chiara Oltolini
Publisher: Bloomsbury Publishing USA
ISBN: 1501389890
Category : Performing Arts
Languages : en
Pages : 211
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Book Description
Rediscovered Classics of Japanese Animation is the first academic work to examine World Masterpiece Theater (Sekai Meisaku Gekijô, 1969-2009), which popularized the practice of adapting foreign children's books into long-running animated series and laid the groundwork for powerhouses like Studio Ghibli. World Masterpiece Theater (Sekai Meisaku Gekijô, 1969-2009) is a TV staple created by the Japanese studio Nippon Animation, which popularized the practice of adapting foreign children's books into long-running animated series. Once generally dismissed by critics, the series is now frequently investigated as a key early work of legendary animators Isao Takahata and Hayao Miyazaki. In the first book-length examination of the series, Maria Chiara Oltolini analyzes cultural significance of World Masterpiece Theater, and the ways in which the series pioneered the importance of children's fiction for Japanese animation studios and laid the groundwork for powerhouses like Studio Ghibli. Adapting a novel for animation also means decoding (and re-coding) socio-cultural patterns embedded in a narrative. World Masterpiece Theater stands as a unique example of this linguistic, medial, and cultural hybridisation. Popular children's classics such as Little Women, Peter Pan, and Anne of Green Gables became the starting point of a full-fledged negotiation process in which Japanese animators retold a whole range of narratives that have one basic formula in common: archetypal stories with an educational purpose. In particular, the series played a role in shaping the pop culture image of a young girl (shôjo). Examining the series through the lens of animation studies as well as adaptation studies, Oltolini sheds new light on this long-neglected staple of Japanese animation history.
