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Author: Curt Hersey
Publisher: Rowman & Littlefield
ISBN: 1793637792
Category : Performing Arts
Languages : en
Pages : 297
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Book Description
In this book, Curt Hersey explores the history of U.S. media, demonstrating how news parody has entertained television audiences by satirizing political and social issues and offering a lighthearted take on broadcast news. Despite shifts away from broadcast and cable delivery, comedians like Samantha Bee, Michael Che, and John Oliver continue this tradition of delivering topical humor within a newscast format. In this history of the television news parody genre, Hersey critically engages with the norms and presentational styles of television journalism at the time of their production. News parody has increasingly become part of the larger journalistic field, with viewers often turning to this parodic programming as a supplement and corrective to mainstream news sources. Beginning in the 1960s with the NBC program That Was the Week That Was, the history of news parody is analyzed decade by decade by focusing on presidential and political coverage, as well as the genre’s critiques of television network and cable journalism. Case studies include Saturday Night Live’s “Weekend Update;” HBO’s Not Necessarily the News; Comedy Central’s original Daily Show, The Daily Show with Jon Stewart, and The Colbert Report; and HBO’s Last Week Tonight with John Oliver. Scholars of media history, political communication, and popular culture will find this book particularly useful.
Author: Curt Hersey
Publisher: Rowman & Littlefield
ISBN: 1793637792
Category : Performing Arts
Languages : en
Pages : 297
Get Book Here
Book Description
In this book, Curt Hersey explores the history of U.S. media, demonstrating how news parody has entertained television audiences by satirizing political and social issues and offering a lighthearted take on broadcast news. Despite shifts away from broadcast and cable delivery, comedians like Samantha Bee, Michael Che, and John Oliver continue this tradition of delivering topical humor within a newscast format. In this history of the television news parody genre, Hersey critically engages with the norms and presentational styles of television journalism at the time of their production. News parody has increasingly become part of the larger journalistic field, with viewers often turning to this parodic programming as a supplement and corrective to mainstream news sources. Beginning in the 1960s with the NBC program That Was the Week That Was, the history of news parody is analyzed decade by decade by focusing on presidential and political coverage, as well as the genre’s critiques of television network and cable journalism. Case studies include Saturday Night Live’s “Weekend Update;” HBO’s Not Necessarily the News; Comedy Central’s original Daily Show, The Daily Show with Jon Stewart, and The Colbert Report; and HBO’s Last Week Tonight with John Oliver. Scholars of media history, political communication, and popular culture will find this book particularly useful.
Author: Jonathan Gray
Publisher: NYU Press
ISBN: 0814731996
Category : Humor
Languages : en
Pages : 298
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Book Description
This work examines what happens when comedy becomes political, and politics become funny. A series of original essays focus on a range of programmes, from 'The Daily Show' to 'South Park'.
Author: Jody C Baumgartner
Publisher: Springer Nature
ISBN: 303174893X
Category :
Languages : en
Pages : 178
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Book Description
Author: Paul Alonso
Publisher: Oxford University Press
ISBN: 0190636505
Category : Humor
Languages : en
Pages : 193
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Book Description
Satiric TV in the Americas is the first book to focus on Latin American TV satire in order to understand their critical role in challenging the status quo, traditional journalism, and the prevalent local media culture. It introduces the notion of "critical metatainment" as negotiated dissent, a key concept for the study of postmodern satire.
Author: Ethan Thompson
Publisher: University of Georgia Press
ISBN: 0820356182
Category : Language Arts & Disciplines
Languages : en
Pages : 256
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Book Description
"Television History, The Peabody Archive, and Cultural Memory is the product of a multiyear collaboration between the Peabody Awards program and over a dozen media scholars with the intent to uncover, explore, and analyze historical television programming contained in the Peabody Awards archives at the University of Georgia. It is an intentional effort to look both wider and deeper than the well-known canon of U.S. broadcast history that dominates popular memory of the relationship of television to American society. The Peabody Archive is especially suited to this project because it is an archive of programming produced and submitted not just by the big networks in New York or Los Angeles, but by stations and media producers across the nation and, more recently, around the world. This project asks, how might these programs change our understanding of television's past, and impact the ways we think about television's present and future? What new questions can we ask and what new approaches should we take as a result of seeing and experiencing this programming? The contributions in this volume offer a dramatic range of approaches for how scholars can productively engage the archive's media and physical holdings to examine and reconsider television history"--
Author: Ian Wilkie
Publisher: Routledge
ISBN: 0429614373
Category : Performing Arts
Languages : en
Pages : 451
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Book Description
The Routledge Comedy Studies Reader is a selection of the most outstanding critical analysis featured in the journal Comedy Studies in the decade since its inception in 2010. The Reader illustrates the multiple perspectives that are available when analysing comedy. Wilkie’s selections present an array of critical approaches from interdisciplinary scholars, all of whom evaluate comedy from different angles and adopt a range of writing styles to explore the phenomenon. Divided into eight unique parts, the Reader offers both breadth and depth with its wide range of interdisciplinary articles and international perspectives. Of interest to students, scholars, and lovers of comedy alike, The Routledge Comedy Studies Reader offers a contemporary sample of general analyses of comedy as a mode, form, and genre.
Author: Geoffrey Baym
Publisher: Routledge
ISBN: 1135751641
Category : Social Science
Languages : en
Pages : 200
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Book Description
In recent years, the US fake news program The Daily Show with Jon Stewart has become a surprisingly important source of information, conversation, and commentary about public affairs. Perhaps more surprisingly, so-called 'fake news' is now a truly global phenomenon, with various forms of news parody and political satire programming appearing throughout the world. This collection of innovative chapters takes a close and critical look at global news parody from a wide range of countries including the USA and the UK, Italy and France, Hungary and Romania, Israel and Palestine, Iran and India, Australia, Germany, and Denmark. Traversing a range of national cultures, political systems, and programming forms, News Parody and Political Satire Across the Globe offers insight into the central and perhaps controversial role that news parody has come to play in the world, and explores the multiple forces that enable and constrain its performance. It will help readers to better understand the intersections of journalism, politics, and comedy as they take shape across the globe in a variety of political and media systems. This book was originally published as a special issue of the journal Popular Communication.
Author: Jonathan Gray
Publisher: Routledge
ISBN: 1135253498
Category : History
Languages : en
Pages : 223
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Book Description
Television Entertainment offers a thematically based overview, balancing an interest in art, aesthetics and audiences with the power, politics and production of television, that includes examples from recent and current television, including Lost, reality television, The Sopranos, The Simpsons, political satire, Grey’s Anatomy, The West Wing, soaps, and 24.
Author: Andrew Weiss
Publisher: Rowman & Littlefield
ISBN: 1538177390
Category : Political Science
Languages : en
Pages : 301
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Book Description
For as long as there has been a press, fake news has played a role in the disruption of how factual information is shared among people. Misinformation goes back even further, spreading through the use of lies and rumors, spoken or written, for various political and social purposes. In this book, we will trace a brief history of fake news, examine its antecedents and precursors, before looking at the way it is currently employed using digital information technologies. The current consensus on what comprises fake news is somewhat contested; as such, a more detailed look at the phenomenon is in order. Not only does fake news include false news stories spread with the intent to deceive, its purpose can be instructive and parodic, providing the very tools needed to puncture misinformation bubbles. This book will examine in detail a comprehensive model for fake news that might be used to help predict and neutralize its negative effects, as well as examine the traits that contribute to a person’s susceptibility to falling for false stories, conspiracies, and other misinformation. In this regard, the book is unique in its approach to fake news, seeing it as situated within a matrix of behaviors, conditions, and contexts that must be accounted for before its effects can be completely neutralized. The context also explores the relationship of the creator and the user of fake news, speculating on the intertwined actions and motives of both. It is hypothesized that specific conditions exploited by ‘bad actors’ would contribute to the spread of fake news and that low levels or lack of certain identifiable characteristics in users (i.e. ability to scaffold, conduct parallel thinking, be aware of one’s ignorance, know one’s strengths and weaknesses) would also make it more likely to be consumed and shared. This book also examines the wider impacts of fake news on societies, especially in the areas of education, politics, and public policy. This book makes the case for developing strategies that rely not merely upon information literacy to help individuals deal with fake news, but also on wider national and international policies that specifically aid users of information and address human behavioral characteristics. As in information behavior research, the scale and scope of examining fake news requires both a local focus and a large-scale inquiry into societal and cultural norms
Author: Zoë Druick
Publisher: Wilfrid Laurier Univ. Press
ISBN: 1554580102
Category : Business & Economics
Languages : en
Pages : 355
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Book Description
"Programming Reality is a collection of original essays that explore the television programs that have thrived in the Canadian regulatory and cultural context - the programs that straddle, and even blur, the border between reality and fiction. The interdisciplinary articles in Programming Reality: Perspectives on English-Canadian Television - the first anthology dedicated exclusively to the analysis of Canadian television content - combine textual analysis with that of the political economy of media communications."--BOOK JACKET.
