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Author: Peter Heslin
Publisher: Oxford University Press
ISBN: 0199541574
Category : Literary Collections
Languages : en
Pages : 317
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Book Description
This volume offers a strikingly innovative account of Propertius' relationship with Virgil, positing a keen rivalry between two of the greatest poets of Latin literature, contemporaries within the circle of Maecenas. It begins by examining all of the references to Greek mythology in Propertius' first book; these passages emerge as strongly intertextual in nature, providing a way for the poet to situate himself with respect to his predecessors, both Greek and Roman. More specifically, myth is also the medium of a sustained polemic with Virgil's Eclogues, published only a few years earlier. Virgil's response can be traced in the Georgics, and subsequently, in his second and third books, Propertius continued to use mythology and its relationship to contemporary events as a vehicle for literary polemic. This volume argues that their competition can be seen as exemplifying a revised model for how the poets within Maecenas' circle interacted and engaged with each other's work - a model based on rivalry rather than ideological adhesion or subversion - while also painting a revealing picture of how Virgil was viewed by a contemporary in the days before his death had canonized his work as an instant classic. In particular, its novel interpretation offers us a new understanding of Propertius, one of the foundational figures in Western love poetry, and how his frequent references to other poets, especially Gallus and Ennius, take on new meanings when interpreted as responses to Virgil's changing career.
Author: Peter Heslin
Publisher: Oxford University Press
ISBN: 0199541574
Category : Literary Collections
Languages : en
Pages : 317
Get Book Here
Book Description
This volume offers a strikingly innovative account of Propertius' relationship with Virgil, positing a keen rivalry between two of the greatest poets of Latin literature, contemporaries within the circle of Maecenas. It begins by examining all of the references to Greek mythology in Propertius' first book; these passages emerge as strongly intertextual in nature, providing a way for the poet to situate himself with respect to his predecessors, both Greek and Roman. More specifically, myth is also the medium of a sustained polemic with Virgil's Eclogues, published only a few years earlier. Virgil's response can be traced in the Georgics, and subsequently, in his second and third books, Propertius continued to use mythology and its relationship to contemporary events as a vehicle for literary polemic. This volume argues that their competition can be seen as exemplifying a revised model for how the poets within Maecenas' circle interacted and engaged with each other's work - a model based on rivalry rather than ideological adhesion or subversion - while also painting a revealing picture of how Virgil was viewed by a contemporary in the days before his death had canonized his work as an instant classic. In particular, its novel interpretation offers us a new understanding of Propertius, one of the foundational figures in Western love poetry, and how his frequent references to other poets, especially Gallus and Ennius, take on new meanings when interpreted as responses to Virgil's changing career.
Author: Hans-Christian Günther
Publisher: BRILL
ISBN: 9047404831
Category : History
Languages : en
Pages : 488
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Book Description
The present volume provides a comprehensive guide to one of the most difficult authors of classical antiquity. All the major aspects of Propertius' work, its themes, the poetical technique, its sources and models, as well as the history of Propertian scholarship and the vexed problems of textual criticism, are dealt with in contributions by Joan Booth, James Butrica, Francis Cairns, Elaine Fantham, Paolo Fedeli, Adrian Hollis, Peter Knox, Robert Maltby, Tobias Reinhardt and Richard Tarrant; due space is also given to the reception of the author from antiquity and the renaissance (Simona Gavinelli) up to the modern age (Bernhard Zimmermann). At the centre stands an interpretation of the four transmitted books by Gesine Manuwaldt, Hans-Peter Syndikus, John Kevin Newman and Hans-Christian Günther.
Author: David Roy Shackleton Bailey
Publisher:
ISBN:
Category : Elegiac poetry, Latin
Languages : en
Pages : 352
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Book Description
Author: Sextus Propertius
Publisher: University of Oklahoma Press
ISBN: 9780806134680
Category : Literary Collections
Languages : la
Pages : 510
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Book Description
The Latin poet Propertius (ca. 50–16 B.C.) is considered by many to be the greatest elegiac poet of Rome. Long neglected because of the obscurity of his thought and the vagaries of his syntax, Propertius has now emerged as a writer of compelling originality and intellectual power. In this authoritative edition of Propertius’s elegies, L. Richardson, jr, makes these challenging poems both intelligible and accessible. For students of literature and history alike, Propertius offers insights into the intellectual world of Augustan Rome and Roman society. His perplexities and frustrations, his struggles with himself and with his domineering and capricious mistress Cynthia, and his exhilarations and depressions all strike a surprisingly familiar chord for the modern reader. Through an in-depth introduction and explanatory notes, Richardson strives to make the poems as readable as possible, at the same time examining the complexities and textual difficulties of the texts. Each elegy is accompanied by an introductory note providing a literary interpretation of the poem, followed by full and detailed commentary.
Author: Jeri Blair Debrohun
Publisher: University of Michigan Press
ISBN: 9780472112760
Category : History
Languages : en
Pages : 284
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Book Description
Studies how Propertius transformed the elegiac form, using Callimachean style as a starting point
Author: California. University
Publisher:
ISBN:
Category :
Languages : en
Pages : 1704
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Book Description
Author: Sextus Propertius
Publisher: Princeton University Press
ISBN: 9780691115825
Category : Literary Criticism
Languages : la
Pages : 524
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Book Description
Vincent Katz offers translations of all 107 known poems by the Augustan poet Sextus Propertius, a contemporary of Ovid. The translations keep as closely as possible to the original syntax, as Propertius' willful compressions & unusual tellings of myth are definitive of his poetics.
Author: University of California, Berkeley
Publisher:
ISBN:
Category :
Languages : en
Pages : 862
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 572
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Book Description
The Poetical gazette; the official organ of the Poetry society and a review of poetical affairs, nos. 4-7 issued as supplements to the Academy, v. 79, Oct. 15, Nov. 5, Dec. 3 and 31, 1910
Author: D. Thomas Benediktson
Publisher: SIU Press
ISBN: 9780809314539
Category : Biography & Autobiography
Languages : en
Pages : 194
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Book Description
An examination of Propertius in light of nonclassical, modernist literary techniques, especially internal monologue or stream of consciousness and imagism. Classical writers typically try to order or shape disparate experiences while modernists seek to present the complexity and disarray of human experience. Failing to realize that Propertius is in the modernist camp has led previous textual critics to divide and reorganize his poems. A. E. Housman, for example, unsuccessfully tried to reorder the lines in one Propertian poem into a logical and chronological sequence. On the contrary, Propertius, like the modernists, attempts to communicate experience itself through the association of ideas or through the reflection upon a visual picture or series of pictures (imagism, or what Pound described as the "superposition" of image and narrative). Benediktson finds philosophical justification for imagism in the Epicurean theory of images and in the Epicurean theorist and poet Philodemus, as well as in the doctrine of utpictura poesis. The result is a picture of Propertius that accounts for the mathematical precision of Book I, the structural chaos of Book II, and the more balanced poetry of Books III and IV.
