Author: Allardyce Nicoll
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 543
Book Description
A History of Late Nineteenth Century Drama 1850-1900
Author: Allardyce Nicoll
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 543
Book Description
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 543
Book Description
The Routledge Concise History of Nineteenth-Century Literature
Author: Josephine Guy
Publisher: Routledge
ISBN: 1136884467
Category : Literary Criticism
Languages : en
Pages : 282
Book Description
Nineteenth-century Britain saw the rise of secularism, the development of a modern capitalist economy, multi-party democracy, and an explosive growth in technological, scientific and medical knowledge. It also witnessed the emergence of a mass literary culture which changed permanently the relationships between writers, readers and publishers. Focusing on the work of British and Irish authors, The Routledge Concise History of Nineteenth-Century Literature: considers changes in literary forms, styles and genres, as well as in critical discourses examines literary movements such as Romanticism, Pre-Raphaelitism, Aestheticism and Decadence considers the work of a wide range of canonical and non-canonical writers discusses the impact of gender studies, queer theory, postcolonialism and book history contains useful, student-friendly features such as explanatory text boxes, chapter summaries, a detailed glossary and suggestions for further reading. In their lucid and accessible manner, Josephine M. Guy and Ian Small provide readers with an understanding of the complexity and variety of nineteenth-century literary culture, as well as the historical conditions which produced it.
Publisher: Routledge
ISBN: 1136884467
Category : Literary Criticism
Languages : en
Pages : 282
Book Description
Nineteenth-century Britain saw the rise of secularism, the development of a modern capitalist economy, multi-party democracy, and an explosive growth in technological, scientific and medical knowledge. It also witnessed the emergence of a mass literary culture which changed permanently the relationships between writers, readers and publishers. Focusing on the work of British and Irish authors, The Routledge Concise History of Nineteenth-Century Literature: considers changes in literary forms, styles and genres, as well as in critical discourses examines literary movements such as Romanticism, Pre-Raphaelitism, Aestheticism and Decadence considers the work of a wide range of canonical and non-canonical writers discusses the impact of gender studies, queer theory, postcolonialism and book history contains useful, student-friendly features such as explanatory text boxes, chapter summaries, a detailed glossary and suggestions for further reading. In their lucid and accessible manner, Josephine M. Guy and Ian Small provide readers with an understanding of the complexity and variety of nineteenth-century literary culture, as well as the historical conditions which produced it.
Plays by James Robinson Planché
Author: James Robinson Planché
Publisher: CUP Archive
ISBN: 9780521284417
Category : Drama
Languages : en
Pages : 262
Book Description
James Robinson Planché was one of the most prolific and successful of nineteenth-century playwrights. In a career spanning fifty years he wrote over one hundred and eighty pieces of all types, from pantomime and farce to melodrama and opera, for production at a wide range of London theatres. This book offers a representative selection of his most popular plays. It includes one melodrama - The Vampire; or The Bride of the Isles (1820), which represents the first treatment of the vampire theme on the English stage; one farce - The Garrick Fever (1839); three 'fairy' extravaganzas - Beauty and the Beast (1841), Fortunio and his Seven Gifted Servants (1843), and The Discreet Princess; or, The Three Glass Distaffs (1855); one 'classical' extravaganza - The Golden Fleece; or, Jason in Colchis and Medea in Corinth (1845); and one revue of events in contemporary London - The Camp at the Olympic (1853). The volume includes a lengthy introduction which sets the plays in the theatrical context of their time, a chronological record of Planché's life, a complete list of his plays, and a bibliography.
Publisher: CUP Archive
ISBN: 9780521284417
Category : Drama
Languages : en
Pages : 262
Book Description
James Robinson Planché was one of the most prolific and successful of nineteenth-century playwrights. In a career spanning fifty years he wrote over one hundred and eighty pieces of all types, from pantomime and farce to melodrama and opera, for production at a wide range of London theatres. This book offers a representative selection of his most popular plays. It includes one melodrama - The Vampire; or The Bride of the Isles (1820), which represents the first treatment of the vampire theme on the English stage; one farce - The Garrick Fever (1839); three 'fairy' extravaganzas - Beauty and the Beast (1841), Fortunio and his Seven Gifted Servants (1843), and The Discreet Princess; or, The Three Glass Distaffs (1855); one 'classical' extravaganza - The Golden Fleece; or, Jason in Colchis and Medea in Corinth (1845); and one revue of events in contemporary London - The Camp at the Olympic (1853). The volume includes a lengthy introduction which sets the plays in the theatrical context of their time, a chronological record of Planché's life, a complete list of his plays, and a bibliography.
National Traditions in Nineteenth-Century Opera, Volume I
Author: Steven Huebner
Publisher: Routledge
ISBN: 1351915851
Category : Music
Languages : en
Pages : 465
Book Description
This volume covers opera in Italy, France, England and the Americas during the long nineteenth century (1789-1914). The book is divided into four sections that are thematically, rather than geographically, conceived: Places-essays centering on contexts for operatic culture; Genres and Styles-studies dealing with the question of how operas in this period were put together; Critical Studies of individual works, exemplifying particular critical trends; and Performance.
Publisher: Routledge
ISBN: 1351915851
Category : Music
Languages : en
Pages : 465
Book Description
This volume covers opera in Italy, France, England and the Americas during the long nineteenth century (1789-1914). The book is divided into four sections that are thematically, rather than geographically, conceived: Places-essays centering on contexts for operatic culture; Genres and Styles-studies dealing with the question of how operas in this period were put together; Critical Studies of individual works, exemplifying particular critical trends; and Performance.
Nineteenth Century Plays
Author: George Rowell
Publisher: Read Books Ltd
ISBN: 1446547574
Category : Drama
Languages : en
Pages : 709
Book Description
This vintage book contains a collection of notable nineteenth century plays. The purpose of this volume is to assemble a representative selection of the plays which served as acceptable material in that century. The nineteenth century saw the emergence of the modern stage as we understand it: a stage framed by the proscenium arch, lit by electricity, and boxed by canvas flats; and the evolution of this stage cannot be followed without a reference to the plays that were written for it. The plays contained herein are: Black Eyed Susan, Money, Masks and Faces, The Colleen Bawn, Lad Audley's Secret, The Ticket-Of-Leave Man, Two Roses, The Bells, and A Pair of Spectacles. Many antiquarian texts such as this are increasingly hard-to-come-by and expensive, and it is with this in mind that we are republishing this volume now in an affordable, modern edition complete with a new prefatory biography of the author.
Publisher: Read Books Ltd
ISBN: 1446547574
Category : Drama
Languages : en
Pages : 709
Book Description
This vintage book contains a collection of notable nineteenth century plays. The purpose of this volume is to assemble a representative selection of the plays which served as acceptable material in that century. The nineteenth century saw the emergence of the modern stage as we understand it: a stage framed by the proscenium arch, lit by electricity, and boxed by canvas flats; and the evolution of this stage cannot be followed without a reference to the plays that were written for it. The plays contained herein are: Black Eyed Susan, Money, Masks and Faces, The Colleen Bawn, Lad Audley's Secret, The Ticket-Of-Leave Man, Two Roses, The Bells, and A Pair of Spectacles. Many antiquarian texts such as this are increasingly hard-to-come-by and expensive, and it is with this in mind that we are republishing this volume now in an affordable, modern edition complete with a new prefatory biography of the author.
Footlights in the Foothills
Author: Edwina Portelle Romero
Publisher: Sunstone Press
ISBN: 086534826X
Category : Amateur theater
Languages : en
Pages : 96
Book Description
Romero provides an overview of the amateur theatrical companies--the players, the plays, and the venues--in addition to stories of the social ties formed by the people who offered their talents and bared their egos to audiences in Las Vegas, "one of the hottest towns in the country" between 1871 and 1899.
Publisher: Sunstone Press
ISBN: 086534826X
Category : Amateur theater
Languages : en
Pages : 96
Book Description
Romero provides an overview of the amateur theatrical companies--the players, the plays, and the venues--in addition to stories of the social ties formed by the people who offered their talents and bared their egos to audiences in Las Vegas, "one of the hottest towns in the country" between 1871 and 1899.
The Demographic Imagination and the Nineteenth-Century City
Author: Nicholas Daly
Publisher: Cambridge University Press
ISBN: 110709559X
Category : History
Languages : en
Pages : 291
Book Description
Provocative account exploring how a population explosion transformed nineteenth-century European and American culture, creating shared narratives of urban life.
Publisher: Cambridge University Press
ISBN: 110709559X
Category : History
Languages : en
Pages : 291
Book Description
Provocative account exploring how a population explosion transformed nineteenth-century European and American culture, creating shared narratives of urban life.
The London Journal, 1845-83
Author: Andrew King
Publisher: Routledge
ISBN: 1351886398
Category : Literary Criticism
Languages : en
Pages : 312
Book Description
This book is the first full-length study of one of the most widely read publications of nineteenth-century Britain, the London Journal, over a period when mass-market reading in a modern sense was born. Treating the magazine as a case study, the book maps the Victorian mass-market periodical in general and provides both new bibliographical and theoretical knowledge of this area. Andrew King argues the necessity for an interdisciplinary vision that recognises that periodicals are commodities that occupy specific but constantly unstable places in a dynamic cultural field. He elaborates the sociological work of Pierre Bourdieu to suggest a model of cultural 'zones' where complex issues of power are negotiated through both conscious and unconscious strategies of legitimation and assumption by consumers and producers. He also critically engages with cultural theory as well as traditional scholarship in history, art history, and literature, combining a political economic approach to the commodity with an aesthetic appreciation of the commodity as fetish. Previous commentators have coded the mass market as somehow always 'feminine', and King offers a genealogy of how such a gender identity came about. Fundamentally, however, the author relies on new and extensive primary research to ground the changing ways in which the reading public became consumers of literary commodities on a scale never before seen. Finally, King recontextualizes within the Victorian mass market three key novels of the time - Walter Scott's Ivanhoe (serialised in the London Journal 1859-60), Mary Braddon's Lady Audley's Secret (1863), and a previously unknown version of Émile Zola's The Ladies' Paradise (1883) - and in so doing he lends them radically new and unexpected meanings.
Publisher: Routledge
ISBN: 1351886398
Category : Literary Criticism
Languages : en
Pages : 312
Book Description
This book is the first full-length study of one of the most widely read publications of nineteenth-century Britain, the London Journal, over a period when mass-market reading in a modern sense was born. Treating the magazine as a case study, the book maps the Victorian mass-market periodical in general and provides both new bibliographical and theoretical knowledge of this area. Andrew King argues the necessity for an interdisciplinary vision that recognises that periodicals are commodities that occupy specific but constantly unstable places in a dynamic cultural field. He elaborates the sociological work of Pierre Bourdieu to suggest a model of cultural 'zones' where complex issues of power are negotiated through both conscious and unconscious strategies of legitimation and assumption by consumers and producers. He also critically engages with cultural theory as well as traditional scholarship in history, art history, and literature, combining a political economic approach to the commodity with an aesthetic appreciation of the commodity as fetish. Previous commentators have coded the mass market as somehow always 'feminine', and King offers a genealogy of how such a gender identity came about. Fundamentally, however, the author relies on new and extensive primary research to ground the changing ways in which the reading public became consumers of literary commodities on a scale never before seen. Finally, King recontextualizes within the Victorian mass market three key novels of the time - Walter Scott's Ivanhoe (serialised in the London Journal 1859-60), Mary Braddon's Lady Audley's Secret (1863), and a previously unknown version of Émile Zola's The Ladies' Paradise (1883) - and in so doing he lends them radically new and unexpected meanings.
Theatre and Evolution from Ibsen to Beckett
Author: Kirsten E. Shepherd-Barr
Publisher: Columbia University Press
ISBN: 0231538928
Category : Performing Arts
Languages : en
Pages : 397
Book Description
Evolutionary theory made its stage debut as early as the 1840s, reflecting a scientific advancement that was fast changing the world. Tracing this development in dozens of mainstream European and American plays, as well as in circus, vaudeville, pantomime, and "missing link" performances, Theatre and Evolution from Ibsen to Beckett reveals the deep, transformative entanglement among science, art, and culture in modern times. The stage proved to be no mere handmaiden to evolutionary science, though, often resisting and altering the ideas at its core. Many dramatists cast suspicion on the arguments of evolutionary theory and rejected its claims, even as they entertained its thrilling possibilities. Engaging directly with the relation of science and culture, this book considers the influence of not only Darwin but also Lamarck, Chambers, Spencer, Wallace, Haeckel, de Vries, and other evolutionists on 150 years of theater. It shares significant new insights into the work of Ibsen, Shaw, Wilder, and Beckett, and writes female playwrights, such as Susan Glaspell and Elizabeth Baker, into the theatrical record, unpacking their dramatic explorations of biological determinism, gender essentialism, the maternal instinct, and the "cult of motherhood." It is likely that more people encountered evolution at the theater than through any other art form in the late nineteenth and early twentieth centuries. Considering the liveliness and immediacy of the theater and its reliance on a diverse community of spectators and the power that entails, this book is a key text for grasping the extent of the public's adaptation to the new theory and the legacy of its representation on the perceived legitimacy (or illegitimacy) of scientific work.
Publisher: Columbia University Press
ISBN: 0231538928
Category : Performing Arts
Languages : en
Pages : 397
Book Description
Evolutionary theory made its stage debut as early as the 1840s, reflecting a scientific advancement that was fast changing the world. Tracing this development in dozens of mainstream European and American plays, as well as in circus, vaudeville, pantomime, and "missing link" performances, Theatre and Evolution from Ibsen to Beckett reveals the deep, transformative entanglement among science, art, and culture in modern times. The stage proved to be no mere handmaiden to evolutionary science, though, often resisting and altering the ideas at its core. Many dramatists cast suspicion on the arguments of evolutionary theory and rejected its claims, even as they entertained its thrilling possibilities. Engaging directly with the relation of science and culture, this book considers the influence of not only Darwin but also Lamarck, Chambers, Spencer, Wallace, Haeckel, de Vries, and other evolutionists on 150 years of theater. It shares significant new insights into the work of Ibsen, Shaw, Wilder, and Beckett, and writes female playwrights, such as Susan Glaspell and Elizabeth Baker, into the theatrical record, unpacking their dramatic explorations of biological determinism, gender essentialism, the maternal instinct, and the "cult of motherhood." It is likely that more people encountered evolution at the theater than through any other art form in the late nineteenth and early twentieth centuries. Considering the liveliness and immediacy of the theater and its reliance on a diverse community of spectators and the power that entails, this book is a key text for grasping the extent of the public's adaptation to the new theory and the legacy of its representation on the perceived legitimacy (or illegitimacy) of scientific work.
Medievalism in North America
Author: Kathleen Verduin
Publisher: Boydell & Brewer
ISBN: 9780859914178
Category : History
Languages : en
Pages : 260
Book Description
Studies on the influence of the middle ages, and in particular the Arthurian legends, on the culture of North America. Fifteen essays trace North America's enthusiastic engagement with the middle ages from the Revolution to Disney. There are eight studies of the American reception of Arthur: in art (Abbey, Rosenthal), literature (Canadian writers, John Ciardi), scholarship (R.S. Loomis), politics (JFK), and popular culture (Arthurian youth groups, Disneyland, the Excalibur Casino). Other topics include Tom Paine, Elbertus Hubbard, Edgar Rice Burroughs, C.B. DeMille, popular treatments of Villon, the roots of the New Mexican cuento, and the rhetoric of the Gulf War. Contributors: ROGER WOOD, KYMBERLEY N. PINDER, ERICA E. HIRSHLER, ALAN LUPACK, CHARLOTTE OBERG, RAYMOND H. THOMPSON, STAN GALLOWAY, ROBIN BLAETZ, ROBERT D. PECKHAM, JEFF RIDER, KLAUS P. JANKOFSKY, MARY MORSE, PAMELA S. MORGAN, SUSAN ARONSTEIN, NANCY COINER, JONATHAN M. ELUKIN
Publisher: Boydell & Brewer
ISBN: 9780859914178
Category : History
Languages : en
Pages : 260
Book Description
Studies on the influence of the middle ages, and in particular the Arthurian legends, on the culture of North America. Fifteen essays trace North America's enthusiastic engagement with the middle ages from the Revolution to Disney. There are eight studies of the American reception of Arthur: in art (Abbey, Rosenthal), literature (Canadian writers, John Ciardi), scholarship (R.S. Loomis), politics (JFK), and popular culture (Arthurian youth groups, Disneyland, the Excalibur Casino). Other topics include Tom Paine, Elbertus Hubbard, Edgar Rice Burroughs, C.B. DeMille, popular treatments of Villon, the roots of the New Mexican cuento, and the rhetoric of the Gulf War. Contributors: ROGER WOOD, KYMBERLEY N. PINDER, ERICA E. HIRSHLER, ALAN LUPACK, CHARLOTTE OBERG, RAYMOND H. THOMPSON, STAN GALLOWAY, ROBIN BLAETZ, ROBERT D. PECKHAM, JEFF RIDER, KLAUS P. JANKOFSKY, MARY MORSE, PAMELA S. MORGAN, SUSAN ARONSTEIN, NANCY COINER, JONATHAN M. ELUKIN