Author: Joseph Farrell
Publisher: Cambridge University Press
ISBN: 0521802652
Category : Drama
Languages : en
Pages : 376
Book Description
A history of Italian theatre from its origins to the the time of this book's publication in 2006. The text discusses the impact of all the elements and figures integral to the collaborative process of theatre-making. The distinctive nature of Italian theatre is expressed in the individual chapters by highly regarded international scholars.
A History of Italian Theatre
Author: Joseph Farrell
Publisher: Cambridge University Press
ISBN: 0521802652
Category : Drama
Languages : en
Pages : 376
Book Description
A history of Italian theatre from its origins to the the time of this book's publication in 2006. The text discusses the impact of all the elements and figures integral to the collaborative process of theatre-making. The distinctive nature of Italian theatre is expressed in the individual chapters by highly regarded international scholars.
Publisher: Cambridge University Press
ISBN: 0521802652
Category : Drama
Languages : en
Pages : 376
Book Description
A history of Italian theatre from its origins to the the time of this book's publication in 2006. The text discusses the impact of all the elements and figures integral to the collaborative process of theatre-making. The distinctive nature of Italian theatre is expressed in the individual chapters by highly regarded international scholars.
Commedia dell'Arte in Context
Author: Christopher B. Balme
Publisher: Cambridge University Press
ISBN: 1108670571
Category : Drama
Languages : en
Pages : 709
Book Description
The commedia dell'arte, the improvised Italian theatre that dominated the European stage from 1550 to 1750, is arguably the most famous theatre tradition to emerge from Europe in the early modern period. Its celebrated masks have come to symbolize theatre itself and have become part of the European cultural imagination. Over the past twenty years a revolution in commedia dell'arte scholarship has taken place, generated mainly by a number of distinguished Italian scholars. Their work, in which they have radically separated out the myth from the history of the phenomenon remains, however, largely untranslated into English (or any other language). The present volume gathers together these Italian and English-speaking scholars to synthesize for the first time this research for both specialist and non-specialist readers. The book is structured around key topics that span both the early modern period and the twentieth-century reinvention of the commedia dell'arte.
Publisher: Cambridge University Press
ISBN: 1108670571
Category : Drama
Languages : en
Pages : 709
Book Description
The commedia dell'arte, the improvised Italian theatre that dominated the European stage from 1550 to 1750, is arguably the most famous theatre tradition to emerge from Europe in the early modern period. Its celebrated masks have come to symbolize theatre itself and have become part of the European cultural imagination. Over the past twenty years a revolution in commedia dell'arte scholarship has taken place, generated mainly by a number of distinguished Italian scholars. Their work, in which they have radically separated out the myth from the history of the phenomenon remains, however, largely untranslated into English (or any other language). The present volume gathers together these Italian and English-speaking scholars to synthesize for the first time this research for both specialist and non-specialist readers. The book is structured around key topics that span both the early modern period and the twentieth-century reinvention of the commedia dell'arte.
The Theater of Narration
Author: Juliet Guzzetta
Publisher:
ISBN: 9780810143869
Category :
Languages : en
Pages : 264
Book Description
This is the first book in English to focus on the Theater of Narration, a genre characterized by narrators who write and perform works that revisit historical events of national importance from local perspectives.
Publisher:
ISBN: 9780810143869
Category :
Languages : en
Pages : 264
Book Description
This is the first book in English to focus on the Theater of Narration, a genre characterized by narrators who write and perform works that revisit historical events of national importance from local perspectives.
A History of Italian Cinema
Author: Peter Bondanella
Publisher: Bloomsbury Publishing USA
ISBN: 1501307657
Category : Performing Arts
Languages : en
Pages : 753
Book Description
A History of Italian Cinema, 2nd edition is the much anticipated update from the author of the bestselling Italian Cinema - which has been published in four landmark editions and will celebrate its 35th anniversary in 2018. Building upon decades of research, Peter Bondanella and Federico Pacchioni reorganize the current History in order to keep the book fresh and responsive not only to the actual films being created in Italy in the twenty-first century but also to the rapidly changing priorities of Italian film studies and film scholars. The new edition brings the definitive history of the subject, from the birth of cinema to the present day, up to date with a revised filmography as well as more focused attention on the melodrama, the crime film, and the historical drama. The book is expanded to include a new generation of directors as well as to highlight themes such as gender issues, immigration, and media politics. Accessible, comprehensive, and heavily illustrated throughout, this is an essential purchase for any fan of Italian film.
Publisher: Bloomsbury Publishing USA
ISBN: 1501307657
Category : Performing Arts
Languages : en
Pages : 753
Book Description
A History of Italian Cinema, 2nd edition is the much anticipated update from the author of the bestselling Italian Cinema - which has been published in four landmark editions and will celebrate its 35th anniversary in 2018. Building upon decades of research, Peter Bondanella and Federico Pacchioni reorganize the current History in order to keep the book fresh and responsive not only to the actual films being created in Italy in the twenty-first century but also to the rapidly changing priorities of Italian film studies and film scholars. The new edition brings the definitive history of the subject, from the birth of cinema to the present day, up to date with a revised filmography as well as more focused attention on the melodrama, the crime film, and the historical drama. The book is expanded to include a new generation of directors as well as to highlight themes such as gender issues, immigration, and media politics. Accessible, comprehensive, and heavily illustrated throughout, this is an essential purchase for any fan of Italian film.
The Making of Theatre History
Author: Paul Kuritz
Publisher: PAUL KURITZ
ISBN: 9780135478615
Category : Performing Arts
Languages : en
Pages : 478
Book Description
Publisher: PAUL KURITZ
ISBN: 9780135478615
Category : Performing Arts
Languages : en
Pages : 478
Book Description
A Source Book in Theatrical History
Author: A. M. Nagler
Publisher: Courier Corporation
ISBN: 0486315541
Category : Performing Arts
Languages : en
Pages : 642
Book Description
An annotated collection of more than 300 unusually interesting and detailed passages includes views by observers from ancient Greece to modern times on acting, directing, make-up, costuming, props, much more.
Publisher: Courier Corporation
ISBN: 0486315541
Category : Performing Arts
Languages : en
Pages : 642
Book Description
An annotated collection of more than 300 unusually interesting and detailed passages includes views by observers from ancient Greece to modern times on acting, directing, make-up, costuming, props, much more.
The Poetics of Imitation in the Italian Theatre of the Renaissance
Author: Salvatore Di Maria
Publisher: University of Toronto Press
ISBN: 1442667346
Category : Drama
Languages : en
Pages : 233
Book Description
The theatre of the Italian Renaissance was directly inspired by the classical stage of Greece and Rome, and many have argued that the former imitated the latter without developing a new theatre tradition. In this book, Salvatore DiMaria investigates aspects of innovation that made Italian Renaissance stage a modern, original theatre in its own right. He provides important evidence for creative imitation at work by comparing sources and imitations – incuding Machiavelli’s Mandragola and Clizia, Cecchi’s Assiuolo, Groto’s Emilia, and Dolce’s Marianna – and highlighting source elements that these playwrights chose to adopt, modify, or omit entirely. DiMaria delves into how playwrights not only brought inventive new dramaturgical methods to the genre, but also incorporated significant aspects of the morals and aesthetic preferences familiar to contemporary spectators into their works. By proposing the theatre of the Italian Renaissance as a poetic window into the living realities of sixteenth-century Italy, he provides a fresh approach to reading the works of this period.
Publisher: University of Toronto Press
ISBN: 1442667346
Category : Drama
Languages : en
Pages : 233
Book Description
The theatre of the Italian Renaissance was directly inspired by the classical stage of Greece and Rome, and many have argued that the former imitated the latter without developing a new theatre tradition. In this book, Salvatore DiMaria investigates aspects of innovation that made Italian Renaissance stage a modern, original theatre in its own right. He provides important evidence for creative imitation at work by comparing sources and imitations – incuding Machiavelli’s Mandragola and Clizia, Cecchi’s Assiuolo, Groto’s Emilia, and Dolce’s Marianna – and highlighting source elements that these playwrights chose to adopt, modify, or omit entirely. DiMaria delves into how playwrights not only brought inventive new dramaturgical methods to the genre, but also incorporated significant aspects of the morals and aesthetic preferences familiar to contemporary spectators into their works. By proposing the theatre of the Italian Renaissance as a poetic window into the living realities of sixteenth-century Italy, he provides a fresh approach to reading the works of this period.
"The Spectacle of Clouds, 1439?650 "
Author: Alessandra Buccheri
Publisher: Routledge
ISBN: 1351540432
Category : Art
Languages : en
Pages : 216
Book Description
The studies in which history of art and theatre are considered together are few, and none to date investigate the evolution of the representation of clouds from the early Renaissance to the Baroque period. This book reconsiders the origin of Italian Renaissance and Baroque cloud compositions while including the theatrical tradition as one of their most important sources. By examining visual sources such as paintings, frescos and stage designs, together with letters, guild-ledgers, descriptions of performances and relevant treatises, a new methodology to approach the development of this early modern visuality is offered. The result is an historical reconstruction where multiple factors are seen as facets of a single process which led to the development of Italy?s visual culture. The book also offers new insights into Leonardo da Vinci?s theatrical works, Raphael?s Disputa, Vasari?s Lives, and Pietro da Cortona?s fresco paintings. The Spectacle of Clouds, 1439-1650 examines the different ways Heaven has been conceived, imagined and represented from the fifteenth to the seventeenth century, crossing over into the fields of history, religion and philosophy.
Publisher: Routledge
ISBN: 1351540432
Category : Art
Languages : en
Pages : 216
Book Description
The studies in which history of art and theatre are considered together are few, and none to date investigate the evolution of the representation of clouds from the early Renaissance to the Baroque period. This book reconsiders the origin of Italian Renaissance and Baroque cloud compositions while including the theatrical tradition as one of their most important sources. By examining visual sources such as paintings, frescos and stage designs, together with letters, guild-ledgers, descriptions of performances and relevant treatises, a new methodology to approach the development of this early modern visuality is offered. The result is an historical reconstruction where multiple factors are seen as facets of a single process which led to the development of Italy?s visual culture. The book also offers new insights into Leonardo da Vinci?s theatrical works, Raphael?s Disputa, Vasari?s Lives, and Pietro da Cortona?s fresco paintings. The Spectacle of Clouds, 1439-1650 examines the different ways Heaven has been conceived, imagined and represented from the fifteenth to the seventeenth century, crossing over into the fields of history, religion and philosophy.
The Cambridge History of Italian Literature
Author: Peter Brand
Publisher: Cambridge University Press
ISBN: 9780521434928
Category : Literary Criticism
Languages : en
Pages : 748
Book Description
'There is no doubt that the present splendid volume ... is likely to remain unrivalled for many years to come for width of coverage, richness of detail, and elegance of presentation.' Modern Language Reviews
Publisher: Cambridge University Press
ISBN: 9780521434928
Category : Literary Criticism
Languages : en
Pages : 748
Book Description
'There is no doubt that the present splendid volume ... is likely to remain unrivalled for many years to come for width of coverage, richness of detail, and elegance of presentation.' Modern Language Reviews
New Theatre in Italy
Author: VALENTINA. VALENTINI
Publisher: Routledge
ISBN: 9780367735432
Category :
Languages : en
Pages : 188
Book Description
New Theatre in Italy 1963-2013 makes the case for the centrality of late-millennium Italian avant-garde theatre in the development of the new forms of performance that have emerged in the 21st Century. Starting in the Sixties, young artists and militants in Italy reacted to the violence in their streets and ruptures in the family unit that are now recognized as having been harbingers of the end of the global post-war system. As traditional rituals of State and Church faltered, a new generation of cultural operators, largely untrained and driven away from political activism, formed collectives to explore new ways of speaking theatrically, new ways to create and experience performance, and new relationships between performer and spectator. Although the vast majority of the works created were transient, like all performance, their aesthetic and social effects continue to surface today across media on a global scale, affecting visual art, cinema, television and the behavioural aesthetics of social networks.
Publisher: Routledge
ISBN: 9780367735432
Category :
Languages : en
Pages : 188
Book Description
New Theatre in Italy 1963-2013 makes the case for the centrality of late-millennium Italian avant-garde theatre in the development of the new forms of performance that have emerged in the 21st Century. Starting in the Sixties, young artists and militants in Italy reacted to the violence in their streets and ruptures in the family unit that are now recognized as having been harbingers of the end of the global post-war system. As traditional rituals of State and Church faltered, a new generation of cultural operators, largely untrained and driven away from political activism, formed collectives to explore new ways of speaking theatrically, new ways to create and experience performance, and new relationships between performer and spectator. Although the vast majority of the works created were transient, like all performance, their aesthetic and social effects continue to surface today across media on a global scale, affecting visual art, cinema, television and the behavioural aesthetics of social networks.