A History of India’s North-East Cinema PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download A History of India’s North-East Cinema PDF full book. Access full book title A History of India’s North-East Cinema by Parthajit Baruah. Download full books in PDF and EPUB format.
Author: Parthajit Baruah
Publisher: Bloomsbury Academic
ISBN:
Category : Performing Arts
Languages : en
Pages : 0
Get Book Here
Book Description
A History of India's North-East Cinema: Deconstructing the Stereotypes, the first book on the history of cinema in this region, depicts the journey from the first Assamese film, Joymoti (1935), to the present time. This book addresses the peripheral status and identity crisis of North-Eastern people in mainland India, a region that comprises eight states, and examines the role of Bollywood in the construction and misrepresentation of this region in popular Hindi cinema. The book is divided into three parts. Part I looks at how the people of the North-East are constructed as 'foreigners' or 'outsiders' by mainland Indians, due to their physical facial features. Part II discusses the socio-political and cultural shifts in the region of Assam, the issue of Assamese identity which led to the Assam Movement and the upsurge of the insurgent group United Liberation Front of Assam (ULFA). It provides a nuanced discussion on the background and foreground of the first and second Assamese films, Joymoti (1935) and Indramalati (1939). Part III traces the journey of cinema in the seven other North-Eastern states-Manipur, Meghalaya, Arunachal Pradesh, Nagaland, Mizoram, Tripura and Sikkim, narrating the regions' socio-political phenomena and the unique cultural discourses. For instance, one of the chapters examines the turbulent period beginning with the Armed Forces (Special Powers) Act (AFSPA) and its impact on the growth of cinema in the region. The book contains a rare collection of film posters, newspaper advertisements, photographs, letters and other documents, representing both the public and private domain of film-making.
Author: Parthajit Baruah
Publisher: Bloomsbury Academic
ISBN:
Category : Performing Arts
Languages : en
Pages : 0
Get Book Here
Book Description
A History of India's North-East Cinema: Deconstructing the Stereotypes, the first book on the history of cinema in this region, depicts the journey from the first Assamese film, Joymoti (1935), to the present time. This book addresses the peripheral status and identity crisis of North-Eastern people in mainland India, a region that comprises eight states, and examines the role of Bollywood in the construction and misrepresentation of this region in popular Hindi cinema. The book is divided into three parts. Part I looks at how the people of the North-East are constructed as 'foreigners' or 'outsiders' by mainland Indians, due to their physical facial features. Part II discusses the socio-political and cultural shifts in the region of Assam, the issue of Assamese identity which led to the Assam Movement and the upsurge of the insurgent group United Liberation Front of Assam (ULFA). It provides a nuanced discussion on the background and foreground of the first and second Assamese films, Joymoti (1935) and Indramalati (1939). Part III traces the journey of cinema in the seven other North-Eastern states-Manipur, Meghalaya, Arunachal Pradesh, Nagaland, Mizoram, Tripura and Sikkim, narrating the regions' socio-political phenomena and the unique cultural discourses. For instance, one of the chapters examines the turbulent period beginning with the Armed Forces (Special Powers) Act (AFSPA) and its impact on the growth of cinema in the region. The book contains a rare collection of film posters, newspaper advertisements, photographs, letters and other documents, representing both the public and private domain of film-making.
Author: Parthajit Baruah
Publisher:
ISBN:
Category : Assam (India)
Languages : en
Pages : 0
Get Book Here
Book Description
"This book depicts the journey from the first Assamese film (1935) to the present. It addresses the peripheral status and identity crisis of North-Eastern people in mainland India and examines the role of Bollywood in the construction and misrepresentation of this region in popular Hindi cinema. Part I looks at how the people of the North-East are constructed as 'foreigners' or 'outsiders' by mainland Indians. Part II discusses the socio-political and cultural shifts in the Assam region. Part III traces the journey of cinema in the other seven North-Eastern states, narrating the regions' socio-political phenomena and the unique cultural discourses"--
Author:
Publisher:
ISBN: 9789382931942
Category :
Languages : en
Pages : 440
Get Book Here
Book Description
Author: Dr.Kharingpam Ahum Chahong
Publisher: SLC India Publisher
ISBN: 8196295677
Category : Literary Criticism
Languages : en
Pages : 625
Get Book Here
Book Description
"Re-Imagining Northeast Writings and Narratives: Language, Culture, and Border Identity" presents a collaborative effort to critically examine the concept of Northeast India, focusing on its linguistic, geographical, cultural, and social dimensions. Through a compilation of articles and essays, the volume delves into various aspects such as language, literature, culture, challenges, and the complexities of identity within the region. Each contribution offers detailed insights and findings, enhancing our understanding of Northeast India's diverse cultural landscape and the experiences of its people. By addressing themes of spatiality, movement, and responses to representations of the Northeast, the volume aims to deepen scholarly engagement with the region and stimulate discourse on its unique linguistic, cultural, and border dynamics. It serves as a valuable resource for researchers, scholars, and anyone interested in gaining a nuanced understanding of Northeast India and its intricate interplay of language, culture, and identity.
Author: Anirudh Deshpande
Publisher: Routledge
ISBN: 1000483169
Category : History
Languages : en
Pages : 163
Get Book Here
Book Description
In the last few decades, professional historians have raised important questions regarding the theories, methods and practices of history extant since the earliest times. Oral and Visual History have assumed a new importance in our times. This book presents seven essays on history as it can be practised productively in India. It is pedagogically important to students and teachers of history in India. Meant primarily for undergraduate, graduate and postgraduate students, it will also be appreciated by the lay public. Readers will certainly rethink their historical perspectives in response to the issues of theory raised critically in this book. This book is co-published with Aakar Books, New Delhi. Taylor & Francis does not sell or distribute the print versions of this book in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka.
Author: Salma Siddique
Publisher: Cambridge University Press
ISBN: 1009151207
Category : Performing Arts
Languages : en
Pages : 278
Get Book Here
Book Description
This book will be of interest to students and scholars of South Asian history and popular culture. It examines partition's impact on cultural production, based on hard to access archives and collections situated in India, Pakistan, United Kingdom and the United States.
Author: Aparna Sharma
Publisher: Springer
ISBN: 1137395443
Category : Performing Arts
Languages : en
Pages : 274
Get Book Here
Book Description
This book introduces the diverse practices of three non-canonical practitioners: David MacDougall, Desire Machine Collective and Kumar Shahani. It offers analysis of their documentary methods and aesthetics, exploring how their oeuvres constitute a critical and self-reflexive approach to documentary-making in India.
Author: Anuradha Needham
Publisher: Routledge
ISBN: 1135021341
Category : History
Languages : en
Pages : 238
Get Book Here
Book Description
Shyam Benegal is an Indian director and screenwriter whose work is considered central to New Indian cinema. By closely analysing several of Benegal’s films, this book provides an understanding of India’s post-independence history. The book examines the filmmaker’s focus on women by highlighting his subtle and critical engagement with a truism of Indian nationalism: women’s centrality to the (nation-) state’s negotiation with modernity. It looks at the importance Benegal accords to history – its little known, contested, or iconic events and figures – in crafting national culture and identities, and goes on to discuss the filmmaker’s nuanced representation of the developmental agendas of the nation-state. The book presents an account of the relationship of historical film and fiction to official history, and provides a fuller understanding of Indian cinema, and how it is shaped by as well as itself shapes national imperatives. Filling a gap in the literature, the book offers an analysis of cinematic treatment of post-independence narratives and gives important insights into the imagination of the time. It is a useful contribution for students and scholars of Film Studies, South Asian History and South Asian Culture.
Author: S. V. Srinivas
Publisher: Taylor & Francis
ISBN: 1040049877
Category : Performing Arts
Languages : en
Pages : 222
Get Book Here
Book Description
Cinema has been, and is, a powerful tool for social mobilisation. The political importance of cinema was of course always well-known and has continued to evolve and grow. However, with innovations in modern technology, there has been the exponential growth of television alongside the movies, with content made especially for TV, as well as social media. This volume covers developments in Indian Cinema over the last decade. It explores an array of changes which has dramatically changed cinema — a surge of new filming and broadcasting technologies, from the camera phone to the most sophisticated digital equipment; an avalanche of talent, from trained to completely untrained actors; and a volume of content difficult to document and categorise. It also studies cinema growth and reactions to the onslaught of home entertainment and discusses its changing formats over the years, from TV to satellite, to VCRs and DVDs, serials to OTT streaming platforms. This book will be of great interest to scholars and researchers in film studies, performance studies, cultural studies, media studies, and popular culture. It will also interest professionals working in media and entertainment industries.
Author: Margaret L. Pachuau
Publisher: Bloomsbury Publishing
ISBN: 9356408521
Category : Literary Criticism
Languages : en
Pages : 303
Get Book Here
Book Description
This book reflects the nascent sensibilities at work in literature emanating from Northeast India. It takes into account the generic diversity in works derived from the region and discusses fiction, poetry, drama, folk narratives, film adaptations as well as early missionary narratives. It covers a wide spectrum of themes such as landscape, partition, World War, history, nationalism, violence and territoriality, memory and identity. The book looks at works in English and vernacular from Northeast India states. It contextualizes developments within intellectual history and display aspects that relate to the continuing force in the ongoing study of the relationship between literature and culture studies, within a broader framework.
