A History of Caricature and Grotesque in Literature and Art PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download A History of Caricature and Grotesque in Literature and Art PDF full book. Access full book title A History of Caricature and Grotesque in Literature and Art by Thomas Wright. Download full books in PDF and EPUB format.
Author: Thomas Wright
Publisher:
ISBN:
Category : Caricature
Languages : en
Pages : 554
Get Book Here
Book Description
Author: Thomas Wright
Publisher:
ISBN:
Category : Caricature
Languages : en
Pages : 554
Get Book Here
Book Description
Author: Thomas Wright
Publisher: Good Press
ISBN:
Category : History
Languages : en
Pages : 584
Get Book Here
Book Description
A History of Caricature and Grotesque in Literature and Art is a book by Thomas Wright. It provides a view into the history of comical art with its different branches of popular literature existing at different time periods.
Author: Mike Kelley
Publisher: MIT Press
ISBN: 9780262611787
Category : Art
Languages : en
Pages : 268
Get Book Here
Book Description
Critical writings and commentary by the Los Angeles based artist Mike Kelley. The work of artist Mike Kelley (b. 1954) embraces performance, installation, drawing, painting, video, and sculpture. Drawing distinctively on high art and vernacular traditions, including historical research, popular culture, and psychology, Kelley came to prominence in the 1980s with a series of sculptures composed of craft materials. His recent work offers dialogues with architecture and with repressed memory syndrome, and a sustained inquiry into his own aesthetic and social history. The subjects on which Kelley has written are as varied as his artistic media. They include the work of fellow artists, sound, caricature, the uncanny, UFOlogy, and gender-bending. This book offers a diverse collection of Kelley's writings from the last twenty-five years. It contains major critical texts on art, film, and the wider culture, including his piece on the aesthetic he calls "urban Gothic." It also contains essays, mostly commissioned for exhibition catalogs and journals, on the artists and groups David Askevold, Öyvind Fahlström, Douglas Huebler, John Miller, Survival Research Laboratories, and Paul Thek, among others. Kelley's voices are passionate, analytic, and ironic, and his critical intelligence is leavened with touches of whimsy.
Author: Thomas Wright
Publisher:
ISBN:
Category :
Languages : en
Pages : 552
Get Book Here
Book Description
Author: James Luther Adams
Publisher: Wm. B. Eerdmans Publishing
ISBN: 9780802842671
Category : Art
Languages : en
Pages : 308
Get Book Here
Book Description
The authors focus on the religious and theological significance of grotesque imagery in art and literature, exploring the religious meaning of the grotesque and its importance as a subject for theological inquiry.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588394298
Category : Art
Languages : en
Pages : 226
Get Book Here
Book Description
Published in conjunction with an exhibition held at the Metropolitan Museum of Art, New York, Sept. 13, 2011-Mar. 4, 2012.
Author: Thomas Wright
Publisher:
ISBN:
Category : Caricature
Languages : en
Pages : 552
Get Book Here
Book Description
Author: Virginia E. Swain
Publisher: JHU Press
ISBN: 1421429233
Category : Literary Criticism
Languages : en
Pages : 284
Get Book Here
Book Description
Charles Baudelaire is usually read as a paradigmatically modern poet, whose work ushered in a new era of French literature. But the common emphasis on his use of new forms and styles overlooks the complex role of the past in his work. In Grotesque Figures, Virginia E. Swain explores how the specter of the eighteenth century made itself felt in Baudelaire's modern poetry in the pervasive textual and figural presence of Jean-Jacques Rousseau. Not only do Rousseau's ideas inform Baudelaire's theory of the grotesque, but Rousseau makes numerous appearances in Baudelaire's poetry as a caricature or type representing the hold of the Enlightenment and the French Revolution over Baudelaire and his contemporaries. As a character in "Le Poème du hashisch" and the Petits Poèmes en prose, "Rousseau" gives the grotesque a human form. Swain's literary, cultural, and historical analysis deepens our understanding of Baudelaire and of nineteenth-century aesthetics by relating Baudelaire's poetic theory and practice to Enlightenment debates about allegory and the grotesque in the arts. Offering a novel reading of Baudelaire's ambivalent engagement with the eighteenth-century, Grotesque Figures examines nineteenth-century ideological debates over French identity, Rousseau's political and artistic legacy, the aesthetic and political significance of the rococo, and the presence of the grotesque in the modern.
Author: Joe Bluhm
Publisher: Jbcom Arts
ISBN: 9780979383403
Category : American wit and humor, Pictorial
Languages : en
Pages : 0
Get Book Here
Book Description
Author:
Publisher: Penn State Press
ISBN: 9780271042879
Category : Art
Languages : en
Pages : 368
Get Book Here
Book Description
Baudelaire's essays on caricature offered the first sustained defense of the value of caricature as a serious art, worthy of study in its own right. This book argues for the crucial importance of the essays for his conception of modernity, so fundamental to the subsequent history of modernism. From the theory of the comic formulated in De l'essence du rire to his discussions of Daumier, Goya, Hogarth, Cruikshank, Bruegel, Grandville, Gavarni, Charlet, and many others, Baudelaire develops not only an aesthetic of caricature but also a caricatural aesthetic--dual and contradictory, grotesque, ironic, violent, farcical, fantastic, and fleeting--that defines an art of modern life. In particular, Baudelaire's insistence on the dualism and ambiguity of laughter has radical implications for such emblems of modernity as the city and the flâneur who roams the streets. The modern city is the space of the comic, a kind of caricature, presenting the flâneur with an image of dualism, one's position as subject and object, implicated in the same urban experiences one seems to control. The theory of the comic invests the idea of modernity with reciprocity, one's status as laughter and object of laughter, thus preventing the subjective construction and appropriation of the world that has so often been linked with the project of modernism. Comic art reflects what Walter Benjamin later defined as Baudelairean allegory, at once representing and revealing the alienation of modern experience. But Baudelaire also transforms the dualism of the comic into a peculiarly modern unity-- the doubling of the comic artist enacted for the benefit of the audience, the self-generating and self-reflexive experience of the flâneur in a "communion" with the crowd. This study examines his views in the context of the history of comic theory and contemporary accounts of the individual artists. Complete with illustrations of the many works discussed, it illuminates the history and theory of caricature, the comic, and the grotesque, and adds to our understanding of modernism in literature and the visual arts.
