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Author: David Adams Cleveland
Publisher:
ISBN: 9780988902220
Category : Art, American
Languages : en
Pages : 0
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Book Description
A History of American Tonalism: 1880-1920 will change standard theory on American art history with a new paradigm that places the origins of American modernism in the late 1870s. Crucially, it also demonstrates how the Tonalist movement became the driving force in the development of a distinctly American art form: mystic, visionary, and nostalgic, yet essentially modern in its progressive dynamic of non-narrative abstraction--a fundamentally expressive and symbolic art that set its seal on American art then and now. --Book Jacket.
Author: David Adams Cleveland
Publisher:
ISBN: 9780988902220
Category : Art, American
Languages : en
Pages : 0
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Book Description
A History of American Tonalism: 1880-1920 will change standard theory on American art history with a new paradigm that places the origins of American modernism in the late 1870s. Crucially, it also demonstrates how the Tonalist movement became the driving force in the development of a distinctly American art form: mystic, visionary, and nostalgic, yet essentially modern in its progressive dynamic of non-narrative abstraction--a fundamentally expressive and symbolic art that set its seal on American art then and now. --Book Jacket.
Author: David A Cleveland
Publisher: National Geographic Books
ISBN: 0789214113
Category : Art
Languages : en
Pages : 0
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Book Description
A groundbreaking survey of the school of expressive, symbolic landscape painting that gave rise to American modernism—newly revised and updated This magnificent volume, featuring more than 750 illustrations, is the first definitive account of the Tonalist movement. Based on original research, it tells how the progressive Tonalist landscape dethroned the Hudson River School in the late 1870s and remained the dominant school in American art until World War I. More provocatively, it also argues that Tonalism gave rise to American modernism, laying the groundwork for the artists of the Stieglitz Circle, and subsequently Milton Avery, Mark Rothko, Adolph Gottlieb, Barnett Newman, Helen Frankenthaler, Wolf Kahn, and Richard Mayhew. A History of American Tonalism places the key figures of the movement—such as George Inness, James McNeill Whistler, and John Henry Twachtman—in their cultural context, which was influenced by such thinkers as Ralph Waldo Emerson, Henry David Thoreau, John Burroughs, and William James. It also examines the careers of more than sixty other Tonalist painters, lesser known but highly talented. This new edition of A History of American Tonalism includes more than one hundred new illustrations, as well as a new overview of the stylistic principles of Tonalism. It will continue to be essential for art lovers, artists, scholars, and anyone seeking a better understanding not only of the Tonalist movement but American art as a whole.
Author:
Publisher: Getty Publications
ISBN: 0892368365
Category : Landscape in art
Languages : en
Pages : 158
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Book Description
With its fittingly dramatic design, Courbet and the Modern Landscape accompanies the first major museum exhibition specifically to address Gustave Courbet's extraordinary achievement in landscape painting. Many of these carefully selected works produced from 1855 to 1876--gathered from Asia, Europe, and North America--will be new to readers. The catalogue--which accompanies an exhibition at the Getty Museum to be held from February 21 to May 14, 2006--highlights the artist's expressive responses to the natural environment. Essays by the curators examine Courbet's distinctly modern practice of landscape painting. Mary Morton's essay situates his landscapes in relation to his work in other genres, his critical reputation, and his role in establishing a new pictorial language for landscape painting. Charlotte Eyerman's essay investigates how later generations of nineteenth- and twentieth-century artists responded to Courbet's example. The catalogue also includes an essay by Dominique de Font-Reaulx, curator of photographs at the Musee d'Orsay, on the relationship between Courbet's work and landscape photography of the 1850s and 1860s. With its fittingly dramatic design, Courbet and the Modern Landscape accompanies the first major museum exhibition specifically to address Gustave Courbet's extraordinary achievement in landscape painting. Many of these carefully selected works produced from 1855 to 1876--gathered from Asia, Europe, and North America--will be new to readers. The catalogue--which accompanies an exhibition at the Getty Museum to be held from February 21 to May 14, 2006--highlights the artist's expressive responses to the natural environment. Essays by the curators examine Courbet's distinctly modern practice of landscape painting. Mary Morton's essay situates his landscapes in relation to his work in other genres, his critical reputation, and his role in establishing a new pictorial language for landscape painting. Charlotte Eyerman's essay investigates how later generations of nineteenth- and twentieth-century artists responded to Courbet's example. The catalogue also includes an essay by Dominique de Font-Reaulx, curator of photographs at the Musee d'Orsay, on the relationship between Courbet's work and landscape photography of the 1850s and 1860s.
Author: Rachael Z. DeLue
Publisher: University of Chicago Press
ISBN: 0226142310
Category : Art
Languages : en
Pages : 353
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Book Description
George Inness (1825-94), long considered one of America's greatest landscape painters, has yet to receive his full due from scholars and critics. A complicated artist and thinker, Inness painted stunningly beautiful, evocative views of the American countryside. Less interested in representing the details of a particular place than in rendering the "subjective mystery of nature," Inness believed that capturing the spirit or essence of a natural scene could point to a reality beyond the physical or, as Inness put it, "the reality of the unseen." Throughout his career, Inness struggled to make visible what was invisible to the human eye by combining a deep interest in nineteenth-century scientific inquiry—including optics, psychology, physiology, and mathematics—with an idiosyncratic brand of mysticism. Rachael Ziady DeLue's George Inness and the Science of Landscape—the first in-depth examination of Inness's career to appear in several decades—demonstrates how the artistic, spiritual, and scientific aspects of Inness's art found expression in his masterful landscapes. In fact, Inness's practice was not merely shaped by his preoccupation with the nature and limits of human perception; he conceived of his labor as a science in its own right. This lavishly illustrated work reveals Inness as profoundly invested in the science and philosophy of his time and illuminates the complex manner in which the fields of art and science intersected in nineteenth-century America. Long-awaited, this reevaluation of one of the major figures of nineteenth-century American art will prove to be a seminal text in the fields of art history and American studies.
Author: Charles Warren Eaton
Publisher: de Menil Gallery
ISBN:
Category : Art
Languages : en
Pages : 124
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Book Description
This book provides the first complete account of the life and work of Charles Warren Eaton. It also fills an enormous gap in American art history by telling the story of the Tonalist movement.
Author: Charles Teaze Clark
Publisher:
ISBN: 9780945936664
Category :
Languages : en
Pages : 0
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Book Description
Author: David Adams Cleveland
Publisher:
ISBN: 9781555953027
Category : Art, American
Languages : en
Pages : 0
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Book Description
The first definitive overview of the Tonalist movement-the crucial but long-misunderstood missing link in the evolution of American art. Includes over 300 color plates.
Author: Glyn Vincent
Publisher: Open Road + Grove/Atlantic
ISBN: 1555847706
Category : Art
Languages : en
Pages : 471
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Book Description
“The best book yet written about this neglected and fascinating American painter” who anticipated abstract expressionism by more than fifty years (Gail Levin, The New York Times Book Review). At the dawn of the 20th century, Ralph Blakelock’s brooding, hallucinogenic paintings were a striking departure from the prevailing American tradition—and as sought after as the works of Winslow Homer and John Singer Sargent. In 1916, the record-breaking sale of Blakelock’s Brook by Moonlight made him famous. Yet at the time of his triumph, the troubled painter had spent fifteen years in a psychiatric hospital while his family lived in poverty. Released from the asylum, Blakelock fell into the dubious care of an eccentric adventuress, Beatrice Van Rensselaer Adams, who kept him a virtual prisoner while siphoning off the profits of his success, until his mysterious death. In this acclaimed biography, Glyn Vincent offers the first complete chronicle of Blakelock’s life. Vividly portraying New York in the nineteenth and early twentieth centuries, the narrative begins with his childhood in Greenwich Village and the years he spent peddling his canvases door-to-door and playing piano in vaudeville theaters. Vincent also delves into Blakelock’s journeys among the Sioux and Uinta Native Americans; his mental illness; and the way his exploration of mysticism informed his radical shift away from the Hudson River School of art.
Author: Marc Simpson
Publisher: Yale University Press
ISBN:
Category : Art
Languages : en
Pages : 288
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Book Description
Through an innovative manner of handling paint, a group of American artists around 1900 created deceptively simple canvases that convey images of shimmering transcience, visions suggested rather than delineated. Focusing on this singular aesthetic characteristic - softness - this book explores this painterly phenomenon.
Author: Adrienne Baxter Bell
Publisher: George Braziller
ISBN:
Category : Art
Languages : en
Pages : 184
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Book Description
The landscape painter George Inness (1825-1894) was one of the foremost American artists of his generation. Born in Newburgh, New York, Inness studied the works of the old masters and, as a young man, painted in the reigning style of the Hudson River School. Within a few years, however, he found himself more attuned to the gestural, expressive approach of the Barbizon School. He greatly admired the free handling of paint and the expression of soulfulness in the works of Theodore Rousseau. Equally important were Inness's philosophical and spiritual concerns. Along with contemporaries Ralph Waldo Emerson, Elizabeth Barrett Browning, and Walt Whitman, Inness studied the writings of the Swedish scientist-turned-mystic Emanuel Swedenborg (1688-1772). During a trip to Italy in the early 1870s, Inness began to structure his landscapes around geometric forms, a development that may have reflected the Swedenborgian idea that the natural world corresponds to the spiritual world and that geometric forms possess spiritual identities. Through these and other compositional devices, Inness created paintings to inspire an almost "religious experience" in his viewers. George Inness and the Visionary Landscape includes forty color reproductions of Inness's most important paintings and presents both a chronological overview of Inness's life and a more focused treatment of the artist's main philosophical and religious preoccupations. It suggests resonances between Inness's visionary landscapes and the concurrent efforts, on the part of the psychologist/philosopher William James (1842-1910), to validate the existence of mystical states of mind. It shows Inness to have anticipated many of the most importanttenets of modernism, an achievement that continues to inspire contemporary audiences.
