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Author: Cameron Trost
Publisher:
ISBN: 9780645247107
Category :
Languages : en
Pages : 0
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Book Description
One name springs to mind when we think of classic suspense films; Alfred Hitchcock. His silhouette is instantly recognisable as no one else has quite the same pouty lips and round, chubby face. The way he posed for photographs and his penchant for making cameo appearances in his films bear witness to his larger-than-life personality, but it was his ability to tell a spellbinding tale coupled with his technical brilliance that earned him the epithet of "Master of Suspense". His groundbreaking use of camera movement and the way he framed shots to maximise anxiety and fear place films like "Vertigo" among the very finest examples of creative achievement ever produced within the seventh art. In "Rear Window" he builds edge-of-your-seat tension by placing us in James Stewart's wheelchair and making us watch events unroll through his eyes, and the use of cutting-edge special effects in "The Birds" is almost impressive as the fact that more than three thousand were trained for the film. What else do these three films mentioned have in common, along with "Psycho" and "Rebecca" and so many others? That's right...they were based on novels or short stories; the written word. In "A Hint of Hitchcock" we turn our attention back from the screen to the page, and bring you, the avid suspense reader, modern tales that chill and surprise, all inspired by the work of the master of suspense. Better Not Look Down - Josh Pachter Golden Curls - Rebecca A. Demarest More Than Suspicion - Joseph S. Walker Paranoia - Paulene Turner The Suitcase - Jason Fischer Rebecca Redux - Elizabeth Elwood Highwayman's Hitch - Cameron Trost Relish - David Carroll Karma is a Thief in the Night - Roger Johns Scallion's Head - H.K. Stubbs Closed Circuit - Mark Blackham Vault - Andy Rausch
Author: Cameron Trost
Publisher:
ISBN: 9780645247107
Category :
Languages : en
Pages : 0
Get Book Here
Book Description
One name springs to mind when we think of classic suspense films; Alfred Hitchcock. His silhouette is instantly recognisable as no one else has quite the same pouty lips and round, chubby face. The way he posed for photographs and his penchant for making cameo appearances in his films bear witness to his larger-than-life personality, but it was his ability to tell a spellbinding tale coupled with his technical brilliance that earned him the epithet of "Master of Suspense". His groundbreaking use of camera movement and the way he framed shots to maximise anxiety and fear place films like "Vertigo" among the very finest examples of creative achievement ever produced within the seventh art. In "Rear Window" he builds edge-of-your-seat tension by placing us in James Stewart's wheelchair and making us watch events unroll through his eyes, and the use of cutting-edge special effects in "The Birds" is almost impressive as the fact that more than three thousand were trained for the film. What else do these three films mentioned have in common, along with "Psycho" and "Rebecca" and so many others? That's right...they were based on novels or short stories; the written word. In "A Hint of Hitchcock" we turn our attention back from the screen to the page, and bring you, the avid suspense reader, modern tales that chill and surprise, all inspired by the work of the master of suspense. Better Not Look Down - Josh Pachter Golden Curls - Rebecca A. Demarest More Than Suspicion - Joseph S. Walker Paranoia - Paulene Turner The Suitcase - Jason Fischer Rebecca Redux - Elizabeth Elwood Highwayman's Hitch - Cameron Trost Relish - David Carroll Karma is a Thief in the Night - Roger Johns Scallion's Head - H.K. Stubbs Closed Circuit - Mark Blackham Vault - Andy Rausch
Author: Robert B. Pippin
Publisher: University of Chicago Press
ISBN: 022650378X
Category : Philosophy
Languages : en
Pages : 155
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Book Description
On the surface, The Philosophical Hitchcock: Vertigo and the Anxieties of Unknowingness, is a close reading of Alfred Hitchcock’s 1958 masterpiece Vertigo. This, however, is a book by Robert B. Pippin, one of our most penetrating and creative philosophers, and so it is also much more. Even as he provides detailed readings of each scene in the film, and its story of obsession and fantasy, Pippin reflects more broadly on the modern world depicted in Hitchcock’s films. Hitchcock’s characters, Pippin shows us, repeatedly face problems and dangers rooted in our general failure to understand others—or even ourselves—very well, or to make effective use of what little we do understand. Vertigo, with its impersonations, deceptions, and fantasies, embodies a general, common struggle for mutual understanding in the late modern social world of ever more complex dependencies. By treating this problem through a filmed fictional narrative, rather than discursively, Pippin argues, Hitchcock is able to help us see the systematic and deep mutual misunderstanding and self-deceit that we are subject to when we try to establish the knowledge necessary for love, trust, and commitment, and what it might be to live in such a state of unknowingness. A bold, brilliant exploration of one of the most admired works of cinema, The Philosophical Hitchcock will lead philosophers and cinephiles alike to a new appreciation of Vertigo and its meanings.
Author: Susan Smith
Publisher: Bloomsbury Publishing
ISBN: 1838716149
Category : Juvenile Nonfiction
Languages : en
Pages : 224
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Book Description
Susan Smith's treatment of the works of the most subtle of all film-makers analyses the key elements of suspense, humour and tone across the whole of the director's career. Arguing that all three are central to our viewing experience, the book demonstrates how Hitchcock's masterly integration of those elements is the key to his success as a film-maker. Examining in detail such films as Sabotage, Notorious, Rear Window, Psycho, Shadow of a Doubt, Rope and The Birds, amongst many others, the book discusses the idea of the director as saboteur and the importance of 'the avoidance of cliché' in Hitchcock's narrative.
Author: David Schroeder
Publisher: A&C Black
ISBN: 1441182160
Category : Performing Arts
Languages : en
Pages : 277
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Book Description
The author focuses on the way that music has infiltrated Hitchcock’s thinking as a director, from his earliest silent films to his last works.
Author: Marc Raymond Strauss
Publisher: McFarland
ISBN: 0786428090
Category : Performing Arts
Languages : en
Pages : 225
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Book Description
Alfred Hitchcock made many great films, but he also made many that critics and audiences largely dismissed. These least celebrated films, despite their admitted flaws and relative obscurity, offer much to reward the open-minded viewer. This critical study examines and reappraises fifteen such films generally overlooked by scholars and Hitchcock aficionados: Juno and the Paycock, The Skin Game, Waltzes from Vienna, Jamaica Inn, The Paradine Case, Under Capricorn, I Confess, Torn Curtain, Number Seventeen, Rich and Strange, Secret Agent, Mr. and Mrs. Smith, Stage Fright, The Wrong Man, and Topaz. Each film is discussed and analyzed in detail, revealing the master's touch in many previously unheralded ways. Brief assessments of the films from popular review compendia introduce each one, and excerpted highlights of numerous works of scholarship are liberally sprinkled throughout the text. In addition, wonderful rare still photographs from each film are included. Readers will come away with a richer sense of the director's talents in these films, adding to their appreciation of his work in unexpected ways.
Author: D. A. Miller
Publisher: University of Chicago Press
ISBN: 022637467X
Category : Literary Criticism
Languages : en
Pages : 195
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Book Description
Hidden Hitchcock is two things: a book about the hidden poetics of the master of suspense, Alfred Hitchcock, and a confession by Miller as he finds himself lured into Hitchcock s ineffable web. Technology has helped Miller pinpoint a secretand bafflingfilm recessed alongside the easily identifiable habits of Hitchcock s trademark suspense. These are the Hidden Pictures that Miller has unearthed. In exploring Hitch s latent vision, Miller has many discoveries to sharenon-narrative microstructures that he points out for the first time: the second Hitchcock cameo (not the one we are trained to spot), the verbal-to-visual charade, the faux continuity error, to name a few. Their general purpose seems to insinuate a game of hide-and-seek that, until the viewer finds one of these Hidden Pictures, s/he may never know is in play. Through Hitchcock s hidden style, we confront a resistance to meaning so deep-seated that it seems less a project than a compulsion (a psychic drive); and so anti-social that to redeem it by assigning it a point risks missing the point."
Author: Susan M. Griffin
Publisher: OUP USA
ISBN: 0199764425
Category : Literary Criticism
Languages : en
Pages : 278
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Book Description
The Men Who Knew Too Much innovatively pairs these two greats, showing them to be at once classic and contemporary. Over a dozen major scholars and critics take up works by James and Hitchcock, in paired sets, to explore the often surprising ways that reading James helps us watch Hitchcock and what watching Hitchcock tells us about reading James.
Author: William Rothman
Publisher: SUNY Press
ISBN: 143844317X
Category : Performing Arts
Languages : en
Pages : 506
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Book Description
First published in 1982, William Rothmans Hitchcock is a classic work of film criticism. Written in an engaging style that is philosophically sophisticated yet free of jargon, and using over nine hundred images from the films to illustrate and back up its critical claims, the book follows six different Hitchcock films as they unfold, moment by moment, from first shot to last.
Author: Eric San Juan
Publisher: Scarecrow Press
ISBN: 0810887762
Category : Performing Arts
Languages : en
Pages : 198
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Book Description
The films of Alfred Hitchcock are appreciated for a variety of reasons, including the many memorable villains who menace the protagonists. Unlike so many of cinema’s wrongdoers, the Hitchcock villain was often a complex individual with a nuanced personality and neuroses the common person might not be able to relate to, but could at least understand. If such figures did not always elicit sympathy from the audience, they still possessed characteristics that were oddly appealing. And frequently, viewers found them more likable than the heroes and heroines whom they victimized. In Hitchcock’s Villains: Murderers, Maniacs, and Mother Issues, authors Eric San Juan and Jim McDevitt explore a number of themes that form the foundation of villainy in Hitchcock’s long and acclaimed career. The authors also provide a detailed look at some of the director’s most noteworthy villains and examine how these characters were often central to the enjoyment of Hitchcock’s best films. Whether discussing Uncle Charlie in Shadow of a Doubt or Norman Bates in Psycho, the authors consider what attracted Hitchcock to such characters in the first place and why they endure as screen icons. Intended for both casual and ardent fans of Hitchcock, this book offers insight into what makes villainous characters tick. While serious students will appreciate observations in Hitchcock’s Villains that will enhance their study of cinema technique and writing, general fans of the director will simply enjoy delving further into the minds of their favorite villains.
Author: Thomas Leitch
Publisher: John Wiley & Sons
ISBN: 1444397311
Category : Performing Arts
Languages : en
Pages : 624
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Book Description
The most comprehensive volume ever published on Alfred Hitchcock, covering his career and legacy as well as the broader cultural and intellectual contexts of his work. Contains thirty chapters by the leading Hitchcock scholars Covers his long career, from his earliest contributions to other directors’ silent films to his last uncompleted last film Details the enduring legacy he left to filmmakers and audiences alike
