Author: F. R. P. Akehurst
Publisher: Univ of California Press
ISBN: 9780520913004
Category : Literary Criticism
Languages : en
Pages : 516
Book Description
This book is a reference volume and a digest of more than a century of scholarly work on troubadour poetry. Written by leading scholars, it summarizes the current consensus on the various facets of troubadour studies. Standing at the beginning of the history of modern European verse, the troubadours were the prime poets and composers of the twelfth and thirteenth centuries in the South of France. No study of medieval literature is complete without an examination of the courtly love which is celebrated in the elaborately rhymed stanzas of troubadour verse, creations whose words and melodies were imitated by poets and musicians all over medieval Europe. The words of about 2,500 troubadour songs have survived, along with 250 melodies, and all have come under intense scholarly scrutiny. This Handbook brings together the fruits of this scrutiny, giving teachers and students an overview of the fundamental issues in troubadour scholarship. All quotations are given in the original Old Occitan and in English. The editors provide a list of troubadour editions and an index, and each chapter includes a list of additional readings. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1996. This book is a reference volume and a digest of more than a century of scholarly work on troubadour poetry. Written by leading scholars, it summarizes the current consensus on the various facets of troubadour studies. Standing at the beginning
A Handbook of the Troubadours
Author: F. R. P. Akehurst
Publisher: Univ of California Press
ISBN: 9780520913004
Category : Literary Criticism
Languages : en
Pages : 516
Book Description
This book is a reference volume and a digest of more than a century of scholarly work on troubadour poetry. Written by leading scholars, it summarizes the current consensus on the various facets of troubadour studies. Standing at the beginning of the history of modern European verse, the troubadours were the prime poets and composers of the twelfth and thirteenth centuries in the South of France. No study of medieval literature is complete without an examination of the courtly love which is celebrated in the elaborately rhymed stanzas of troubadour verse, creations whose words and melodies were imitated by poets and musicians all over medieval Europe. The words of about 2,500 troubadour songs have survived, along with 250 melodies, and all have come under intense scholarly scrutiny. This Handbook brings together the fruits of this scrutiny, giving teachers and students an overview of the fundamental issues in troubadour scholarship. All quotations are given in the original Old Occitan and in English. The editors provide a list of troubadour editions and an index, and each chapter includes a list of additional readings. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1996. This book is a reference volume and a digest of more than a century of scholarly work on troubadour poetry. Written by leading scholars, it summarizes the current consensus on the various facets of troubadour studies. Standing at the beginning
Publisher: Univ of California Press
ISBN: 9780520913004
Category : Literary Criticism
Languages : en
Pages : 516
Book Description
This book is a reference volume and a digest of more than a century of scholarly work on troubadour poetry. Written by leading scholars, it summarizes the current consensus on the various facets of troubadour studies. Standing at the beginning of the history of modern European verse, the troubadours were the prime poets and composers of the twelfth and thirteenth centuries in the South of France. No study of medieval literature is complete without an examination of the courtly love which is celebrated in the elaborately rhymed stanzas of troubadour verse, creations whose words and melodies were imitated by poets and musicians all over medieval Europe. The words of about 2,500 troubadour songs have survived, along with 250 melodies, and all have come under intense scholarly scrutiny. This Handbook brings together the fruits of this scrutiny, giving teachers and students an overview of the fundamental issues in troubadour scholarship. All quotations are given in the original Old Occitan and in English. The editors provide a list of troubadour editions and an index, and each chapter includes a list of additional readings. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1996. This book is a reference volume and a digest of more than a century of scholarly work on troubadour poetry. Written by leading scholars, it summarizes the current consensus on the various facets of troubadour studies. Standing at the beginning
The Troubadours
Author: Simon Gaunt
Publisher: Cambridge University Press
ISBN: 1316582620
Category : Literary Criticism
Languages : en
Pages : 346
Book Description
The dazzling culture of the troubadours - the virtuosity of their songs, the subtlety of their exploration of love, and the glamorous international careers some troubadours enjoyed - fascinated contemporaries and had a lasting influence on European life and literature. Apart from the refined love songs for which the troubadours are renowned, the tradition includes political and satirical poetry, devotional lyrics and bawdy or zany poems. It is also in the troubadour song-books that the only substantial collection of medieval lyrics by women is preserved. This book offers a general introduction to the troubadours. Its sixteen newly-commissioned essays, written by leading scholars from Britain, the US, France, Italy and Spain, trace the historical development and setting of troubadour song, engage with the main trends in troubadour criticism, and examine the reception of troubadour poetry. Appendices offer an invaluable guide to the troubadours, to technical vocabulary, to research tools and to surviving manuscripts.
Publisher: Cambridge University Press
ISBN: 1316582620
Category : Literary Criticism
Languages : en
Pages : 346
Book Description
The dazzling culture of the troubadours - the virtuosity of their songs, the subtlety of their exploration of love, and the glamorous international careers some troubadours enjoyed - fascinated contemporaries and had a lasting influence on European life and literature. Apart from the refined love songs for which the troubadours are renowned, the tradition includes political and satirical poetry, devotional lyrics and bawdy or zany poems. It is also in the troubadour song-books that the only substantial collection of medieval lyrics by women is preserved. This book offers a general introduction to the troubadours. Its sixteen newly-commissioned essays, written by leading scholars from Britain, the US, France, Italy and Spain, trace the historical development and setting of troubadour song, engage with the main trends in troubadour criticism, and examine the reception of troubadour poetry. Appendices offer an invaluable guide to the troubadours, to technical vocabulary, to research tools and to surviving manuscripts.
Samuel Beckett's Poetry
Author: James Brophy
Publisher: Cambridge University Press
ISBN: 1009222546
Category : Literary Criticism
Languages : en
Pages : 287
Book Description
The first book-length study of Samuel Beckett's complete poetry, combining new work from major literature critics and new critical perspectives.
Publisher: Cambridge University Press
ISBN: 1009222546
Category : Literary Criticism
Languages : en
Pages : 287
Book Description
The first book-length study of Samuel Beckett's complete poetry, combining new work from major literature critics and new critical perspectives.
The Songs of Peire Vidal
Author: Peire Vidal
Publisher: Peter Lang
ISBN: 9780820479224
Category : History
Languages : en
Pages : 278
Book Description
Peire Vidal, one of the most celebrated of the Occitan troubadours, was a favorite performer at the courts of France, Spain, Italy, Malta, and Palestine during the late twelfth and early thirteenth centuries. His witty and humorous love-songs and satires provide a fascinating insight into the courtly society of his times. This book includes the first English translation and commentary of the complete works of Peire Vidal. It is a useful and accessible text for students and specialists of medieval literature.
Publisher: Peter Lang
ISBN: 9780820479224
Category : History
Languages : en
Pages : 278
Book Description
Peire Vidal, one of the most celebrated of the Occitan troubadours, was a favorite performer at the courts of France, Spain, Italy, Malta, and Palestine during the late twelfth and early thirteenth centuries. His witty and humorous love-songs and satires provide a fascinating insight into the courtly society of his times. This book includes the first English translation and commentary of the complete works of Peire Vidal. It is a useful and accessible text for students and specialists of medieval literature.
Troubadour
Author: Mary Hoffman
Publisher: Bloomsbury Publishing USA
ISBN: 1599907704
Category : Juvenile Fiction
Languages : en
Pages : 305
Book Description
A story of persecution and poetry, love and war set in 13th century Southern France. As crusaders sweep through the country, destroying all those who do not follow their religion, Bertrand risks his life to warn others of the invasion. As a troubadour, Bertrand can travel without suspicion from castle to castle, passing word about the coming danger. In the meantime Elinor, a young noblewoman, in love with Bertrand, leaves her comfortable home and family and becomes a troubadour herself. Danger encircles them both, as the rising tide of bloodshed threatens the fabric of the society in which they live.
Publisher: Bloomsbury Publishing USA
ISBN: 1599907704
Category : Juvenile Fiction
Languages : en
Pages : 305
Book Description
A story of persecution and poetry, love and war set in 13th century Southern France. As crusaders sweep through the country, destroying all those who do not follow their religion, Bertrand risks his life to warn others of the invasion. As a troubadour, Bertrand can travel without suspicion from castle to castle, passing word about the coming danger. In the meantime Elinor, a young noblewoman, in love with Bertrand, leaves her comfortable home and family and becomes a troubadour herself. Danger encircles them both, as the rising tide of bloodshed threatens the fabric of the society in which they live.
Mapping Medieval Identities in Occitanian Crusade Song
Author: Rachel May Golden
Publisher: Oxford University Press
ISBN: 0190948639
Category : Music
Languages : en
Pages : 303
Book Description
In medieval Occitania (southern France), troubadours and monastic creators fostered a vibrant musical culture. In response to the early Crusade campaigns of the twelfth and thirteenth centuries, Christians of the region turned to producing monophonic, poetic song, encompassing both secular and sacred genres. These works assert shifting regional identities and worldviews, exploring devotional practices and religious beliefs, overlaid with notions of contemporaneous geopolitics and secular, intellectual interests. Mapping Medieval Identities in Occitanian Crusade Song demonstrates the profound impact the Crusades had on two seemingly discrete musical-poetic practices: the Latin, sacred Aquitanian versus, associated with Christian devotion, and the vernacular troubadour lyric, associated with courtly love. Rachel May Golden investigates how such Crusade songs distinctively arose out of their geographic environment, uncovering intersections between the beginning of Holy War and the emergence of new styles of poetic-musical composition. She brings together sacred and secular genres of the region to reveal the inventiveness of new composition and the imaginative scope of the Crusades within medieval culture. These songs reflect both the outer world and interior lives, and often their conjunction, giving shape and expression to concerns with the Occitanian homeland, spatial aspects of the Crusades, and newly emerging positions within socio-political history. Drawing on approaches from cultural geography, literary studies, and musicology, Mapping Medieval Identities in Occitanian Crusade Song provides a timely perspective on geopolitical and cultural interactions between nations.
Publisher: Oxford University Press
ISBN: 0190948639
Category : Music
Languages : en
Pages : 303
Book Description
In medieval Occitania (southern France), troubadours and monastic creators fostered a vibrant musical culture. In response to the early Crusade campaigns of the twelfth and thirteenth centuries, Christians of the region turned to producing monophonic, poetic song, encompassing both secular and sacred genres. These works assert shifting regional identities and worldviews, exploring devotional practices and religious beliefs, overlaid with notions of contemporaneous geopolitics and secular, intellectual interests. Mapping Medieval Identities in Occitanian Crusade Song demonstrates the profound impact the Crusades had on two seemingly discrete musical-poetic practices: the Latin, sacred Aquitanian versus, associated with Christian devotion, and the vernacular troubadour lyric, associated with courtly love. Rachel May Golden investigates how such Crusade songs distinctively arose out of their geographic environment, uncovering intersections between the beginning of Holy War and the emergence of new styles of poetic-musical composition. She brings together sacred and secular genres of the region to reveal the inventiveness of new composition and the imaginative scope of the Crusades within medieval culture. These songs reflect both the outer world and interior lives, and often their conjunction, giving shape and expression to concerns with the Occitanian homeland, spatial aspects of the Crusades, and newly emerging positions within socio-political history. Drawing on approaches from cultural geography, literary studies, and musicology, Mapping Medieval Identities in Occitanian Crusade Song provides a timely perspective on geopolitical and cultural interactions between nations.
Models of Change in Medieval Textual Culture
Author: Jonatan Pettersson
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110613352
Category : Literary Criticism
Languages : en
Pages : 320
Book Description
Change is a matter of central concern and interest in the study of history, and it has been approached with various methodological and theoretical means in different historical disciplines. The concept is, however, rarely addressed per se, despite its fundamental role for historical insight. This book addresses different kinds of change in medieval textual culture as examples or models of change. A model can take different forms: it consists of abstract representations, like a flowchart or a series of stages within a development, it might be a concept, like paradigm shift, or a single, but telling historical example. In their different forms, models serve as conceptual tools to enlighten historical instances of change. The contributions of this volume gather cases from a series of aspects of medieval textual culture which are subject to change: physical books, the acoustics of performed text, textualized worlds, scribes and authorship, genre, the choice of language in texts, and paleographic variance. The book also addresses problems of thinking in models and metaphors of change, as they also - as idols of the market - have the power to lead us astray if not carefully meditated.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110613352
Category : Literary Criticism
Languages : en
Pages : 320
Book Description
Change is a matter of central concern and interest in the study of history, and it has been approached with various methodological and theoretical means in different historical disciplines. The concept is, however, rarely addressed per se, despite its fundamental role for historical insight. This book addresses different kinds of change in medieval textual culture as examples or models of change. A model can take different forms: it consists of abstract representations, like a flowchart or a series of stages within a development, it might be a concept, like paradigm shift, or a single, but telling historical example. In their different forms, models serve as conceptual tools to enlighten historical instances of change. The contributions of this volume gather cases from a series of aspects of medieval textual culture which are subject to change: physical books, the acoustics of performed text, textualized worlds, scribes and authorship, genre, the choice of language in texts, and paleographic variance. The book also addresses problems of thinking in models and metaphors of change, as they also - as idols of the market - have the power to lead us astray if not carefully meditated.
Song
Author: John Potter
Publisher: Yale University Press
ISBN: 0300274882
Category : Music
Languages : en
Pages : 332
Book Description
From one of our most innovative singers, a vibrant history of song stretching from Hildegard von Bingen and Benjamin Britten to Björk “Songs can be intensely personal (whether you hear them or sing them) and none of us would choose the same twelve songs as anyone else. My choices are based on decades of performing experience in many different genres, but I hope they will reveal aspects of our common humanity as the story evolves from the Middle Ages to the present.” In this celebratory account, author and singer John Potter tells the European story of song. The form has captivated audiences and excited performers for centuries, from the music of the troubadours and the Christian liturgy through classical composers such as Bach and Schumann up to Britten, Berio, and the rise of popular music. Choosing twelve key works, Potter offers a personal tour through this vital tradition, from John Dowland’s “Flow My Tears” to George Gershwin’s “Summertime.” Throughout, he reveals who wrote and sang these joyful masterpieces—and what they mean to singers and audiences today.
Publisher: Yale University Press
ISBN: 0300274882
Category : Music
Languages : en
Pages : 332
Book Description
From one of our most innovative singers, a vibrant history of song stretching from Hildegard von Bingen and Benjamin Britten to Björk “Songs can be intensely personal (whether you hear them or sing them) and none of us would choose the same twelve songs as anyone else. My choices are based on decades of performing experience in many different genres, but I hope they will reveal aspects of our common humanity as the story evolves from the Middle Ages to the present.” In this celebratory account, author and singer John Potter tells the European story of song. The form has captivated audiences and excited performers for centuries, from the music of the troubadours and the Christian liturgy through classical composers such as Bach and Schumann up to Britten, Berio, and the rise of popular music. Choosing twelve key works, Potter offers a personal tour through this vital tradition, from John Dowland’s “Flow My Tears” to George Gershwin’s “Summertime.” Throughout, he reveals who wrote and sang these joyful masterpieces—and what they mean to singers and audiences today.
The Oxford History of Life-writing
Author: Karen Anne Winstead
Publisher: Oxford University Press
ISBN: 0198707037
Category : Autobiografische Literatur
Languages : en
Pages : 256
Book Description
The Oxford History of Life-Writing consolidates recent academic research and debate to provide a multi-volume history of life-writing. Each volume provides a selective survey of the range of life-writing in a given period with particular focus on the most important or influential authors and works within the genre. VOLUME 1: The Middle Ages' explores the richness and variety of life writing in the Middle Ages, ranging from Anglo-Latin lives of missionaries, prelates, and princes to high medieval lives of scholars and visionaries to late medieval lives of authors and laypeople. VOLUME 2: Early modern explores life-writing in England between 1500 and 1700, and argues that this was a period which saw remarkable innovations in biography, autobiography, and diary-keeping that laid the foundations for our modern life-writing.
Publisher: Oxford University Press
ISBN: 0198707037
Category : Autobiografische Literatur
Languages : en
Pages : 256
Book Description
The Oxford History of Life-Writing consolidates recent academic research and debate to provide a multi-volume history of life-writing. Each volume provides a selective survey of the range of life-writing in a given period with particular focus on the most important or influential authors and works within the genre. VOLUME 1: The Middle Ages' explores the richness and variety of life writing in the Middle Ages, ranging from Anglo-Latin lives of missionaries, prelates, and princes to high medieval lives of scholars and visionaries to late medieval lives of authors and laypeople. VOLUME 2: Early modern explores life-writing in England between 1500 and 1700, and argues that this was a period which saw remarkable innovations in biography, autobiography, and diary-keeping that laid the foundations for our modern life-writing.
Dante's Lyric Redemption
Author: Tristan Kay
Publisher: Oxford University Press
ISBN: 0191068721
Category : Literary Criticism
Languages : en
Pages : 287
Book Description
Dante's Lyric Redemption offers a re-examination of two strongly interrelated aspects of the poet's work: the role and value he ascribes to earthly love and his relationship to the Romance lyric tradition of his time. It argues that an account of Dante's poetic journey that posits a stark division between earthly and divine love, and between the secular lyric poet and the Christian auctor, does little justice to his highly distinctive and often polemical handling of these categories. The book firstly contextualizes, traces, and accounts for Dante's intriguing commitment to love poetry, from the 'minor works' to the Commedia. It highlights his attempts, especially in his masterpiece, to overcome normative oppositions in formulating a uniquely redemptive vernacular poetics, one oriented towards the eternal while rooted in his affective, and indeed erotic, past. It then examines how this matter is at stake in Dante's treatment of three important lyric predecessors: Guittone d'Arezzo, Arnaut Daniel, and Folco of Marseilles. Through a detailed reading of Dante's engagement with these poets, the book illuminates his careful departure from a dualistic model of love and conversion and shows his erotic commitment to be at the heart of his claims to pre-eminence as a vernacular author.
Publisher: Oxford University Press
ISBN: 0191068721
Category : Literary Criticism
Languages : en
Pages : 287
Book Description
Dante's Lyric Redemption offers a re-examination of two strongly interrelated aspects of the poet's work: the role and value he ascribes to earthly love and his relationship to the Romance lyric tradition of his time. It argues that an account of Dante's poetic journey that posits a stark division between earthly and divine love, and between the secular lyric poet and the Christian auctor, does little justice to his highly distinctive and often polemical handling of these categories. The book firstly contextualizes, traces, and accounts for Dante's intriguing commitment to love poetry, from the 'minor works' to the Commedia. It highlights his attempts, especially in his masterpiece, to overcome normative oppositions in formulating a uniquely redemptive vernacular poetics, one oriented towards the eternal while rooted in his affective, and indeed erotic, past. It then examines how this matter is at stake in Dante's treatment of three important lyric predecessors: Guittone d'Arezzo, Arnaut Daniel, and Folco of Marseilles. Through a detailed reading of Dante's engagement with these poets, the book illuminates his careful departure from a dualistic model of love and conversion and shows his erotic commitment to be at the heart of his claims to pre-eminence as a vernacular author.