Catalogue of the Printed Books in the Library of the British Museum PDF Download
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Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 960
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 36
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 36
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Book Description
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 960
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Book Description
![A Critical Examination of the Cartoons, Frescos, and Sculpture, exhibited in Westminster Hall. [A catalogue of the 1844 exhibition.] To which is added the history and practice of fresco painting. By Henry G. Clarke, assisted by eminent artists PDF](https://books.google.com/books/content/images/frontcover/gSpkAAAAcAAJ?fife=w80-h100)
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 68
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 810
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Book Description
Author: ohne Autor
Publisher: BoD – Books on Demand
ISBN: 3846048305
Category : Art
Languages : en
Pages : 1034
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Book Description
Reprint of the original, first published in 1870.
Author: Great Britain. Department of Science and Art
Publisher:
ISBN:
Category :
Languages : en
Pages : 1044
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Book Description
Author: National Art Library (Great Britain)
Publisher: New York : B. Franklin
ISBN:
Category : Art
Languages : en
Pages : 1046
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Book Description
Author: National Art Library (Great Britain)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1046
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Book Description
Author: Isabelle Baudino
Publisher: Taylor & Francis
ISBN: 1000843386
Category : Art
Languages : en
Pages : 248
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Book Description
Extending the scholarly discussion of visual history, this book examines eighteenth-century engraved book illustrations in order to outline the genealogy of the modern visualisation of the past in Britain. This study is based on a body of more than a hundred engraved historical plates designed in the second half of the eighteenth century in Britain and published in more than a dozen pictorial histories. Focusing on these previously unstudied engravings, this work contributes to the study of eighteenth-century visual culture and is informed by current interdisciplinary approaches at the intersection of visual and book studies. Eighteenth-Century Engravings and Visual History in Britain is about the urge to envision the past and about the establishment of the new relationship between visual media, visuality, and history in eighteenth-century Britain. The book will be of interest to scholars working in art history, British history, book studies, and visual culture.
