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Author: South Kensington Museum
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 124
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Author: South Kensington Museum
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 124
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Author: Henry Hardy Cole
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 412
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Author: South Kensington Museum
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 108
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Author: South Kensington Museum
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 68
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Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages :
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Author: Kathleen Curran
Publisher: Getty Publications
ISBN: 1606064789
Category : Art
Languages : en
Pages : 260
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Book Description
American art museums share a mission and format that differ from those of their European counterparts, which often have origins in aristocratic collections. This groundbreaking work recounts the fascinating story of the invention of the modern American art museum, starting with its roots in the 1870s in the craft museum type, which was based on London’s South Kensington (now the Victoria and Albert) Museum. At the turn of the twentieth century, American planners grew enthusiastic about a new type of museum and presentation that was developed in Northern Europe, particularly in Germany, Switzerland, and Scandinavia. Called Kulturgeschichte (cultural history) museums, they were evocative displays of regional history. American trustees, museum directors, and curators found that the Kulturgeschichte approach offered a variety of transformational options in planning museums, classifying and displaying objects, and broadening collecting categories, including American art and the decorative arts. Leading institutions, including the Museum of Fine Arts, Boston, and the Metropolitan Museum of Art in New York, adopted and developed crucial aspects of the Kulturgeschichte model. By the 1930s, such museum plans and exhibition techniques had become standard practice at museums across the country.
Author: Rebecca Wade
Publisher: Bloomsbury Publishing USA
ISBN: 1501332201
Category : Art
Languages : en
Pages : 304
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Born near the Tuscan province of Lucca in 1815, Domenico Brucciani became the most important and prolific maker of plaster casts in nineteenth-century Britain. This first substantive study shows how he and his business used public exhibitions, emerging museum culture and the nationalisation of art education to monopolise the market for reproductions of classical and contemporary sculpture. Based in Covent Garden in London, Brucciani built a network of fellow Italian émigré formatori and collaborated with other makers of facsimiles-including Elkington the electrotype manufacturers, Copeland the makers of Parian ware and Benjamin Cheverton with his sculpture reducing machine-to bring sculpture into the spaces of learning and leisure for as broad a public as possible. Brucciani's plaster casts survive in collections from North America to New Zealand, but the extraordinary breadth of his practice-making death masks of the famous and infamous, producing pioneering casts of anatomical, botanical and fossil specimens and decorating dance halls and theatres across Britain-is revealed here for the first time. By making unprecedented use of the nineteenth-century periodical press and dispersed archival sources, Domenico Brucciani and the Formatori of Nineteenth-Century Britain establishes the significance of Brucciani's sculptural practice to the visual and material cultures of Victorian Britain and beyond.
Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 712
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 492
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Author: London corporation, libr
Publisher:
ISBN:
Category :
Languages : en
Pages : 384
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