A Guide to American Crime Films of the Forties and Fifties PDF Download
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Author: Larry Langman
Publisher: Greenwood
ISBN: 0313292655
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
The only comprehensive guide to the crime films of the forties and fifties, this volume focuses on the major events that shaped and molded the genre: war, alienation, drugs, and organized crime. The body of the work offers over 1,200 entries that feature concise summaries, analyses, and credits. The volume is a continuation of the author's earlier work, A Guide to American Crime Films of the Thirties (Greenwood, 1995). The book includes those stars that the public had already embraced as gangsters in the thirties such as James Cagney, Humphrey Bogart, and Edward G. Robinson and brings them into a new era in which they are transformed into enforcers of the law. This work will be of interest to scholars, students, and film buffs alike. The work demonstrates the shift from the simpler gangster modes of the 1930s as it takes the reader forward to the more sophisticated films of the late fifties. Although the book is organized alphabetically, the introduction alerts the reader to the major social phenomena that influenced the genre of these decades. Also offered are credits that cover titles, release dates, distributors, directors, screenwriters, and major players. The 1,200 entries include detailed plot summaries and thematic analyses as well as relevant information on sources, remakes, and sequels.
Author: Larry Langman
Publisher: Greenwood
ISBN: 0313292655
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
The only comprehensive guide to the crime films of the forties and fifties, this volume focuses on the major events that shaped and molded the genre: war, alienation, drugs, and organized crime. The body of the work offers over 1,200 entries that feature concise summaries, analyses, and credits. The volume is a continuation of the author's earlier work, A Guide to American Crime Films of the Thirties (Greenwood, 1995). The book includes those stars that the public had already embraced as gangsters in the thirties such as James Cagney, Humphrey Bogart, and Edward G. Robinson and brings them into a new era in which they are transformed into enforcers of the law. This work will be of interest to scholars, students, and film buffs alike. The work demonstrates the shift from the simpler gangster modes of the 1930s as it takes the reader forward to the more sophisticated films of the late fifties. Although the book is organized alphabetically, the introduction alerts the reader to the major social phenomena that influenced the genre of these decades. Also offered are credits that cover titles, release dates, distributors, directors, screenwriters, and major players. The 1,200 entries include detailed plot summaries and thematic analyses as well as relevant information on sources, remakes, and sequels.
Author: Larry Langman
Publisher: Greenwood
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 416
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Book Description
The only comprehensive guide to the crime films of the forties and fifties, this volume focuses on the major events that shaped and molded the genre: war, alienation, drugs, and organized crime. The body of the work offers over 1,200 entries that feature concise summaries, analyses, and credits. The volume is a continuation of the author's earlier work, A Guide to American Crime Films of the Thirties (Greenwood, 1995). The book includes those stars that the public had already embraced as gangsters in the thirties such as James Cagney, Humphrey Bogart, and Edward G. Robinson and brings them into a new era in which they are transformed into enforcers of the law. This work will be of interest to scholars, students, and film buffs alike. The work demonstrates the shift from the simpler gangster modes of the 1930s as it takes the reader forward to the more sophisticated films of the late fifties. Although the book is organized alphabetically, the introduction alerts the reader to the major social phenomena that influenced the genre of these decades. Also offered are credits that cover titles, release dates, distributors, directors, screenwriters, and major players. The 1,200 entries include detailed plot summaries and thematic analyses as well as relevant information on sources, remakes, and sequels.
Author: Larry Langman
Publisher: Greenwood
ISBN: 0313295328
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
Recent crime films such as Scarface, the Dirty Harry series, and The Godfather have captured the American imagination, but they owe a large debt to the early crime talkies such as The Public Enemy, Paul Muni's Scarface, and Little Caesar. More than 1,000 entries are featured in this volume, complete with the names of directors, screen writers, and major players offering a wealth of data supported by plot evaluations. For the serious student of crime films, this work provides a comprehensive treatment of the genre. It is the only one-volume work that includes all crime sub-genres (detective, mystery, cops and robbers, and courtroom dramas) in addition to gangster films. The period between the end of the silent film (1927) and the general acceptance of the sound film (1929) is often referred to as a transition period. The majority of theaters were not wired for sound, so many films were released in both silent and sound versions. Some added only sound effects or music to the sound track, while others offered only brief segments of sound. The early 1930s marked the end of this transition period and firmly established the sound era. This volume pays homage to these early, often crude melodramas. The authors aim to preserve the memories of these films for their own generation and to introduce these works to a new generation thirsty for entertainment and knowledge.
Author: Thomas Leitch
Publisher: Cambridge University Press
ISBN: 9780521646710
Category : Performing Arts
Languages : en
Pages : 404
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Book Description
This book surveys the entire range of crime films, including important subgenres such as the gangster film, the private eye film, film noir, as well as the victim film, the erotic thriller, and the crime comedy. Focusing on ten films that span the range of the twentieth century, Thomas Leitch traces the transformation of the three leading figures that are common to all crime films: the criminal, the victim and the avenger. Analyzing how each of the subgenres establishes oppositions among its ritual antagonists, he shows how the distinctions among them become blurred throughout the course of the century. This blurring, Leitch maintains, reflects and fosters a deep social ambivalence towards crime and criminals, while the criminal, victim and avenger characters effectively map the shifting relations between subgenres, such as the erotic thriller and the police film, within the larger genre of crime film that informs them all.
Author: Bloomsbury Publishing
Publisher: Bloomsbury Publishing
ISBN: 1838718699
Category : Performing Arts
Languages : en
Pages : 450
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Book Description
The Cinema Book is widely recognised as the ultimate guide to cinema. Authoritative and comprehensive, the third edition has been extensively revised, updated and expanded in response to developments in cinema and cinema studies. Lavishly illustrated in colour, this edition features a wealth of exciting new sections and in-depth case studies. Sections address Hollywood and other World cinema histories, key genres in both fiction and non-fiction film, issues such as stars, technology and authorship, and major theoretical approaches to understanding film.
Author: Andrew Spicer
Publisher: Scarecrow Press
ISBN: 0810873788
Category : Performing Arts
Languages : en
Pages : 533
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Book Description
Film noir_literally 'black cinema'_is the label customarily given to a group of black and white American films, mostly crime thrillers, made between 1940 and 1959. Today there is considerable dispute about what are the shared features that classify a noir film, and therefore which films should be included in this category. These problems are partly caused because film noir is a retrospective label that was not used in the 1940s or 1950s by the film industry as a production category and therefore its existence and features cannot be established through reference to trade documents. The Historical Dictionary of Film Noir is a comprehensive guide that ranges from 1940 to present day neo-noir. It consists of a chronology, an introductory essay, a bibliography, a filmography, and over 400 cross-referenced dictionary entries on every aspect of film noir and neo-noir, including key films, personnel (actors, cinematographers, composers, directors, producers, set designers, and writers), themes, issues, influences, visual style, cycles of films (e.g. amnesiac noirs), the representation of the city and gender, other forms (comics/graphic novels, television, and videogames), and noir's presence in world cinema. It is an essential reference work for all those interested in this important cultural phenomenon.
Author: Derek Sculthorpe
Publisher: McFarland
ISBN: 1476674434
Category : Biography & Autobiography
Languages : en
Pages : 247
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Book Description
One of the most versatile actors of his generation, Edmond O'Brien made a series of iconic noir films. From a man reporting his own murder in D.O.A. (1949) to the conflicted title character in The Bigamist (1953), he portrayed the confusion of the postwar Everyman. His memorable roles spanned genres from Shakespeare to westerns and comedies--he also turned his hand to directing. He won the Academy Award for Best Supporting Actor as the harassed press agent Oscar Muldoon in Joseph Mankiewicz's bitter Cinderella fable The Barefoot Contessa (1954). This first in-depth study of O'Brien charts his life and career from Broadway to Hollywood and to the rise of television, revealing a devoted family man dedicated to his craft.
Author: Sandra K. Roe
Publisher: Routledge
ISBN: 1317951832
Category : Language Arts & Disciplines
Languages : en
Pages : 394
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Book Description
Examine crucial issues for audiovisual cataloging-from a variety of perspectives! This vital book addresses both current and historic issues related to audiovisual materials and cataloging. It covers the current cataloging rules for sound recordings (popular music and nonmusic recordings), videorecordings (including DVDs), electronic resources (whether accessed locally or remotely), three-dimensional objects and realia, and kits. Three historical articles chronicle the history of audiovisual catalog in general, the history of cataloging computer files, and the history of The Thesaurus for Graphic Materials. A section on audiovisual materials and subject access issues includes a chapter which proposes form/genre terms for moving-image materials and a special library’s creation and use of a new thesaurus and its availability to assist online catalog users. Finally, four contributions examine audiovisual materials and cataloging from the perspectives of different library types: school, public, academic, and special. The Audiovisual Cataloging Current provides case studies that show: how the National Library of Medicine produces, collects, and catalogs non-print materials the differences between the Moving Image Genre-Form Guide and Library of Congress Subject Headings, with recommendations for improving LCSH as a tool and an exhaustive list of LCSH terms how libraries and organized cataloging groups developed the Chapter 9 descriptive cataloging rules in AACR2 how the Westchester Library System created a user-friendly online catalog for audiovisual materials how the Illinois Fire Service Library improved firefighters’subject access to nonprint fire emergency materials how the National Library of Medicine promotes audiovisual formats and much more!
Author: F. Mason
Publisher: Springer
ISBN: 0230358675
Category : Performing Arts
Languages : en
Pages : 196
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Book Description
The study of Hollywood detectives has often overlooked the B-Movie mystery series in favour of hard-boiled film. Hollywood's Detectives redresses this oversight by examining key detective series of the 1930s and 1940s to explore their contributions to the detective genre.
Author: Dennis Broe
Publisher: University Press of Florida
ISBN: 0813059089
Category : Literary Criticism
Languages : en
Pages : 272
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Book Description
Film noir, which flourished in 1940s and 50s, reflected the struggles and sentiments of postwar America. Dennis Broe contends that the genre, with its emphasis on dark subject matter, paralleled the class conflict in labor and union movements that dominated the period. By following the evolution of film noir during the years following World War II, Broe illustrates how the noir figure represents labor as a whole. In the 1940s, both radicalized union members and protagonists of noir films were hunted and pursued by the law. Later, as labor unions achieve broad acceptance and respectability, the central noir figure shifts from fugitive criminal to law-abiding cop. Expanding his investigation into the Cold War and post-9/11 America, Broe extends his analysis of the ways film noir is intimately connected to labor history. A brilliant, interdisciplinary examination, this is a work that will appeal to a broad spectrum of readers.
