A General View of the Fine Arts

A General View of the Fine Arts PDF Author: Daniel Huntington
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 492

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Book Description

A General View of the Fine Arts

A General View of the Fine Arts PDF Author: Daniel Huntington
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 492

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Book Description


A General View of the Fine Arts, Critical and Historical

A General View of the Fine Arts, Critical and Historical PDF Author: Miss Ludlow
Publisher: New York : G. P. Putnam
ISBN:
Category : Art
Languages : en
Pages : 486

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Book Description


Introduction to Art: Design, Context, and Meaning

Introduction to Art: Design, Context, and Meaning PDF Author: Pamela Sachant
Publisher: Good Press
ISBN:
Category : Art
Languages : en
Pages : 614

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Book Description
Introduction to Art: Design, Context, and Meaning offers a deep insight and comprehension of the world of Art. Contents: What is Art? The Structure of Art Significance of Materials Used in Art Describing Art - Formal Analysis, Types, and Styles of Art Meaning in Art - Socio-Cultural Contexts, Symbolism, and Iconography Connecting Art to Our Lives Form in Architecture Art and Identity Art and Power Art and Ritual Life - Symbolism of Space and Ritual Objects, Mortality, and Immortality Art and Ethics

Welcome to My Studio

Welcome to My Studio PDF Author: Helen Van Wyk
Publisher:
ISBN: 9780929552224
Category : Painting
Languages : en
Pages : 0

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Book Description
Using paintings and sketches created over the years of her life as an artist, Van Wyk provides all the instruction and examples oil painters need to understand the effect of background on color; the seven components of pictorial expression; how to paint glass, eyes and expressions; and so much more.

Talking Art

Talking Art PDF Author: Gary Alan Fine
Publisher: University of Chicago Press
ISBN: 022656035X
Category : Art
Languages : en
Pages : 292

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Book Description
In Talking Art, acclaimed ethnographer Gary Alan Fine gives us an eye-opening look at the contemporary university-based master’s-level art program. Through an in-depth analysis of the practice of the critique and other aspects of the curriculum, Fine reveals how MFA programs have shifted the goal of creating art away from beauty and toward theory. Contemporary visual art, Fine argues, is no longer a calling or a passion—it’s a discipline, with an academic culture that requires its practitioners to be verbally skilled in the presentation of their intentions. Talking Art offers a remarkable and disconcerting view into the crucial role that universities play in creating that culture.

A General Theory of Visual Culture

A General Theory of Visual Culture PDF Author: Whitney Davis
Publisher: Princeton University Press
ISBN: 0691178070
Category : Art
Languages : en
Pages : 400

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Book Description
What is cultural about vision--or visual about culture? In this ambitious book, Whitney Davis provides new answers to these difficult and important questions by presenting an original framework for understanding visual culture. Grounded in the theoretical traditions of art history, A General Theory of Visual Culture argues that, in a fully consolidated visual culture, artifacts and pictures have been made to be seen in a certain way; what Davis calls "visuality" is the visual perspective from which certain culturally constituted aspects of artifacts and pictures are visible to informed viewers. In this book, Davis provides a systematic analysis of visuality and describes how it comes into being as a historical form of vision. Expansive in scope, A General Theory of Visual Culture draws on art history, aesthetics, the psychology of perception, the philosophy of reference, and vision science, as well as visual-cultural studies in history, sociology, and anthropology. It provides penetrating new definitions of form, style, and iconography, and draws important and sometimes surprising conclusions (for example, that vision does not always attain to visual culture, and that visual culture is not always wholly visible). The book uses examples from a variety of cultural traditions, from prehistory to the twentieth century, to support a theory designed to apply to all human traditions of making artifacts and pictures--that is, to visual culture as a worldwide phenomenon.

World War I and American Art

World War I and American Art PDF Author: Robert Cozzolino
Publisher: Princeton University Press
ISBN: 0691172692
Category : Art
Languages : en
Pages : 320

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Book Description
-World War I and American Art provides an unprecedented look at the ways in which American artists reacted to the war. Artists took a leading role in chronicling the war, crafting images that influenced public opinion, supported mobilization efforts, and helped to shape how the war's appalling human toll was memorialized. The book brings together paintings, drawings, prints, photographs, posters, and ephemera, spanning the diverse visual culture of the period to tell the story of a crucial turning point in the history of American art---

A General View of Positivism

A General View of Positivism PDF Author: Auguste Comte
Publisher: London, Trübner and Company
ISBN:
Category : Philosophy, Modern
Languages : en
Pages : 450

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Book Description


A General View of Positivism. Translated ... by J. H. Bridges

A General View of Positivism. Translated ... by J. H. Bridges PDF Author: Auguste Comte
Publisher:
ISBN:
Category :
Languages : en
Pages : 448

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Book Description


Aesthetics and the Art of Musical Composition in the German Enlightenment

Aesthetics and the Art of Musical Composition in the German Enlightenment PDF Author: Johann Georg Sulzer
Publisher: Cambridge University Press
ISBN: 0521360358
Category : Music
Languages : en
Pages : 224

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Book Description
Can an abstract theory of Empfindsamkeit aesthetics have any value to a musician wishing to study composition in the classical style? The eighteenth-century German theorist and pedagogue Heinrich Koch showed how this question could be answered with a resounding yes. Starting with the systematic aesthetic theory of the Swiss encyclopedist Johann Sulzer, Koch was creatively able to adapt Sulzer's conservative ideas on ethical mimesis and rhetoric to concrete problems of music analysis and composition. In this collaborative study, Thomas Christensen and Nancy Baker have translated and analysed selected writings of Sulzer and Koch respectively, bringing to life a little-known confluence of philosophical and musical thought from the German Enlightenment. Koch's appropriation of Sulzer's ideas to the service of music represents an important development in the evolution of Western musical thought.