Author: Sylvester O'Halloran
Publisher:
ISBN:
Category :
Languages : en
Pages : 404
Book Description
A General History of Ireland, from the Earliest Accounts to the Close of the Twelfth Century, ... By Mr. O'Halloran, ...
Author: Sylvester O'Halloran
Publisher:
ISBN:
Category :
Languages : en
Pages : 404
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 404
Book Description
A General History of Ireland
Author: [Sylvester] O'Halloran
Publisher:
ISBN:
Category : Ireland
Languages : en
Pages : 404
Book Description
Publisher:
ISBN:
Category : Ireland
Languages : en
Pages : 404
Book Description
Catalogue of Valuable and Interesting Books
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 36
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 36
Book Description
The Monthly Review, Or, Literary Journal
Author:
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 592
Book Description
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 592
Book Description
Catalogue of the Books in General Literature in the Library of the Faculty of Procurators in Glasgow
Author: Faculty of Procurators in Glasgow
Publisher:
ISBN:
Category :
Languages : en
Pages : 152
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 152
Book Description
The Works of Maria Edgeworth, Part I Vol 1
Author: Marilyn Butler
Publisher: Routledge
ISBN: 1000743020
Category : Literary Collections
Languages : en
Pages : 3276
Book Description
This book is a collection of novels Castle Rackrent, Irish Bulls, and Ennui by Maria Edgeworth that will be of much use to scholars, students and general readers interested in family fiction. Maria Edgeworth (1 January 1768 – 22 May 1849) was a prolific Anglo-Irish writer of adults' and children's literature. She was one of the first realist writers in children's literature and was a significant figure in the evolution of the novel in Europe.[2] She held advanced views, for a woman of her time, on estate management, politics and education, and corresponded with some of the leading literary and economic writers, including Sir Walter Scott and David Ricardo.
Publisher: Routledge
ISBN: 1000743020
Category : Literary Collections
Languages : en
Pages : 3276
Book Description
This book is a collection of novels Castle Rackrent, Irish Bulls, and Ennui by Maria Edgeworth that will be of much use to scholars, students and general readers interested in family fiction. Maria Edgeworth (1 January 1768 – 22 May 1849) was a prolific Anglo-Irish writer of adults' and children's literature. She was one of the first realist writers in children's literature and was a significant figure in the evolution of the novel in Europe.[2] She held advanced views, for a woman of her time, on estate management, politics and education, and corresponded with some of the leading literary and economic writers, including Sir Walter Scott and David Ricardo.
Mere Irish & Fíor-ghael
Author: Joseph Theodoor Leerssen
Publisher: John Benjamins Publishing
ISBN: 9027221987
Category : Literary Criticism
Languages : en
Pages : 554
Book Description
The aim of this investigation is to reconsider the cultural confrontation between England and Ireland from a new methodological perspective, and to trace how this confrontation resulted in a particular notion, literary as well as political, of Irish nationality.
Publisher: John Benjamins Publishing
ISBN: 9027221987
Category : Literary Criticism
Languages : en
Pages : 554
Book Description
The aim of this investigation is to reconsider the cultural confrontation between England and Ireland from a new methodological perspective, and to trace how this confrontation resulted in a particular notion, literary as well as political, of Irish nationality.
Bardic Nationalism
Author: Katie Trumpener
Publisher: Princeton University Press
ISBN: 0691223246
Category : Literary Criticism
Languages : en
Pages : 447
Book Description
This magisterial work links the literary and intellectual history of England, Scotland, Ireland, and Britain's overseas colonies during the late eighteenth and early nineteenth centuries to redraw our picture of the origins of cultural nationalism, the lineages of the novel, and the literary history of the English-speaking world. Katie Trumpener recovers and recontextualizes a vast body of fiction to describe the history of the novel during a period of formal experimentation and political engagement, between its eighteenth-century "rise" and its Victorian "heyday." During the late eighteenth century, antiquaries in Ireland, Scotland, and Wales answered modernization and anglicization initiatives with nationalist arguments for cultural preservation. Responding in particular to Enlightenment dismissals of Gaelic oral traditions, they reconceived national and literary history under the sign of the bard. Their pathbreaking models of national and literary history, their new way of reading national landscapes, and their debates about tradition and cultural transmission shaped a succession of new novelistic genres, from Gothic and sentimental fiction to the national tale and the historical novel. In Ireland and Scotland, these genres were used to mount nationalist arguments for cultural specificity and against "internal colonization." Yet once exported throughout the nascent British empire, they also formed the basis of the first colonial fiction of Canada, Australia, and British India, used not only to attack imperialism but to justify the imperial project. Literary forms intended to shore up national memory paradoxically become the means of buttressing imperial ideology and enforcing imperial amnesia.
Publisher: Princeton University Press
ISBN: 0691223246
Category : Literary Criticism
Languages : en
Pages : 447
Book Description
This magisterial work links the literary and intellectual history of England, Scotland, Ireland, and Britain's overseas colonies during the late eighteenth and early nineteenth centuries to redraw our picture of the origins of cultural nationalism, the lineages of the novel, and the literary history of the English-speaking world. Katie Trumpener recovers and recontextualizes a vast body of fiction to describe the history of the novel during a period of formal experimentation and political engagement, between its eighteenth-century "rise" and its Victorian "heyday." During the late eighteenth century, antiquaries in Ireland, Scotland, and Wales answered modernization and anglicization initiatives with nationalist arguments for cultural preservation. Responding in particular to Enlightenment dismissals of Gaelic oral traditions, they reconceived national and literary history under the sign of the bard. Their pathbreaking models of national and literary history, their new way of reading national landscapes, and their debates about tradition and cultural transmission shaped a succession of new novelistic genres, from Gothic and sentimental fiction to the national tale and the historical novel. In Ireland and Scotland, these genres were used to mount nationalist arguments for cultural specificity and against "internal colonization." Yet once exported throughout the nascent British empire, they also formed the basis of the first colonial fiction of Canada, Australia, and British India, used not only to attack imperialism but to justify the imperial project. Literary forms intended to shore up national memory paradoxically become the means of buttressing imperial ideology and enforcing imperial amnesia.
Journal
Author: Royal Society of Antiquaries of Ireland
Publisher:
ISBN:
Category : Ireland
Languages : en
Pages : 508
Book Description
Publisher:
ISBN:
Category : Ireland
Languages : en
Pages : 508
Book Description
Éirinn & Iran go Brách
Author: Mansour Bonakdarian
Publisher: Anthem Press
ISBN: 1839989467
Category : History
Languages : en
Pages : 615
Book Description
This book analyzes particular patterns of nationalist self-configuration and nationalist uses of memory, counter-memory, and historical amnesia in Ireland from roughly around the time of the emergence of a broad-based non-sectarian Irish nationalist platform in the late eighteenth century (the Society of United Irishmen) until Ireland’s partition and the founding of the Irish Free State in 1922. In approaching Irish nationalism through the particular historical lens of “Iran,” this book underscores the fact that Irish nationalism during this period (and even earlier) always utilized a historical paradigm that grounded Anglo-Irish encounters and Irish nationalism in the broader world history, a process that I term “worlding of Ireland.” In effect, Irish nationalism was always politically and culturally cosmopolitan in outlook in some formulations, even in the case of many nationalists who resorted to insular and narrowly defined exclusionary ethnic and/or religious formulations of the Irish “nation.” Irish nationalists, as nationalists in many other parts of the world, recurrently imagined their own history either in contrast to or as reflected in, the histories of peoples and lands elsewhere, even while claiming the historical uniqueness of the Irish experience. Present in a wide range of Irish nationalist political, cultural, and historical utterances were assertions of past and/or present affinities with other peoples and lands.
Publisher: Anthem Press
ISBN: 1839989467
Category : History
Languages : en
Pages : 615
Book Description
This book analyzes particular patterns of nationalist self-configuration and nationalist uses of memory, counter-memory, and historical amnesia in Ireland from roughly around the time of the emergence of a broad-based non-sectarian Irish nationalist platform in the late eighteenth century (the Society of United Irishmen) until Ireland’s partition and the founding of the Irish Free State in 1922. In approaching Irish nationalism through the particular historical lens of “Iran,” this book underscores the fact that Irish nationalism during this period (and even earlier) always utilized a historical paradigm that grounded Anglo-Irish encounters and Irish nationalism in the broader world history, a process that I term “worlding of Ireland.” In effect, Irish nationalism was always politically and culturally cosmopolitan in outlook in some formulations, even in the case of many nationalists who resorted to insular and narrowly defined exclusionary ethnic and/or religious formulations of the Irish “nation.” Irish nationalists, as nationalists in many other parts of the world, recurrently imagined their own history either in contrast to or as reflected in, the histories of peoples and lands elsewhere, even while claiming the historical uniqueness of the Irish experience. Present in a wide range of Irish nationalist political, cultural, and historical utterances were assertions of past and/or present affinities with other peoples and lands.