Author: J-Blunt
Publisher: Nook Press
ISBN: 9781538090220
Category :
Languages : en
Pages : 214
Book Description
Sticking to the G-Code is more than a motto to a real gangster. POP SOMETHIN epitomizes what an official "G" is all about. For more than a decade, the legendary shooter and jack boy, brought terror to Houston, Texas, using his gun to obliterate everything in his path. When enemies try to clap back at Pop Somethin, he shows them just how he earned his street name, but this time the slaying lands him in the penitentiary. There, he meets C-NOTE, a prosperous dope boy from Dallas, who is being extorted by a vicious prisoner named BUCK WILD. Staying true to A GANGSTER'S CODE, Pop Somethin comes to his mans' rescue in a cold, violent manner that Buck Wild isn't prepared for, and he dares anyone to avenge the well-known convict. C-Note is more than impressed by his new friend's loyalty. When he is released, he offers Pop Somethin a chance to get rich at his side, A FAVOR FOR A FAVOR.
A Gangster's Code
Author: J-Blunt
Publisher: Nook Press
ISBN: 9781538090220
Category :
Languages : en
Pages : 214
Book Description
Sticking to the G-Code is more than a motto to a real gangster. POP SOMETHIN epitomizes what an official "G" is all about. For more than a decade, the legendary shooter and jack boy, brought terror to Houston, Texas, using his gun to obliterate everything in his path. When enemies try to clap back at Pop Somethin, he shows them just how he earned his street name, but this time the slaying lands him in the penitentiary. There, he meets C-NOTE, a prosperous dope boy from Dallas, who is being extorted by a vicious prisoner named BUCK WILD. Staying true to A GANGSTER'S CODE, Pop Somethin comes to his mans' rescue in a cold, violent manner that Buck Wild isn't prepared for, and he dares anyone to avenge the well-known convict. C-Note is more than impressed by his new friend's loyalty. When he is released, he offers Pop Somethin a chance to get rich at his side, A FAVOR FOR A FAVOR.
Publisher: Nook Press
ISBN: 9781538090220
Category :
Languages : en
Pages : 214
Book Description
Sticking to the G-Code is more than a motto to a real gangster. POP SOMETHIN epitomizes what an official "G" is all about. For more than a decade, the legendary shooter and jack boy, brought terror to Houston, Texas, using his gun to obliterate everything in his path. When enemies try to clap back at Pop Somethin, he shows them just how he earned his street name, but this time the slaying lands him in the penitentiary. There, he meets C-NOTE, a prosperous dope boy from Dallas, who is being extorted by a vicious prisoner named BUCK WILD. Staying true to A GANGSTER'S CODE, Pop Somethin comes to his mans' rescue in a cold, violent manner that Buck Wild isn't prepared for, and he dares anyone to avenge the well-known convict. C-Note is more than impressed by his new friend's loyalty. When he is released, he offers Pop Somethin a chance to get rich at his side, A FAVOR FOR A FAVOR.
Code of the Street: Decency, Violence, and the Moral Life of the Inner City
Author: Elijah Anderson
Publisher: W. W. Norton & Company
ISBN: 0393070387
Category : Social Science
Languages : en
Pages : 362
Book Description
Unsparing and important. . . . An informative, clearheaded and sobering book.—Jonathan Yardley, Washington Post (1999 Critic's Choice) Inner-city black America is often stereotyped as a place of random violence, but in fact, violence in the inner city is regulated through an informal but well-known code of the street. This unwritten set of rules—based largely on an individual's ability to command respect—is a powerful and pervasive form of etiquette, governing the way in which people learn to negotiate public spaces. Elijah Anderson's incisive book delineates the code and examines it as a response to the lack of jobs that pay a living wage, to the stigma of race, to rampant drug use, to alienation and lack of hope.
Publisher: W. W. Norton & Company
ISBN: 0393070387
Category : Social Science
Languages : en
Pages : 362
Book Description
Unsparing and important. . . . An informative, clearheaded and sobering book.—Jonathan Yardley, Washington Post (1999 Critic's Choice) Inner-city black America is often stereotyped as a place of random violence, but in fact, violence in the inner city is regulated through an informal but well-known code of the street. This unwritten set of rules—based largely on an individual's ability to command respect—is a powerful and pervasive form of etiquette, governing the way in which people learn to negotiate public spaces. Elijah Anderson's incisive book delineates the code and examines it as a response to the lack of jobs that pay a living wage, to the stigma of race, to rampant drug use, to alienation and lack of hope.
Omerta Mafia Code of Silence
Author: Mark Biermann
Publisher: Xlibris Corporation
ISBN: 1493122711
Category : Fiction
Languages : en
Pages : 408
Book Description
Marko Bennett a handsome young marine recently returned home from two and a half years in the Special Services, in the front line in Afghanistan, fighting against the Taliban. Complete adrenalin junkie, spoilt rich kid who enjoys hanging out with Head of the Crips, Leroy Brown reputed L.A. gangster. Racing Nascars for his big name sponsors, stealing expensive luxury sports cars, Marko street races for Leroy and is linked with the gambling syndicate doing cocaine deals on the side. He winds up in trouble with the law and is sent to New York, by his father the head of the LAPD, who has firm ties to the mafia. Edward Martin, Head Attorney for the Mafia, based in New York, takes young Marko under his wing setting him up as personal assistant to his wife Alessandra who has a label in the Fashion Industry. He has a steamy romance with their daughter Georgia who also works for the massive Fashion Enterprise. He becomes a made man hanging out with hard core mobsters and now enjoys very close relations with Ciro Pistone, (The Don), Frankie Napatano, (Underboss) and other core gang members. Actively entrenched in the Mafia as activities and hanging out with the Cartels son, he becomes involved with the Cartels daughter Francesca and falls madly in love. A twist of fate leads him back to New York on a revenge fuelled rampage of murder and bloodshed linking all the way to the White House. Now a Captain with the mob, he is fully entrenched in the day to day activities of the mob, Jet setting to Sicily, Ibiza and Monaco living the life of a movie star, doing arms deals with the Bosnians and contract hits for the mob. A powerful story full of action, murder, extortion and romance as Marko becomes one of the untouchables, but will he survive to rise up the Mafia ranks
Publisher: Xlibris Corporation
ISBN: 1493122711
Category : Fiction
Languages : en
Pages : 408
Book Description
Marko Bennett a handsome young marine recently returned home from two and a half years in the Special Services, in the front line in Afghanistan, fighting against the Taliban. Complete adrenalin junkie, spoilt rich kid who enjoys hanging out with Head of the Crips, Leroy Brown reputed L.A. gangster. Racing Nascars for his big name sponsors, stealing expensive luxury sports cars, Marko street races for Leroy and is linked with the gambling syndicate doing cocaine deals on the side. He winds up in trouble with the law and is sent to New York, by his father the head of the LAPD, who has firm ties to the mafia. Edward Martin, Head Attorney for the Mafia, based in New York, takes young Marko under his wing setting him up as personal assistant to his wife Alessandra who has a label in the Fashion Industry. He has a steamy romance with their daughter Georgia who also works for the massive Fashion Enterprise. He becomes a made man hanging out with hard core mobsters and now enjoys very close relations with Ciro Pistone, (The Don), Frankie Napatano, (Underboss) and other core gang members. Actively entrenched in the Mafia as activities and hanging out with the Cartels son, he becomes involved with the Cartels daughter Francesca and falls madly in love. A twist of fate leads him back to New York on a revenge fuelled rampage of murder and bloodshed linking all the way to the White House. Now a Captain with the mob, he is fully entrenched in the day to day activities of the mob, Jet setting to Sicily, Ibiza and Monaco living the life of a movie star, doing arms deals with the Bosnians and contract hits for the mob. A powerful story full of action, murder, extortion and romance as Marko becomes one of the untouchables, but will he survive to rise up the Mafia ranks
Public Enemies, Public Heroes
Author: Jonathan Munby
Publisher: University of Chicago Press
ISBN: 0226550346
Category : Performing Arts
Languages : en
Pages : 276
Book Description
In this study of Hollywood gangster films, Jonathan Munby examines their controversial content and how it was subjected to continual moral and political censure. Beginning in the early 1930s, these films told compelling stories about ethnic urban lower-class desires to "make it" in an America dominated by Anglo-Saxon Protestant ideals and devastated by the Great Depression. By the late 1940s, however, their focus shifted to the problems of a culture maladjusting to a new peacetime sociopolitical order governed by corporate capitalism. The gangster no longer challenged the establishment; the issue was not "making it," but simply "making do." Combining film analysis with archival material from the Production Code Administration (Hollywood's self-censoring authority), Munby shows how the industry circumvented censure, and how its altered gangsters (influenced by European filmmakers) fueled the infamous inquisitions of Hollywood in the postwar '40s and '50s by the House Committee on Un-American Activities. Ultimately, this provocative study suggests that we rethink our ideas about crime and violence in depictions of Americans fighting against the status quo.
Publisher: University of Chicago Press
ISBN: 0226550346
Category : Performing Arts
Languages : en
Pages : 276
Book Description
In this study of Hollywood gangster films, Jonathan Munby examines their controversial content and how it was subjected to continual moral and political censure. Beginning in the early 1930s, these films told compelling stories about ethnic urban lower-class desires to "make it" in an America dominated by Anglo-Saxon Protestant ideals and devastated by the Great Depression. By the late 1940s, however, their focus shifted to the problems of a culture maladjusting to a new peacetime sociopolitical order governed by corporate capitalism. The gangster no longer challenged the establishment; the issue was not "making it," but simply "making do." Combining film analysis with archival material from the Production Code Administration (Hollywood's self-censoring authority), Munby shows how the industry circumvented censure, and how its altered gangsters (influenced by European filmmakers) fueled the infamous inquisitions of Hollywood in the postwar '40s and '50s by the House Committee on Un-American Activities. Ultimately, this provocative study suggests that we rethink our ideas about crime and violence in depictions of Americans fighting against the status quo.
Gangsters and G-Men on Screen
Author: Gene D. Phillips
Publisher: Rowman & Littlefield
ISBN: 1442230762
Category : Performing Arts
Languages : en
Pages : 205
Book Description
While the gangster film may have enjoyed its heyday in the 1930s and ’40s, it has remained a movie staple for almost as long as cinema has existed. From the early films of Humphrey Bogart, James Cagney, and Edward G. Robinson to modern versions like Bugsy, Public Enemies, and Gangster Squad, such films capture the brutality of mobs and their leaders. In Gangsters and G-Men on Screen: Crime Cinema Then and Now, Gene D. Phillips revisits some of the most popular and iconic representations of the genre. While this volume offers new perspectives on some established classics—usual suspects like Little Caesar, Bonnie and Clyde, and The Godfather Part II—Phillips also calls attention to some of the unheralded but no less worthy films and filmmakers that represent the genre. Expanding the viewer’s notion of what constitutes a gangster film, Phillips offers such unusual choices as You Only Live Once, Key Largo, The Lady from Shanghai, and even the 1949 version of The Great Gatsby. Also included in this examination are more recent ventures, such as modern classics The Grifters and Martin Scorsese’s The Departed. In his analyses, Phillips draws on a number of sources, including personal interviews with directors and other artists and technicians associated with the films he discusses. Of interest to film historians and scholars, Gangsters and G-Men on Screen will also appeal to anyone who wants to better understand the films that represent an important contribution to crime cinema.
Publisher: Rowman & Littlefield
ISBN: 1442230762
Category : Performing Arts
Languages : en
Pages : 205
Book Description
While the gangster film may have enjoyed its heyday in the 1930s and ’40s, it has remained a movie staple for almost as long as cinema has existed. From the early films of Humphrey Bogart, James Cagney, and Edward G. Robinson to modern versions like Bugsy, Public Enemies, and Gangster Squad, such films capture the brutality of mobs and their leaders. In Gangsters and G-Men on Screen: Crime Cinema Then and Now, Gene D. Phillips revisits some of the most popular and iconic representations of the genre. While this volume offers new perspectives on some established classics—usual suspects like Little Caesar, Bonnie and Clyde, and The Godfather Part II—Phillips also calls attention to some of the unheralded but no less worthy films and filmmakers that represent the genre. Expanding the viewer’s notion of what constitutes a gangster film, Phillips offers such unusual choices as You Only Live Once, Key Largo, The Lady from Shanghai, and even the 1949 version of The Great Gatsby. Also included in this examination are more recent ventures, such as modern classics The Grifters and Martin Scorsese’s The Departed. In his analyses, Phillips draws on a number of sources, including personal interviews with directors and other artists and technicians associated with the films he discusses. Of interest to film historians and scholars, Gangsters and G-Men on Screen will also appeal to anyone who wants to better understand the films that represent an important contribution to crime cinema.
FBI 100 Years
Author: Henry M. Holden
Publisher:
ISBN: 9781610607186
Category : Biography & Autobiography
Languages : en
Pages : 260
Book Description
On the eve of the FBI's centenary, this book offers the first comprehensive illustrated account of the Bureaus 100-year history. Granted unprecedented access to the FBI headquarters in Washington, D.C., and academy at Quantico, Virginia, author Henry M. Holden presents a rare inside view of the agencys workings, as well as a compelling, closely observed picture of its ever-changing role, powers, notable cases, and controversies through the years. FBI 100 Years chronicles the Bureaus successes and failures from its early days as Teddy Roosevelts trust-busting detective force to the increased emphasis on counterterrorism the post 9/11 world. Along the way, Holden revisits the gangster era and the days of McCarthyism, the unmaking of the Mob, and the disastrous standoffs at Ruby Ridge and Waco. The famous and the infamous make their appearances in the story, colorful characters such as John Dillinger and "Machine Gun" Kelly, J. Edgar Hoover and turncoat spy Robert Hansen. With added features including an exploration of the 200 categories of federal crimes that fall within the Bureaus purview, all the FBI Ten Most Wanted Fugitives lists since the first in 1949, and an entertaining look at the FBI in popular culture, this is the most thorough and authoritative book ever written about the principal law enforcement arm of the United States Department of Justice. It is truly the first book to do justice to the worlds most famous, but actually little-known law enforcement agencies in the world.
Publisher:
ISBN: 9781610607186
Category : Biography & Autobiography
Languages : en
Pages : 260
Book Description
On the eve of the FBI's centenary, this book offers the first comprehensive illustrated account of the Bureaus 100-year history. Granted unprecedented access to the FBI headquarters in Washington, D.C., and academy at Quantico, Virginia, author Henry M. Holden presents a rare inside view of the agencys workings, as well as a compelling, closely observed picture of its ever-changing role, powers, notable cases, and controversies through the years. FBI 100 Years chronicles the Bureaus successes and failures from its early days as Teddy Roosevelts trust-busting detective force to the increased emphasis on counterterrorism the post 9/11 world. Along the way, Holden revisits the gangster era and the days of McCarthyism, the unmaking of the Mob, and the disastrous standoffs at Ruby Ridge and Waco. The famous and the infamous make their appearances in the story, colorful characters such as John Dillinger and "Machine Gun" Kelly, J. Edgar Hoover and turncoat spy Robert Hansen. With added features including an exploration of the 200 categories of federal crimes that fall within the Bureaus purview, all the FBI Ten Most Wanted Fugitives lists since the first in 1949, and an entertaining look at the FBI in popular culture, this is the most thorough and authoritative book ever written about the principal law enforcement arm of the United States Department of Justice. It is truly the first book to do justice to the worlds most famous, but actually little-known law enforcement agencies in the world.
Spilling the Beans Too
Author: Samuelin MarTinez
Publisher: AuthorHouse
ISBN: 1504922549
Category : Political Science
Languages : en
Pages : 376
Book Description
Imagine living in a world that hates you, and becoming aware of this witnessing how that hate hurts your mother daily. At five I held my Ama's tired head and swore an oath, when I get big I will work hard so you won't be so tired. Look through my lens, and see Corporate America exploiting and overexposing my mother to toxic waste, and toxic relationships stressing her native will to protect me from all that she suffered as a child. I invite you to consider my agony and adoring love that inspired this indictment; Corporate America killed my mother! Cancer is not a normal death; it is murder because corporations know their waste is toxic. I provide evidence, beyond a reasonable doubt, that our native maternal relationship was a military target for America to "Kill the Indian save the child." How can a country be so cruel, feel no empathy and deny there was a related American Holocaust? I submit historical evidence that America is a socio-pathic mass murderer. I also charge Corporate America with Child Abuse and Neglect, violating the United Nations Charter on the Human Rights of the Child. The evidence, beyond a reasonable doubt, is the millions of homeless, hungry, sick and under educated children stressed, in the richest country in the world preying "In God we Trust." What is feigned love without justice or freedom? A crime confusing profit with prophet. For example, pediatrician Nadine Burke Harris explains that "the repeated stress of abuse, neglect has real, tangible effects on the development of the brain. This unfolds across a lifetime with triple risk for heart disease and lung cancer." The related Adverse Childhood Experiences (ACE) Study "associations childhood maltreatment and later-life health and well-being." Their focus is toxic parenting, mine is a toxic American history.
Publisher: AuthorHouse
ISBN: 1504922549
Category : Political Science
Languages : en
Pages : 376
Book Description
Imagine living in a world that hates you, and becoming aware of this witnessing how that hate hurts your mother daily. At five I held my Ama's tired head and swore an oath, when I get big I will work hard so you won't be so tired. Look through my lens, and see Corporate America exploiting and overexposing my mother to toxic waste, and toxic relationships stressing her native will to protect me from all that she suffered as a child. I invite you to consider my agony and adoring love that inspired this indictment; Corporate America killed my mother! Cancer is not a normal death; it is murder because corporations know their waste is toxic. I provide evidence, beyond a reasonable doubt, that our native maternal relationship was a military target for America to "Kill the Indian save the child." How can a country be so cruel, feel no empathy and deny there was a related American Holocaust? I submit historical evidence that America is a socio-pathic mass murderer. I also charge Corporate America with Child Abuse and Neglect, violating the United Nations Charter on the Human Rights of the Child. The evidence, beyond a reasonable doubt, is the millions of homeless, hungry, sick and under educated children stressed, in the richest country in the world preying "In God we Trust." What is feigned love without justice or freedom? A crime confusing profit with prophet. For example, pediatrician Nadine Burke Harris explains that "the repeated stress of abuse, neglect has real, tangible effects on the development of the brain. This unfolds across a lifetime with triple risk for heart disease and lung cancer." The related Adverse Childhood Experiences (ACE) Study "associations childhood maltreatment and later-life health and well-being." Their focus is toxic parenting, mine is a toxic American history.
The Gangster Film Reader
Author: Alain Silver
Publisher: Hal Leonard Corporation
ISBN: 9780879103323
Category : Performing Arts
Languages : en
Pages : 428
Book Description
In the 1930s the gangster film in the United States coincided with a very real and very sensational gangsterism at large in American society. Little Caesar (1931), The Public Enemy (1931), and Scarface (1932) borrowed liberally from the newspapers and books of the era. With the release of just these three motion pictures in barely more than a year's time, Hollywood quintessentially defined the genre. The characters, the situations, and the icons-from fast cars and tommy-guns to fancy fedoras and fancier molls-established the audience expectations associated with the gangster film that remain in force to this day. As with their Film Noir Reader series, using both reprints of seminal articles and new pieces, editors Silver and Ursini have assembled a group of essays that presents an exhaustive overview of this still vital genre. Reprints of work by such well-known film historians as Robin Wood, Andrew Sarris, Carlos Clarens, Paul Schrader, and Stuart Kaminsky explore the evolution of the gangster film through the 1970s and The Godfather. Parts 2 and 3 comprise two dozen newer articles, most of them written expressly for this volume by Ursini and Silver. These case studies and thematic analyses, from White Heat to the remake of Scarface to "The Sopranos," complete the anthology.
Publisher: Hal Leonard Corporation
ISBN: 9780879103323
Category : Performing Arts
Languages : en
Pages : 428
Book Description
In the 1930s the gangster film in the United States coincided with a very real and very sensational gangsterism at large in American society. Little Caesar (1931), The Public Enemy (1931), and Scarface (1932) borrowed liberally from the newspapers and books of the era. With the release of just these three motion pictures in barely more than a year's time, Hollywood quintessentially defined the genre. The characters, the situations, and the icons-from fast cars and tommy-guns to fancy fedoras and fancier molls-established the audience expectations associated with the gangster film that remain in force to this day. As with their Film Noir Reader series, using both reprints of seminal articles and new pieces, editors Silver and Ursini have assembled a group of essays that presents an exhaustive overview of this still vital genre. Reprints of work by such well-known film historians as Robin Wood, Andrew Sarris, Carlos Clarens, Paul Schrader, and Stuart Kaminsky explore the evolution of the gangster film through the 1970s and The Godfather. Parts 2 and 3 comprise two dozen newer articles, most of them written expressly for this volume by Ursini and Silver. These case studies and thematic analyses, from White Heat to the remake of Scarface to "The Sopranos," complete the anthology.
Abjection Incorporated
Author: Maggie Hennefeld
Publisher: Duke University Press
ISBN: 1478003413
Category : Social Science
Languages : en
Pages : 237
Book Description
From the films of Larry Clark to the feminist comedy of Amy Schumer to the fall of Louis C. K., comedic, graphic, and violent moments of abjection have permeated twentieth- and twenty-first-century social and political discourse. The contributors to Abjection Incorporated move beyond simple critiques of abjection as a punitive form of social death, illustrating how it has become a contested mode of political and cultural capital—empowering for some but oppressive for others. Escaping abjection's usual confines of psychoanalysis and aesthetic modernism, core to theories of abjection by thinkers such as Kristeva and Bataille, the contributors examine a range of media, including literature, photography, film, television, talking dolls, comics, and manga. Whether analyzing how comedic abjection can help mobilize feminist politics or how expressions of abjection inflect class, race, and gender hierarchies, the contributors demonstrate the importance of competing uses of abjection to contemporary society and politics. They emphasize abjection's role in circumscribing the boundaries of the human and how the threats abjection poses to the self and other, far from simply negative, open up possibilities for radically new politics. Contributors. Meredith Bak, Eugenie Brinkema, James Leo Cahill, Michelle Cho, Maggie Hennefeld, Rob King, Thomas Lamarre, Sylvère Lotringer, Rijuta Mehta, Mark Mulroney, Nicholas Sammond, Yiman Wang, Rebecca Wanzo
Publisher: Duke University Press
ISBN: 1478003413
Category : Social Science
Languages : en
Pages : 237
Book Description
From the films of Larry Clark to the feminist comedy of Amy Schumer to the fall of Louis C. K., comedic, graphic, and violent moments of abjection have permeated twentieth- and twenty-first-century social and political discourse. The contributors to Abjection Incorporated move beyond simple critiques of abjection as a punitive form of social death, illustrating how it has become a contested mode of political and cultural capital—empowering for some but oppressive for others. Escaping abjection's usual confines of psychoanalysis and aesthetic modernism, core to theories of abjection by thinkers such as Kristeva and Bataille, the contributors examine a range of media, including literature, photography, film, television, talking dolls, comics, and manga. Whether analyzing how comedic abjection can help mobilize feminist politics or how expressions of abjection inflect class, race, and gender hierarchies, the contributors demonstrate the importance of competing uses of abjection to contemporary society and politics. They emphasize abjection's role in circumscribing the boundaries of the human and how the threats abjection poses to the self and other, far from simply negative, open up possibilities for radically new politics. Contributors. Meredith Bak, Eugenie Brinkema, James Leo Cahill, Michelle Cho, Maggie Hennefeld, Rob King, Thomas Lamarre, Sylvère Lotringer, Rijuta Mehta, Mark Mulroney, Nicholas Sammond, Yiman Wang, Rebecca Wanzo
Breakshot
Author: Kenny Gallo
Publisher: Simon and Schuster
ISBN: 1439195838
Category : Biography & Autobiography
Languages : en
Pages : 516
Book Description
Gallo made millions for New York's Colombo Mafia family before becoming an undercover FBI informant. In "Breakshot," he captures the American underworld in all its tawdry spectacle.
Publisher: Simon and Schuster
ISBN: 1439195838
Category : Biography & Autobiography
Languages : en
Pages : 516
Book Description
Gallo made millions for New York's Colombo Mafia family before becoming an undercover FBI informant. In "Breakshot," he captures the American underworld in all its tawdry spectacle.