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Author: Raymond Wilson Chambers
Publisher:
ISBN:
Category : Courtesy
Languages : en
Pages : 168
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Book Description
Author: Raymond Wilson Chambers
Publisher:
ISBN:
Category : Courtesy
Languages : en
Pages : 168
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Book Description
Author: Lena L. Tucker
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 172
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Book Description
![Bulletin [1908-23] PDF](https://books.google.com/books/content/images/frontcover/DkQmAQAAIAAJ?fife=w80-h100)
Author: Boston Public Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 844
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Book Description
Author: Boston Public Library
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 418
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Book Description
Author: James Maclehose
Publisher:
ISBN:
Category : Scotland
Languages : en
Pages : 464
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Book Description
A new series of the Scottish antiquary established 1886.
Author:
Publisher:
ISBN:
Category : Philology, Modern
Languages : en
Pages : 1056
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Book Description
Author:
Publisher:
ISBN:
Category : Current events
Languages : en
Pages : 1048
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Book Description
Author: Susan Boynton
Publisher: Boydell & Brewer Ltd
ISBN: 1843834138
Category : Literary Criticism
Languages : en
Pages : 278
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Book Description
"Young singers through the centuries have occupied a central position in a variety of religious institutional settings: urban cathedrals, collegiate churches, monasteries, guilds, and confraternities." "The training of singers for performance in religious services shaped the very structures of ecclesiastical institutions, which developed to meet the need for educating their youngest members. The development of musical repertories and styles also directly reflected the ubiquitous participation of children's voices in both chant and polyphony. There was even, frequently, a future for choristers after their voices broke."--BOOK JACKET.
Author: Elaine Stratton Hild
Publisher: Oxford University Press
ISBN: 0197685919
Category : Music
Languages : en
Pages : 241
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Book Description
"Medieval documents reveal that for centuries of European history, singing for a person at the moment of death was considered to be the ideal accompaniment to a life's ending. Rituals for the dying were well developed, practiced widely, and thoroughly integrated with music. Indeed, these rituals reveal that music, rather than the Eucharist, held a privileged position at the final breath. Music in Medieval Rituals for the End of Life examines and recovers, to the extent possible, the music sung for the dying during the Middle Ages. The book offers a view of the plainchant repertory through the sources of individual institutions. The first four chapters contain a series of "case studies": close readings of rituals from diverse communities, each as they appear in a single source. The rituals' chants are transcribed into modern notation and analyzed, both for their relationships between text and melody and for their functions within the rituals. Created for the powerful and the poor, the educated and the uneducated, women and men, monastics, clerics, and laity, these manuscripts offer a glimpse into the religious practices that distinguished communities from one another and bound them together within a single tradition. The book provides the first editions of the rituals' chants and considers the functions of the music. Why was music given such a prominent position within the deathbed liturgies? Why did communities gather and sing when a loved one was dying? The manuscripts reveal a lost art of comforting the dying and the grieving"--
Author: Samuel Fanous
Publisher: Cambridge University Press
ISBN: 1139827669
Category : Literary Criticism
Languages : en
Pages : 343
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Book Description
The widespread view that 'mystical' activity in the Middle Ages was a rarefied enterprise of a privileged spiritual elite has led to isolation of the medieval 'mystics' into a separate, narrowly defined category. Taking the opposite view, this book shows how individual mystical experience, such as those recorded by Julian of Norwich and Margery Kempe, is rooted in, nourished and framed by the richly distinctive spiritual contexts of the period. Arranged by sections corresponding to historical developments, it explores the primary vernacular texts, their authors, and the contexts that formed the expression and exploration of mystical experiences in medieval England. This is an excellent, insightful introduction to medieval English mystical texts, their authors, readers and communities. Featuring a guide to further reading and a chronology, the Companion offers an accessible overview for students of literature, history and theology.
