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Author: Elizabeth Allen
Publisher: Stanford University Press
ISBN: 9780804768030
Category : Literary Criticism
Languages : en
Pages : 318
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Book Description
A Fallen Idol Is Still a God elucidates the historical distinctiveness and significance of the seminal nineteenth-century Russian poet, playwright, and novelist Mikhail Iurevich Lermontov (1814-1841). It does so by demonstrating that Lermontov's works illustrate the condition of living in an epoch of transition. Lermontov's particular epoch was that of post-Romanticism, a time when the twilight of Romanticism was dimming but the dawn of Realism had yet to appear. Through close and comparative readings, the book explores the singular metaphysical, psychological, ethical, and aesthetic ambiguities and ambivalences that mark Lermontov's works, and tellingly reflect the transition out of Romanticism and the nature of post-Romanticism. Overall, the book reveals that, although confined to his transitional epoch, Lermontov did not succumb to it; instead, he probed its character and evoked its historical import. And the book concludes that Lermontov's works have resonance for our transitional era in the early twenty-first century as well.
Author: Elizabeth Allen
Publisher: Stanford University Press
ISBN: 9780804768030
Category : Literary Criticism
Languages : en
Pages : 318
Get Book
Book Description
A Fallen Idol Is Still a God elucidates the historical distinctiveness and significance of the seminal nineteenth-century Russian poet, playwright, and novelist Mikhail Iurevich Lermontov (1814-1841). It does so by demonstrating that Lermontov's works illustrate the condition of living in an epoch of transition. Lermontov's particular epoch was that of post-Romanticism, a time when the twilight of Romanticism was dimming but the dawn of Realism had yet to appear. Through close and comparative readings, the book explores the singular metaphysical, psychological, ethical, and aesthetic ambiguities and ambivalences that mark Lermontov's works, and tellingly reflect the transition out of Romanticism and the nature of post-Romanticism. Overall, the book reveals that, although confined to his transitional epoch, Lermontov did not succumb to it; instead, he probed its character and evoked its historical import. And the book concludes that Lermontov's works have resonance for our transitional era in the early twenty-first century as well.
Author: F. Anstey
Publisher:
ISBN:
Category : Buddhism
Languages : en
Pages : 352
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Book Description
Author: F. T. Brooks
Publisher:
ISBN:
Category : Bhagavadgītā
Languages : en
Pages : 412
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Book Description
Author: Edward T. Welch
Publisher: New Growth Press
ISBN: 1645074064
Category : Religion
Languages : en
Pages : 149
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Book Description
Overly concerned about what people think of you? Edward T. Welch uncovers the spiritual dimension of people-pleasing—what the Bible calls fear of man—and points the way through a true knowledge of God, ourselves, and others.
Author: D. H. Lawrence
Publisher: Cambridge University Press
ISBN: 9780521007061
Category : Fiction
Languages : en
Pages : 268
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Book Description
Edition of D. H. Lawrence's last book, Apocalypse, along with other writings on the Revolution.
Author: Elias Smith
Publisher:
ISBN:
Category : Theology
Languages : en
Pages : 840
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Book Description
Author: Ivan Lebedeff
Publisher:
ISBN:
Category : World War, 1914-1918
Languages : en
Pages : 324
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Book Description
Author: Ralph Arnote
Publisher: Macmillan
ISBN: 0812516125
Category : Fiction
Languages : en
Pages : 322
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Book Description
This rollicking thriller is being reissued to coincide with its sequel, Fatal Secrets. Publisher Willy Hanson has just acquired a most important property--a manuscript expose that can bring down a powerful senator. Because of it, he will be hunted by contract killers, the FBI, and the senator himself.
Author: Graham Greene
Publisher: Penguin
ISBN: 9780140185331
Category : Fiction
Languages : en
Pages : 164
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Book Description
The Third Man is Greene's brilliant recreation of post-war Vienna, a city of desolate poverty occupied by four powers. Rollo Martins, a second-rate novelist, arrives penniless in Vienna to visit his old friend and hero Harry Lime. Harry is dead, but the circumstances surrounding his death are highly suspicious, and his reputation, at the very least, dubious. Graham Greene said of The Third Man that he "wanted to entertain [people], to frighten them a little, to make them laugh" and the result is both a compelling narrative and a haunting thriller. The Fallen Idol is the chilling story of a small boy caught up in the games that adults play. Left in the care of the butler, Baines, and his wife, Philip realizes too late the danger of lies and deceit. But the truth is even deadlier. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Author: Bernard Schweizer
Publisher: Oxford University Press
ISBN: 0199781346
Category : Religion
Languages : en
Pages : 256
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Book Description
While atheists such as Richard Dawkins have now become public figures, there is another and perhaps darker strain of religious rebellion that has remained out of sight--people who hate God. In this revealing book, Bernard Schweizer looks at men and women who do not question God's existence, but deny that He is merciful, competent, or good. Sifting through a wide range of literary and historical works, Schweizer finds that people hate God for a variety of reasons. Some are motivated by social injustice, human suffering, or natural catastrophes that God does not prevent. Some blame God for their personal tragedies. Schweizer concludes that, despite their blasphemous thoughts, these people tend to be creative and moral individuals, and include such literary lights as Friedrich Nietzsche, Mark Twain, Zora Neale Hurston, Rebecca West, Elie Wiesel, and Philip Pullman. Schweizer shows that literature is a fertile ground for God haters. Many authors, who dare not voice their negative attitude to God openly, turn to fiction to give vent to it. Indeed, Schweizer provides many new and startling readings of literary masterpieces, highlighting the undercurrent of hatred for God. Moreover, by probing the deeper mainsprings that cause sensible, rational, and moral beings to turn against God, Schweizer offers answers to some of the most vexing questions that beset human relationships with the divine.