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Author: Jerome Roche
Publisher:
ISBN: 9780571100354
Category :
Languages : en
Pages :
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Book Description
Author: Jerome Roche
Publisher:
ISBN: 9780571100354
Category :
Languages : en
Pages :
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Book Description
Author: Joseph P. Swain
Publisher: Rowman & Littlefield
ISBN: 1538151626
Category : Music
Languages : en
Pages : 465
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Book Description
Named a Library Journal Best Reference of 2023 - "Bravo! An invaluable source for scholars and concertgoers.” - Library Journal In the history of the Western musical tradition, the Baroque period traditionally dates from the turn of the 17th century to 1750. The beginning of the period is marked by Italian experiments in composition that attempted to create a new kind of secular musical art based upon principles of Greek drama, quickly leading to the invention of opera. The ending is marked by the death of Johann Sebastian Bach in 1750 and the completion of George Frideric Handel’s last English oratorio, Jephtha, the following year. The Historical Dictionary of Baroque Music, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 500 cross-referenced entries on composers, instruments, cities, and technical terms. This book is an excellent resource for students, researchers, and anyone wanting to know more about baroque music.
Author: Graham Strahle
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 0
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Book Description
Author: Bertil H. Van Boer
Publisher: Scarecrow Press
ISBN: 0810871831
Category : Music
Languages : en
Pages : 665
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Book Description
When we speak of "classical music" it often refers rather loosely to serious "art" music but at the core is really the music of the classical period running from about 1730 to 1800, give or take. This was truly one of the most glorious periods for both composition and performance and it is this classical music which is still at the core of today's repertoire. Obvious names connected with this period are Haydn, Mozart and Beethoven, but there were many more still reasonably well known like Gluck and C.P.E Bach, and dozens more who are regrettably little known today. This Historical Dictionary of Music of the Classical Period includes not only these composers, but also eminent conductors and performers, patrons, and publishers. There are also dictionary entries on major centers of music-making, typical instruments, important technical terms, and emerging musical forms, including the symphony and opera. Indeed, with a 1,000 cross-referenced entries, there is information on most matters of interest. This is prefaced by an extensive chronology, tracing the course of this period from year to year, and an introduction taking a careful look at the period as a whole. Finally, there is a substantial bibliography. Surely, this is a book which will appeal not only to students and researchers but all music-lovers.
Author: David W. Bercot
Publisher: Hendrickson Publishers
ISBN: 1619701685
Category : Religion
Languages : en
Pages : 1308
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Book Description
Interest in the ways of the early church has never been more intense. What did early Christians believe about the divinity of Christ? What were the beliefs of those who sat at the feet of Jesus’ disciples? Now, for the first time, a unique dictionary has been developed to allow easy access to the ancient material and furnish ready answers to these questions and others like them. David W. Bercot has painstakingly combed the writings of these early church leaders and categorized the heart of their thinking into more than 700 theological, moral, and historical topics to create A Dictionary of Early Christian Beliefs. Wonderfully suited for devotional or thematic study as well as sermon illustration, this resource offers a window into the world of the early church and affords special opportunity to examine topically the thoughts of students of the original apostles, as well as other great lights in the life of the early church. Collects relevant comments on key Christian concepts from prominent figures such as Origen, Clement of Alexandria, Clement of Rome, and Hippolytus Includes key biblical verses associated with a given topic Offers brief definitions of unfamiliar terms or concepts, allowing easy access to the ancient material Provides a “who’s who” of ante-Nicene Christianity to put in context the ancient Christian writers Discusses more than 700 key theological, moral, and historical topics Gives strategic cross-references to related topics Functions as a topical index to the writings of Ante-Nicene Fathers
Author: Siegmar Doepp
Publisher: Herder & Herder Books
ISBN: 9780824528003
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
The long-awaited successor to Berthold Altaner's Patrologie handbook, the Dictionary of Early Christian Literature presents the life and work of Chrisitan authors up to the eighth century and an assessment of their lasting influence on the Christian tradition. The Dictionary offers complete and precise information as well as an updated bibliography in an easy-to-use alphabetical arrangement. Articles on authors provide a brief description of their lives, a presentation of their works, and an assessment of their invluence on the Christian tradition. Other articles deal with types of works and their particular characteristics. Despite the wealth of articles, movements and developments within the centuries can be easily grasped, providing valuable insight into the formation of the Christian tradition as we understand it today.
Author: John Michael Cooper
Publisher: Rowman & Littlefield
ISBN: 1538157527
Category : Music
Languages : en
Pages : 847
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Book Description
Library Journal praises the book as "an excellent one-volume ready reference resource for students, researchers, and others interested in music history." Historical Dictionary of Romantic Music, Second Edition covers the persons, ideas, practices, and works that made up the worlds of Western music during the long 19th century (ca. 1780–1918). It’s the first book to recognize that Romantic music was very nearly a global phenomenon. It includes more women, more Black musicians and other musicians of color, and more exponents of musical Romanticism from Central and South America as well as Central and Eastern Europe than any other single-volume study of Romantic music—thus challenging the conventional hegemony of musical Romanticisms by men and by Western European nations. This book includes entries on topics including anti-Semitism, sexism, and racism that were pervasive and defining to the worlds of musical Romanticism but are rarely addressed in general studies of that subject. It includes Romantic musicians who were not primarily composers, as well as topics such as the Haitian Revolution, spirituals, and ragtime that were more important for music in the long 19th century than is generally acknowledged. The result is an expansive, inclusive, diverse, and more richly textured portrayal of Romantic music than is elsewhere available. Historical Dictionary of Romantic Music, Second Edition contains a chronology, an introduction, an extensive bibliography, and a dictionary section with more than 600 cross-referenced entries on traditions, famous pieces, persons, places, technical terms, and institutions of Romantic music. This book is an excellent resource for students, researchers, and anyone wanting to know more about Romantic music.
Author: Charles Edward McGuire
Publisher: Scarecrow Press
ISBN: 0810879514
Category : Music
Languages : en
Pages : 366
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Book Description
The Historical Dictionary of English Music seeks to identify and briefly annotate a wide range of subjects relating to English musical culture, largely from the early 15th century through 1958, dates that reflect the coalescence of an identifiable English style in the early Renaissance and the death of the iconic Ralph Vaughan Williams in the mid-20th century. This book is an excellent access point for students, researchers, and anyone wanting to know more about English music.
Author: Theodor Dumitrescu
Publisher:
ISBN: 9782503551517
Category : Music
Languages : en
Pages : 0
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Book Description
Is editing music a fallacy? It may appear so when consulting the Oxford English Dictionary, which defines editing as to prepare an edition (of a literary work or works by an earlier author), or to prepare, set in order for publication (literary material which is wholly or in part the work of others). Of course, the parentheses readily allow the musicologist to construct a broadened definition of editing, tacitly declaring music to be akin to literature; but doing so causes a number of other discomforts, for music, while certainly not inimical to words, simply cannot be equated with literature tout court. Even so, the OED mercilessly insists on the origins of the term within the realm of literary text production. Furthermore, as if adding insult to injury, a secondary definition of editing offered by the OED-to prepare a film for the cinema or recordings for broadcasting, etc. (by eliminating unwanted material etc.) -brings music into play, but hardly in the sense it is construed in this volume, namely in its written instantiation as notation. Instead, catapulting the reader from the old-fashioned realm of ink and paper into the glittery domain of twentieth- and twenty-first century multi-media art forms and their post-Gutenbergian methods of production, storage and distribution, music editing is now made present as the cleaning-up procedure preceding the release of a new product rather than the painstaking preparation of a work or works by an earlier author for re-publication.
Author:
Publisher: Alfred Music Publishing
ISBN: 9781457410710
Category : Music
Languages : en
Pages : 372
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Book Description
This pocket-sized dictionary presents current and correct notation practices in an easy-to-use format. Generously illustrated and concise, this book is essential to any musician looking for a handy reference for the correct notation of music. A most welcome and beneficial source for every musician, whether using a pencil or a computer.
