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Author: John Ingamells
Publisher: Yale University Press
ISBN: 0300071655
Category : History
Languages : en
Pages : 1136
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Book Description
This dictionary identifies over 6000 British and Irish travellers who toured in Italy in the 18th century. Compiled from the archive accumulted by Sir Brinsley Ford, it provides brief formal biographies of these travellers, their Italian itineries and selective accounts of their experiences.
Author: John Ingamells
Publisher: Yale University Press
ISBN: 0300071655
Category : History
Languages : en
Pages : 1136
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Book Description
This dictionary identifies over 6000 British and Irish travellers who toured in Italy in the 18th century. Compiled from the archive accumulted by Sir Brinsley Ford, it provides brief formal biographies of these travellers, their Italian itineries and selective accounts of their experiences.
Author:
Publisher:
ISBN:
Category : Grand tours (Education)
Languages : en
Pages :
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Book Description
Identifies over six thousand British and Irish travellers who toured in Italy in the 18th century, and provides details of archives in which original materials are held. Presents the dictionary in a full-text searchable version, with digitised images from the Brinsley Ford archive at the Paul Mellon Centre, London, from which the dictionary was compiled.
Author: Edward T. Corp
Publisher: Cambridge University Press
ISBN: 0521513278
Category : Biography & Autobiography
Languages : en
Pages : 429
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Book Description
This book reassesses the lives of the exiled Stuart Court in Italy which provided an important British presence in Rome.
Author: Gabriele Reina
Publisher: Austin Macauley Publishers
ISBN: 1528980611
Category : Biography & Autobiography
Languages : en
Pages : 422
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Book Description
The British in Italy is a fascinating exploration of the enduring relationship between the English and Italians, dating back to the times of Shakespeare, Leghorn, The Grand Tour, Florence, and Venice, up to the cataclysmic events of World War II. The author draws parallels between Victorian England’s progress and the Italian Renaissance, particularly the British presence in Italy during the 19th century. In a unique approach, the author embarks on a journey through Italy, beginning in the Alps and continuing on foot and by bicycle from Monviso to Trieste, then down to Sicily. Along the way, he rediscovers the forgotten Anglo-Saxon characters who played a significant role in shaping Italy’s cultural, artistic, and scientific landscape, such as the true Count of Montecristo, textile industrialists, inventors, painters, archaeologists, botanists, and travelers. Their stories are intertwined with the author’s encounters, memories, lost friends, legends, and conversations, providing a rich tapestry of Italy’s diverse history and culture. The book is a veritable treasure trove of knowledge and insight, revealing Italy's layers of history and culture from a unique Anglo-Saxon perspective. As Doctor Johnson aptly said, “A man who has not been in Italy, is always conscious of an inferiority, from his not having seen what it is expected a man should see.” This book is a must-read for anyone seeking to discover the true heart of Italy and the enduring bond between the English and Italians.
Author: Henry L. Fulton
Publisher: Rowman & Littlefield
ISBN: 161149494X
Category : Literary Criticism
Languages : en
Pages : 811
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Book Description
This book is the first biography of Scottish-born physician John Moore. Here, Henry L. Fulton recounts Moore’s childhood, education, and medical training in Glasgow and abroad; discusses his marriage, family, and friendships (particularly with Tobias Smollett); and depicts his professional practice in the north. The narrative uncovers Moore’s transformative experience accompanying a young nobleman on the Grand Tour through Europe and provides a detailed account of the journey's highlights and difficulties. When Moore returns, he moves his family to London to begin a second career in literature and to acquire patronage for his sons’ professions. In this biography Fulton covers not only Moore’s publications but also discusses his circle of friends among nobility, politicians, artists, and others. Also discussed is Moore’s involvement in the French Revolution, his correspondence with Robert Burns, and his strained family relationships. Additionally presented here is new information regarding Moore’s finances drawn from archival records in Glasgow and Edinburgh and his bank ledgers in London.
Author: Tessa Morrison
Publisher: Routledge
ISBN: 1317005554
Category : Architecture
Languages : en
Pages : 407
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Book Description
Bringing together ten utopian works that mark important points in the history and an evolution in social and political philosophies, this book not only reflects on the texts and their political philosophy and implications, but also, their architecture and how that architecture informs the political philosophy or social agenda that the author intended. Each of the ten authors expressed their theory through concepts of community and utopian architecture, but each featured an architectural solution at the centre of their social and political philosophy, as none of the cities were ever built, they have remained as utopian literature. Some of the works examined are very well-known, such as Tommaso Campanella’s Civitas Solis, while others such as Joseph Michael Gandy’s Designs for Cottages, are relatively obscure. However, even with the best known works, this volume offers new insights by focusing on the architecture of the cities and how that architecture represents the author’s political philosophy. It reconstructs the cities through a 3-D computer program, ArchiCAD, using Artlantis to render. Plans, sections, elevations and perspectives are presented for each of the cities. The ten cities are: Filarete - Sforzina; Albrecht Dürer - Fortified Utopia; Tommaso Campanella - The City of the Sun; Johann Valentin Andreae - Christianopolis; Joseph Michael Gandy - An Agricultural Village; Robert Owen - Villages of Unity and Cooperation; James Silk Buckingham - Victoria; Robert Pemberton - Queen Victoria Town; King Camp Gillette - Metropolis; and Bradford Peck - The World a Department Store. Each chapter considers the work in conjunction with contemporary thought, the political philosophy and the reconstruction of the city. Although these ten cities represent over 500 years of utopian and political thought, they are an interlinked thread that had been drawn from literature of the past and informed by contemporary thought and society. The book is structured in two parts:
Author: Tomas Macsotay
Publisher: Routledge
ISBN: 1351550543
Category : Art
Languages : en
Pages : 295
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Book Description
The world that shaped Europe's first national sculptor-celebrities, from Schadow to David d'Angers, from Flaxman to Gibson, from Canova to Thorvaldsen, was the city of Rome. Until around 1800, the Holy See effectively served as Europe's cultural capital, and Roman sculptors found themselves at the intersection of the Italian marble trade, Grand Tour expenditure, the cult of the classical male nude, and the Enlightenment republic of letters. Two sets of visitors to Rome, the David circle and the British traveler, have tended to dominate Rome's image as an open artistic hub, while the lively community of sculptors of mixed origins has not been awarded similar attention. Rome, Travel and the Sculpture Capital, c.1770?1825 is the first study to piece together the labyrinthine sculptors' world of Rome between 1770 and 1825. The volume sheds new light on the links connecting Neo-classicism, sculpture collecting, Enlightenment aesthetics, studio culture, and queer studies. The collection offers ideal introductory reading on sculpture and Rome around 1800, but its combination of provocative perspectives is sure to appeal to a readership interested in understanding a modernized Europe's overwhelmingly transnational desire for Neo-classical, Roman sculpture.
Author: Joseph Baillio
Publisher: Metropolitan Museum of Art
ISBN: 1588395812
Category : History
Languages : en
Pages : 292
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Book Description
Elisabeth Louise Vigée Le Brun (1755–1842) was one of the finest eighteenth-century french painters and among the most important women artists of all time. Celebrated for her expressive portraits of French royalty and aristocracy, and especially of her patron Marie Antoinette, Vigée Le Brun exemplified success and resourcefulness in an age when women were rarely allowed either. Because of her close association with the queen Vigée Le Brun was forced to flee France during the French Revolution. For twelve years she traveled throughout Europe, painting noble sitters in the courts of Naples, Russia, Austria, and Prussia. She returned to France in 1802, under the reign of Emperor Napoleon I, where her creativity continued unabated. This handsome volume details Vigée Le Brun's story, portraying a talented artist who nimbly negotiated a shifting political and geographic landscape. Essays by international scholars address the ease with which this self-taught artist worked with monarchs, the nobility, court officials and luminaries of arts and letters, many of whom attended her famous salons. The position of women artists in Europe and at the Salons of the period is also explored, as are the challenges faced by Vigée Le Brun during her exile. The ninety paintings and pastels included in this volume attest to Vigée Le Brun's superb sense of color and expression. They include exquisite depictions of counts and countesses, princes and princesses alongside mothers and children, including the artist herself and her beloved daughter, Julie. A chronology of the life of Vigée Le Brun and a map of her travels accompany the text, elucidating the peregrinations of this remarkable, independent painter.
Author: Manfred Pfister
Publisher: Rodopi
ISBN: 9789042007574
Category : English literature
Languages : en
Pages : 264
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Book Description
Half a millennium of English and American fantasies of Venice: this collection of essays by leading critics in the field explores the continued and continuing fascination of travellers, writers, artists, theatre workers and film makers with the amphibious and ambiguous city in the lagoon. There is hardly another place in Europe that has become so much of a palimpsest, inscribed with the fantasies, the dreams and nightmares of generations of foreigners, and this turns Venetian Views, Venetian Blinds into a particularly pertinent case study of the ways cultural difference within Europe is experienced, enacted and constructed. The essays range across five centuries - from the Renaissance to our postmodern present, from Shakespeare and his contemporary Coryate to recent novels, detective fiction and films - and, in contrast to previous studies focussing on the Grand Tour, they emphasise more recent developments and how they continue or disrupt traditional ways of perceiving - or being blind to! - Venice.
Author: Charlotte Gould
Publisher: Routledge
ISBN: 1351559125
Category : Art
Languages : en
Pages : 303
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Book Description
A cultural history of the first truly modern art market, Marketing Art in the British Isles, 1700 to the Present furthers the burgeoning exploration of Britain's struggle to carve a niche for itself on the international art scene. Bringing together scholars from the UK, US, Europe, and Asia, this collection sheds new light on such crucial notions as the internationalization of the art market; the emergence of an increasingly complex exhibition culture; issues of national rivalry and emulation; artists' individual and collective strategies for their own promotion and survival; the persistent anti-commercialism of an elite group of art lovers and critics and accusations of philistinism levelled at the middle classes; as well as an unquestionable native British genius at reconciling jarring discourses. Essays explore the unresolved tension between artistic aspirations and commercial interest - a tension that has come to shape Britain's national artistic tradition - from the perspectives of artists, dealers and (super-) collectors, and the upwardly mobile middle classes whose consumerism gave rise to the British art market as it is known today. Specific case studies include Whistler, Roger Fry, Damien Hirst, and Charles Saatchi; essays consider art markets from London and Manchester to Paris and Flanders.
