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Author: Keith Hopkins
Publisher: Harvard University Press
ISBN: 0674063597
Category : History
Languages : en
Pages : 225
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Book Description
Byron and Hitler were equally entranced by Rome’s most famous monument, the Colosseum. Mid-Victorians admired the hundreds of varieties of flowers in its crannies and occasionally shuddered at its reputation for contagion, danger, and sexual temptation. Today it is the highlight of a tour of Italy for more than three million visitors a year, a concert arena for the likes of Paul McCartney, and a national symbol of opposition to the death penalty. Its ancient history is chock full of romantic but erroneous myths. There is no evidence that any gladiator ever said “Hail Caesar, those about to die...” and we know of not one single Christian martyr who met his finish here. Yet the reality is much stranger than the legend as the authors, two prominent classical historians, explain in this absorbing account. We learn the details of how the arena was built and at what cost; we are introduced to the emperors who sometimes fought in gladiatorial games staged at the Colosseum; and we take measure of the audience who reveled in, or opposed, these games. The authors also trace the strange afterlife of the monument—as fortress, shrine of martyrs, church, and glue factory. Why are we so fascinated with this arena of death?
Author: Keith Hopkins
Publisher: Harvard University Press
ISBN: 0674063597
Category : History
Languages : en
Pages : 225
Get Book Here
Book Description
Byron and Hitler were equally entranced by Rome’s most famous monument, the Colosseum. Mid-Victorians admired the hundreds of varieties of flowers in its crannies and occasionally shuddered at its reputation for contagion, danger, and sexual temptation. Today it is the highlight of a tour of Italy for more than three million visitors a year, a concert arena for the likes of Paul McCartney, and a national symbol of opposition to the death penalty. Its ancient history is chock full of romantic but erroneous myths. There is no evidence that any gladiator ever said “Hail Caesar, those about to die...” and we know of not one single Christian martyr who met his finish here. Yet the reality is much stranger than the legend as the authors, two prominent classical historians, explain in this absorbing account. We learn the details of how the arena was built and at what cost; we are introduced to the emperors who sometimes fought in gladiatorial games staged at the Colosseum; and we take measure of the audience who reveled in, or opposed, these games. The authors also trace the strange afterlife of the monument—as fortress, shrine of martyrs, church, and glue factory. Why are we so fascinated with this arena of death?
Author: Elizabeth Mann
Publisher:
ISBN: 9781931414173
Category : Amphitheaters
Languages : en
Pages : 0
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Book Description
Describes the building of the Colosseum in ancient Rome, and tells how it was used.
Author: Jim O'Connor
Publisher: Penguin
ISBN: 0399541918
Category : Juvenile Nonfiction
Languages : en
Pages : 116
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Book Description
A marvel of engineering that proclaimed the might of the Emperor of Ancient Rome. The Emperor Titus opened the enormous Colosseum in AD 80 to host 100 days of games, and it will astound readers to learn what the ancient Romans found entertaining. Over 50,000 screaming fans watched gladiators battling each other to the death, men fighting exotic wild beasts, and even mock sea battles with warships floating on an arena floor flooded with water. By AD 476 the Roman Empire had fallen, and yet the ruins of the Colosseum remain a world-famous landmark of an unforgettable time.
Author: Fiona Macdonald
Publisher: Scribo
ISBN: 9781906714994
Category : Gladiators
Languages : en
Pages : 0
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Book Description
Inside the enormous, boldly designed Roman Colosseum, gladiators fought for their lives as citizens watched the deadly "entertainment." Completed in 96 AD, it's a miraculous feat of engineering. This noble monument, and the ancient empire that created it, await young readers on these stunningly illustrated pages. Curious children can discover why and how the Colosseum was built; how it was decorated; who was allowed to enter; what took place behind the scenes; and what the Roman world was like. Full-color cutaways reveal the details of this astounding architectural achievement, and pinpoint enlargements focus on the day-to-day life of the people including how they ate, dressed, and sometimes fought."
Author: Katherine E. Welch
Publisher: Cambridge University Press
ISBN: 9780521809443
Category : Architecture
Languages : en
Pages : 416
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Book Description
This is the first book to analyze the evolution of the Roman amphitheatre as an architectural form. Katherine Welch addresses the critical period in the history of this building type: its origins and dissemination under the Republic, from the third to first centuries BC; its monumentalization as an architectural form under Augustus; and its canonization as a building type with the Colosseum (AD 80). The study then shifts focus to the reception of the amphitheatre in the Greek East, a part of the Empire deeply fractured about the new realities of Roman rule.
Author: Nathan T. Elkins
Publisher: Johns Hopkins University Press
ISBN: 1421432552
Category : History
Languages : en
Pages : 179
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Book Description
Go behind the scenes to discover why the Colosseum was the king of amphitheaters in the Roman world—a paragon of Roman engineering prowess. Early one morning in 80 CE, the Colosseum roared to life with the deafening cheers of tens of thousands of spectators as the emperor, Titus, inaugurated the new amphitheater with one hundred days of bloody spectacles. These games were much anticipated, for the new amphitheater had been under construction for a decade. Home to spectacles involving exotic beasts, elaborate executions of criminals, gladiatorial combats, and even—when flooded—small-scale naval battles, the building itself was also a marvel. Rising to a height of approximately 15 stories and occupying an area of 6 acres—more than four times the size of a modern football field—the Colosseum was the largest of all amphitheaters in the Roman Empire. In A Monument to Dynasty and Death, Nathan T. Elkins tells the story of the Colosseum's construction under Vespasian, its dedication under Titus, and further enhancements added under Domitian. The Colosseum, Elkins argues, was far more than a lavish entertainment venue: it was an ideologically charged monument to the new dynasty, its aspirations, and its achievements. A Monument to Dynasty and Death takes readers on a behind-the-scenes tour of the Colosseum from the subterranean tunnels, where elevators and cages transported gladiators and animals to the blood-soaked arena floor, to the imperial viewing box, to the amphitheater's decoration and amenities, such as fountains and an awning to shade spectators. Trained as an archaeologist, an art historian, and a historian of ancient Rome, Elkins deploys an interdisciplinary approach that draws on contemporary historical texts, inscriptions, archaeology, and visual evidence to convey the layered ideological messages communicated by the Colosseum. This engaging book is an excellent resource for classes on Roman art, architecture, history, civilization, and sport and spectacle.
Author: Richard Deakin
Publisher:
ISBN:
Category : Botany
Languages : en
Pages : 318
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Book Description
Author: Nigel Rodgers
Publisher: Haynes Publishing UK
ISBN: 9781785211485
Category : Architecture
Languages : en
Pages : 0
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Book Description
The Colosseum is an examination of the innovative design and inspired construction of ancient Rome’s most astonishing building. It looks closely at the anonymous architects and laborers involved in the 10-year project, and how once completed its management delighted the Roman crowds with 400 years of the world’s most savage and brutal entertainment spectaculars.
Author: Charles River Editors
Publisher: CreateSpace
ISBN: 9781494221560
Category : History
Languages : en
Pages : 72
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Book Description
*Includes pictures. *Includes ancient accounts of gladiatorial games and other spectacles. *Explains how the Colosseum was designed and built, as well as how seating was arranged. *Describes the different classes of Roman gladiators and the armor and weaponry they used. *Includes footnotes and a bibliography for further reading. “He vows to endure to be burned, to be bound, to be beaten, and to be killed by the sword." - The gladiator's oath, according to Petronius in the Satyricon. When the Colosseum was built in the late 1st century A.D., the Romans, a people known for their architectural acumen, managed to amaze themselves. Martial, a Roman poet writing during the inauguration of the Colosseum, clearly believed the Colosseum was so grand a monument that it was even greater than the other Wonders of the Ancient World, which had been written about and visited endlessly by the Romans and Greeks in antiquity. Indeed, although the Wonders were wondrous to behold, the Colosseum was a spectacular achievement in architecture, something new and innovative, and therefore an amazing “Wonder” in its own way. The Colosseum was designed to be both a symbol and show of strength by the famous Flavian emperors, most notably Vespasian and his sons Titus and Domitian. Vespasian had started the construction of the Colosseum shortly after becoming emperor in 69 A.D., but he died before he could present any spectacles in his giant amphitheatre. That honor went to his son Titus, who celebrated the inaugural opening in 80 A.D. with 100 days of games, despite the fact that the Colosseum was not completely finished. When his brother Domitian came to power in 81 A.D., he finished the amphitheatre, but not without making some changes to the overall design. By the time it was truly finished, the Colosseum stood about 150 feet tall, with the oval in the center stretching nearly two football fields long and over 500 feet across. The Colosseum is a large stadium even by today's standards, and its great size conveys the power of the empire as it dominates the landscape and towers over nearby buildings. Of course, the main events in the Colosseum were gladiator fights. Gladiators are somewhat synonymous with ancient Rome, and even thousands of years after they performed on the sands, when people are asked about Roman culture, many think about and refer to the bloody spectacles of men fighting to the death in the arena. Gladiatorial combat is often regarded as barbaric, and most find it very difficult to comprehend how people could have enjoyed watching something so violent, but nevertheless, the spectacle still intrigues and fascinates people today, whether in movies like Gladiator or television shows about Spartacus. Each match usually pitted one type of gladiator against a different type of gladiator, with each having their own kind of armor, weaponry and fighting style. For example, the retiarius was a gladiator that used a net, dagger and trident as his offensive weapons, while only wearing a protective guard over his left arm for protection. The retiarius would typically fight against the secutor, a gladiator armed with a sword, large shield, helmet and protective covering on his right arm and left leg. Therefore, a retiarius sacrificed armor for quickness in battle, while the secutor did the opposite. Although people often think of gladiators fighting to the death, the outcome of gladiatorial combats was not always fatal for one of the participants. If a gladiator fought well, the sponsor of the show could spare him, particularly if the crowd desired it. The fact that the outcome of matches was never the same and the crowd could help determine the result of the match certainly added to the Roman public's pleasure, making it a lot less surprising that such an abhorrent spectacle still fascinated the modern world.
Author: Daniel P. Mannix
Publisher: Open Road Media
ISBN: 1504098439
Category : History
Languages : en
Pages : 186
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Book Description
The basis for the new Peacock television series: The classic, in-depth account of the ancient Romans’ obsession with the bloody and brutal gladiatorial games. “If you can imagine a superior American sports writer suddenly being transported back in time to cover the ancient Roman games, you will have some idea of the flavor and zest of [Those About to Die],” said the Los Angeles Times about Daniel P. Mannix’s century-by-century—and nearly moment-by-moment—narrative of the Roman Empire’s national institution. Putting the games in the context of Rome’s rise and dramatic fall, Mannix captures all the history, planning, and savage pageantry that went into creating the first spectator sports. The games began in 238 BC as nearly county fair–like entertainment, with trick riding, acrobats, trained animals, chariot racing, and athletic events. The contests then evolved into slave fights thanks to wealthy patricians Marcus and Decimus Brutus, who wanted to give their father an unforgettable funeral by reviving an old tradition. What the brothers wrought, Rome devoured, demanding even greater violence to satisfy the bloodlust of the crowd. Architectural wonders in themselves, massive arenas like Circus Maximus and the Colosseum were built, able to host sea battle reenactments on actual water. Successful gladiators found fame, fortune—and freedom. But as Rome began to fall in the fifth century, so did the games, devolving into nothing more than pointless massacres. In the end, millions of humans and animals were sacrificed in barbaric displays. What were once ceremonies given in honor of gods met an inglorious fate, yet they still captivate the imagination of people today.
