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Author: Colin Westerbeck
Publisher:
ISBN: 9783958291164
Category : Documentary photography
Languages : en
Pages : 0
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Book Description
Colin Westerbeck's criterion in choosing the 100 photographs published here was to seek out underappreciated work by great photographers and great work by underappreciated photographers. These 100 prints have all been drawn from the many thousands in the inventory of Howard Greenberg Gallery. Westerbeck was particularly drawn to Greenberg's wide-ranging taste in both American and European photography of the twentieth century. The resulting book bears the name A Democracy of Imagery because Westerbeck believes all the works it contains should be considered equal. Each has been selected for its individuality - indeed, its idiosyncrasy - rather than its similarity to or compatibility with other images. In this spirit, works chosen for commentary are discussed individually. Westerbeck explores the background stories of particular photographs, as opposed to generalizing about the photos as a whole.
Author: Colin Westerbeck
Publisher:
ISBN: 9783958291164
Category : Documentary photography
Languages : en
Pages : 0
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Book Description
Colin Westerbeck's criterion in choosing the 100 photographs published here was to seek out underappreciated work by great photographers and great work by underappreciated photographers. These 100 prints have all been drawn from the many thousands in the inventory of Howard Greenberg Gallery. Westerbeck was particularly drawn to Greenberg's wide-ranging taste in both American and European photography of the twentieth century. The resulting book bears the name A Democracy of Imagery because Westerbeck believes all the works it contains should be considered equal. Each has been selected for its individuality - indeed, its idiosyncrasy - rather than its similarity to or compatibility with other images. In this spirit, works chosen for commentary are discussed individually. Westerbeck explores the background stories of particular photographs, as opposed to generalizing about the photos as a whole.
Author: Karen Strassler
Publisher: Duke University Press Books
ISBN: 9781478004691
Category : Social Science
Languages : en
Pages : 0
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Book Description
The end of authoritarian rule in 1998 ushered in an exhilarating but unsettled period of democratization in Indonesia. A more open political climate converged with a rapidly changing media landscape, yielding a vibrant and volatile public sphere within which Indonesians grappled with the possibilities and limits of democracy amid entrenched corruption, state violence, and rising forms of intolerance. In Demanding Images Karen Strassler theorizes image-events as political processes in which publicly circulating images become the material ground of struggles over the nation's past, present, and future. Considering photographs, posters, contemporary art, graffiti, selfies, memes, and other visual media, she argues that people increasingly engage with politics through acts of making, circulating, manipulating, and scrutinizing images. Demanding Images is both a closely observed account of Indonesia's turbulent democratic transition and a globally salient analysis of the work of images in the era of digital media and neoliberal democracy. Strassler reveals politics today to be an unruly enterprise profoundly shaped by the affective and evidentiary force of images.
Author: Robert Hariman
Publisher: University of Chicago Press
ISBN: 0226316068
Category : Art
Languages : en
Pages : 432
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Book Description
A gaunt woman stares into the bleakness of the Great Depression. An exuberant sailor plants a kiss on a nurse in the heart of Times Square. A naked Vietnamese girl runs in terror from a napalm attack. An unarmed man stops a tank in Tiananmen Square. These and a handful of other photographs have become icons of public culture: widely recognized, historically significant, emotionally resonant images that are used repeatedly to negotiate civic identity. But why are these images so powerful? How do they remain meaningful across generations? What do they expose--and what goes unsaid? InNo Caption Needed, Robert Hariman and John Louis Lucaites provide the definitive study of the iconic photograph as a dynamic form of public art. Their critical analyses of nine individual icons explore the photographs themselves and their subsequent circulation through an astonishing array of media, including stamps, posters, billboards, editorial cartoons, TV shows, Web pages, tattoos, and more. As these iconic images are reproduced and refashioned by governments, commercial advertisers, journalists, grassroots advocates, bloggers, and artists, their alterations throw key features of political experience into sharp relief. Iconic images are revealed as models of visual eloquence, signposts for collective memory, means of persuasion across the political spectrum, and a crucial resource for critical reflection. Arguing against the conventional belief that visual images short-circuit rational deliberation and radical critique, Hariman and Lucaites make a bold case for the value of visual imagery in a liberal-democratic society.No Caption Neededis a compelling demonstration of photojournalism's vital contribution to public life.
Author: Bruce I. Newman
Publisher: SAGE
ISBN: 0761909591
Category : Business & Economics
Languages : en
Pages : 186
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Book Description
Bruce I. Newman reveals how the US public is being manipulated by marketing strategies and tactics taken directly from the most successful market-led companies. He uncovers the emphasis on style over substance and sound-bite over real dialogue.
Author: Alice Rose George
Publisher: Scalo Verla AG
ISBN: 3908247667
Category : Photography
Languages : en
Pages : 861
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Book Description
Presents an exhibition of photographics originally shown at a store front in the Soho district of New York City. The focus of the exhibition is on the September 11, 2001 World Trade Center disaster and its aftermath.
Author: Andrew Burstein
Publisher: Macmillan
ISBN: 0809085364
Category : History
Languages : en
Pages : 434
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Book Description
For more than two centuries, Americans have used words of sentiment and sympathy, passion and power to explain their country's unique democratic mission. Here Andrew Burstein examines the emotional dynamic and the metaphorically rich language which Americans developed to express their guiding principle: that the New World would improve upon the Old. "Feeling," he argues, was a political and cultural phenomenon, and in the impassioned rhetoric of "feeling" we can locate the sources of American patriotism. Using newspapers and magazines, private letters and public speeches, diaries and books, Burstein shows how the eighteenth-century "culture of sensibility" encouraged early Americans to make a heartfelt commitment to the Enlightenment's optimism about a global society; it would succeed, they believed, as much by sublime feeling as by intellectual achievement and political liberty. "Sentimental Democracy" gives us a lively dual portrait of the American psyche and the American dream -- telling us as much about ourselves as about our morally passionate ancestors. -- From publisher's description.
Author: Makeda Best
Publisher: Penn State Press
ISBN: 0271087528
Category : Photography
Languages : en
Pages : 193
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Book Description
Alexander Gardner is best known for his innovative photographic history of the Civil War. What is less known is the extent to which he was involved in the international workers’ rights movement. Tying Gardner’s photographic storytelling to his transatlantic reform activities, this book expands our understanding of Gardner’s career and the work of his studio in Washington, DC, by situating his photographic production within the era’s discourse on social and political reform. Drawing on previously unknown primary sources and original close readings, Makeda Best reveals how Gardner’s activism in Scotland and photography in the United States shared an ideological foundation. She reads his Photographic Sketch Book of the War as a politically motivated project, rooted in Gardner’s Chartist and Owenite beliefs, and illuminates how its treatment of slavery is primarily concerned with the harm that the institution posed to the United States’ reputation as a model democracy. Best shows how, in his portraiture, Gardner celebrated Northern labor communities and elevated white immigrant workers, despite the industrialization that degraded them. She concludes with a discussion of Gardner’s promotion of an American national infrastructure in which photographers and photography played an integral role. Original and compelling, this reconsideration of Gardner’s work expands the contribution of Civil War photography beyond the immediate narrative of the war to comprehend its relation to the vigorous international debates about democracy, industrialization, and the rights of citizens. Scholars working at the intersection of photography, cultural history, and social reform in the nineteenth century on both sides of the Atlantic will find Best’s work invaluable to their own research.
Author: Ariella Azoulay
Publisher: MIT Press
ISBN: 9780262511339
Category : Architecture
Languages : en
Pages : 320
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Book Description
An interdisciplinary exploration of the visual presence of death in contemporary culture.
Author: Alicia Yin Cheng
Publisher: Chronicle Books
ISBN: 161689931X
Category : Design
Languages : en
Pages : 177
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Book Description
This Is What Democracy Looked Like, the first illustrated history of printed ballot design, illuminates the noble but often flawed process at the heart of our democracy. An exploration and celebration of US ballots from the nineteenth and early twentieth centuries, this visual history reveals unregulated, outlandish, and, at times, absurd designs that reflect the explosive growth and changing face of the voting public. The ballots offer insight into a pivotal time in American history—a period of tectonic shifts in the electoral system—fraught with electoral fraud, disenfranchisement, scams, and skullduggery, as parties printed their own tickets and voters risked their lives going to the polls.
Author: Simon During
Publisher: Fordham Univ Press
ISBN: 0823242544
Category : Literary Criticism
Languages : en
Pages : 193
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Book Description
This book argues that political democracy has not fulfilled its promise and that we should therefore re-examine literature's long conservative hostility to it. It offers new accounts of the ethos of refusing political democracy, as well as innovative readings of writers including Tocqueville, Disraeli, George Eliot, E.M. Forster and Saul Bellow.
