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Author: Percy Bysshe Shelley
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 108
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Book Description
Author: Percy Bysshe Shelley
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 108
Get Book Here
Book Description
Author: Percy Bysshe Shelley
Publisher: MacMillan Publishing Company
ISBN:
Category : Literary Criticism
Languages : en
Pages : 124
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Book Description
Author: Paul H. Fry
Publisher: Stanford University Press
ISBN: 9780804725316
Category : Poetry
Languages : en
Pages : 276
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Book Description
A Defense of Poetry argues that literature can be defined - pragmatist and historicist arguments notwithstanding - and that in its definition its unique value can be discovered. In qualified opposition to the most sophisticated Formalist definitions involving redundancy or economy of expression, the author identifies literature ontologically as a sign of the preconceptual, as the "ostensive moment" that discloses neither the purpose nor the structure of existence but existence itself, revealed in its nonhuman register.
Author: Gabriel Gudding
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 108
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Book Description
Dangerous, edgy, and dark, Gudding offers a defense not only against the pretense and vanity of war, violence, and religion, but also against the vanity of poetry itself.
Author: Ben Lerner
Publisher: Macmillan
ISBN: 0865478201
Category : History
Languages : en
Pages : 97
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Book Description
"The novelist and poet Ben Lerner argues that our hatred of poetry is ultimately a sign of its nagging relevance"--
Author: Philip Sidney
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 160
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Book Description
Author: Percy Bysshe Shelley
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 126
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Book Description
Author: Adam Zagajewski
Publisher: Macmillan + ORM
ISBN: 1466884231
Category : Literary Criticism
Languages : en
Pages : 189
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Book Description
Ardor, inspiration, the soul, the sublime: Such terms have long since fallen from favor among critics and artists alike. In his new collection of essays, Adam Zagajewski continues his efforts to reclaim for art not just the terms but the scanted spiritual dimension of modern human existence that they stake out. Bringing gravity and grace to his meditations on art, society, and history, Zagajewski wears his erudition lightly, with a disarming blend of modesty and humor. His topics range from autobiography (his first visit to a post-Soviet Lvov after childhood exile; his illicit readings of Nietzsche in Communist Poland); to considerations of artist friends past and present (Zbigniew Herbert, Czeslaw Milosz); to intellectual and psychological portraits of cities he has known, east and west; to a dazzling thumbnail sketch of postwar Polish poetry. Zagajewski gives an account of the place of art in the modern age that distinguishes his self-proclaimed liberal vision from the "right-wing radicalism" of such modernist precursors as Eliot or Yeats. The same mixture of ardor and compassion that marks Zagajewski's distinctive contribution to modern poetry runs throughout this eloquent, engaging collection.
Author: Gabriel Gudding
Publisher: University of Pittsburgh Press
ISBN: 0822979888
Category : Poetry
Languages : en
Pages : 105
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Book Description
Winner of the 2001 Agnes Lynch Starrett Poetry PrizeRunner-up, Society of Midland Authors 2002 Poetry PrizeGabriel Gudding's poems not only defend against the pretense and vanity of war, violence, and religion, but also against the vanity of poetry itself. These poems sometimes nestle in the lowest regions of the body, and depict invective, donnybrooks, chase scenes, and the abuse of animals, as well as the indignities and bumblings of the besotted, the lustful, the annoyed, and the stupid.In short, Gudding seeks to reclaim the lowbrow. Dangerous, edgy, and dark, this is an innovative writer unafraid to attack the unremitting high seriousness of so much poetry, laughing with his readers as he twists the elegiac lyric "I" into a pompous little clown.
Author: Mark Edmundson
Publisher: Cambridge University Press
ISBN: 9780521485326
Category : Literary Criticism
Languages : en
Pages : 260
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Book Description
This timely book argues that the institutionalisation of literary theory, particularly within American and British academic circles, has led to a sterility of thought which ignores the special character of literary art. Mark Edmundson traces the origins of this tendency to the ancient quarrel between philosophy and poetry, in which Plato took the side of philosophy; and he shows how the work of modern theorists - Foucault, Derrida, de Man and Bloom - exhibits similar drives to subsume poetic art into some 'higher' kind of thought. Challenging and controversial, this book should be read by all teachers of literature and of theory, and by anyone concerned about the future of institutionalised literary studies.
