Author: Kailin Duan
Publisher: Chronicle Books
ISBN: 1646142233
Category : Juvenile Fiction
Languages : en
Pages : 48
Book Description
Our Querido list is a wonder cabinet that we are filling with treasures from around the world. Here, from China, is a gorgeous story about generosity and gratitude, adapted from a traditional Buddhist tale by Kailin Duan. Her illustration style evokes artwork contemporary to the story's origins more than a thousand years ago, found in the famous Mogao caves, (located at a religious and cultural crossroads on the Silk Road, in Gansu province, China.) The story begins deep in the Kunlun Hills with a legendary deer whose fur has nine colors. One day she hears a cry for help and rescues a drowning man. When the man asks how he could ever repay this kindness, the Nine Color Deer simply requests that the man never reveal her whereabouts. But will this promise survive a bounty offered by a King and Queen who seek the magic of the deer for their kingdom? Award-winning translator Jeremy Tiang offers readers his own gift in making Kailin Duan's interpretation sparkle in English, while Duan's illustrations speak beautifully for themselves.
Nine Color Deer
Author: Kailin Duan
Publisher: Chronicle Books
ISBN: 1646142233
Category : Juvenile Fiction
Languages : en
Pages : 48
Book Description
Our Querido list is a wonder cabinet that we are filling with treasures from around the world. Here, from China, is a gorgeous story about generosity and gratitude, adapted from a traditional Buddhist tale by Kailin Duan. Her illustration style evokes artwork contemporary to the story's origins more than a thousand years ago, found in the famous Mogao caves, (located at a religious and cultural crossroads on the Silk Road, in Gansu province, China.) The story begins deep in the Kunlun Hills with a legendary deer whose fur has nine colors. One day she hears a cry for help and rescues a drowning man. When the man asks how he could ever repay this kindness, the Nine Color Deer simply requests that the man never reveal her whereabouts. But will this promise survive a bounty offered by a King and Queen who seek the magic of the deer for their kingdom? Award-winning translator Jeremy Tiang offers readers his own gift in making Kailin Duan's interpretation sparkle in English, while Duan's illustrations speak beautifully for themselves.
Publisher: Chronicle Books
ISBN: 1646142233
Category : Juvenile Fiction
Languages : en
Pages : 48
Book Description
Our Querido list is a wonder cabinet that we are filling with treasures from around the world. Here, from China, is a gorgeous story about generosity and gratitude, adapted from a traditional Buddhist tale by Kailin Duan. Her illustration style evokes artwork contemporary to the story's origins more than a thousand years ago, found in the famous Mogao caves, (located at a religious and cultural crossroads on the Silk Road, in Gansu province, China.) The story begins deep in the Kunlun Hills with a legendary deer whose fur has nine colors. One day she hears a cry for help and rescues a drowning man. When the man asks how he could ever repay this kindness, the Nine Color Deer simply requests that the man never reveal her whereabouts. But will this promise survive a bounty offered by a King and Queen who seek the magic of the deer for their kingdom? Award-winning translator Jeremy Tiang offers readers his own gift in making Kailin Duan's interpretation sparkle in English, while Duan's illustrations speak beautifully for themselves.
The Demon at Agi Bridge and Other Japanese Tales
Author: Haruo Shirane
Publisher: Columbia University Press
ISBN: 0231152450
Category : Education
Languages : en
Pages : 178
Book Description
Haruo Shirane and Burton Watson, renowned translators and scholars, introduce English-speaking readers to the vivid tradition of early and medieval Japanese folktales. These dramatic and often amusing stories offer a major view of the foundations of Japanese culture.
Publisher: Columbia University Press
ISBN: 0231152450
Category : Education
Languages : en
Pages : 178
Book Description
Haruo Shirane and Burton Watson, renowned translators and scholars, introduce English-speaking readers to the vivid tradition of early and medieval Japanese folktales. These dramatic and often amusing stories offer a major view of the foundations of Japanese culture.
The Dunhuang Grottoes and Global Education
Author: Xu Di
Publisher: Springer
ISBN: 3030133567
Category : Education
Languages : en
Pages : 312
Book Description
This book analyzes the murals and texts of the Dunhuang Grottoes, one of the most famous sites of cultural heritage on the Silk Road in Northwest China, from an educational perspective. The Dunhuang Grottoes are well-known in the world for their stunning beauty and magnificence, but the teaching of Dunhuang advocates a philosophical perspective that cosmos, nature, and humanity are an interconnected whole, and that all elements function interactively according to universal and relational principles of continuity, cause-and-effect, spiritual connection, and enlightenment. Xu Di and volume contributors highlight the moral education and ethics found throughout the Dunhuang with numerous stories of the personal journeys and growth of the Buddha and bodhisattvas, discussing and analyzing these teachings, and their possible implications for modern education systems throughout China and the world today.
Publisher: Springer
ISBN: 3030133567
Category : Education
Languages : en
Pages : 312
Book Description
This book analyzes the murals and texts of the Dunhuang Grottoes, one of the most famous sites of cultural heritage on the Silk Road in Northwest China, from an educational perspective. The Dunhuang Grottoes are well-known in the world for their stunning beauty and magnificence, but the teaching of Dunhuang advocates a philosophical perspective that cosmos, nature, and humanity are an interconnected whole, and that all elements function interactively according to universal and relational principles of continuity, cause-and-effect, spiritual connection, and enlightenment. Xu Di and volume contributors highlight the moral education and ethics found throughout the Dunhuang with numerous stories of the personal journeys and growth of the Buddha and bodhisattvas, discussing and analyzing these teachings, and their possible implications for modern education systems throughout China and the world today.
The History of Art in Wei, Jin, Southern and Northern Dynasty
Author: Li Shi
Publisher: DeepLogic
ISBN:
Category : History
Languages : en
Pages : 175
Book Description
The book is the volume of “The History of Art in Wei, Jin, Southern and Northern Dynasty ” among a series of books of “Deep into China Histories”. The earliest known written records of the history of China date from as early as 1250 BC, from the Shang dynasty (c. 1600–1046 BC) and the Bamboo Annals (296 BC) describe a Xia dynasty (c. 2070–1600 BC) before the Shang, but no writing is known from the period The Shang ruled in the Yellow River valley, which is commonly held to be the cradle of Chinese civilization. However, Neolithic civilizations originated at various cultural centers along both the Yellow River and Yangtze River. These Yellow River and Yangtze civilizations arose millennia before the Shang. With thousands of years of continuous history, China is one of the world's oldest civilizations, and is regarded as one of the cradles of civilization.The Zhou dynasty (1046–256 BC) supplanted the Shang and introduced the concept of the Mandate of Heaven to justify their rule. The central Zhou government began to weaken due to external and internal pressures in the 8th century BC, and the country eventually splintered into smaller states during the Spring and Autumn period. These states became independent and warred with one another in the following Warring States period. Much of traditional Chinese culture, literature and philosophy first developed during those troubled times.In 221 BC Qin Shi Huang conquered the various warring states and created for himself the title of Huangdi or "emperor" of the Qin, marking the beginning of imperial China. However, the oppressive government fell soon after his death, and was supplanted by the longer-lived Han dynasty (206 BC – 220 AD). Successive dynasties developed bureaucratic systems that enabled the emperor to control vast territories directly. In the 21 centuries from 206 BC until AD 1912, routine administrative tasks were handled by a special elite of scholar-officials. Young men, well-versed in calligraphy, history, literature, and philosophy, were carefully selected through difficult government examinations. China's last dynasty was the Qing (1644–1912), which was replaced by the Republic of China in 1912, and in the mainland by the People's Republic of China in 1949.Chinese history has alternated between periods of political unity and peace, and periods of war and failed statehood – the most recent being the Chinese Civil War (1927–1949). China was occasionally dominated by steppe peoples, most of whom were eventually assimilated into the Han Chinese culture and population. Between eras of multiple kingdoms and warlordism, Chinese dynasties have ruled parts or all of China; in some eras control stretched as far as Xinjiang and Tibet, as at present. Traditional culture, and influences from other parts of Asia and the Western world (carried by waves of immigration, cultural assimilation, expansion, and foreign contact), form the basis of the modern culture of China.
Publisher: DeepLogic
ISBN:
Category : History
Languages : en
Pages : 175
Book Description
The book is the volume of “The History of Art in Wei, Jin, Southern and Northern Dynasty ” among a series of books of “Deep into China Histories”. The earliest known written records of the history of China date from as early as 1250 BC, from the Shang dynasty (c. 1600–1046 BC) and the Bamboo Annals (296 BC) describe a Xia dynasty (c. 2070–1600 BC) before the Shang, but no writing is known from the period The Shang ruled in the Yellow River valley, which is commonly held to be the cradle of Chinese civilization. However, Neolithic civilizations originated at various cultural centers along both the Yellow River and Yangtze River. These Yellow River and Yangtze civilizations arose millennia before the Shang. With thousands of years of continuous history, China is one of the world's oldest civilizations, and is regarded as one of the cradles of civilization.The Zhou dynasty (1046–256 BC) supplanted the Shang and introduced the concept of the Mandate of Heaven to justify their rule. The central Zhou government began to weaken due to external and internal pressures in the 8th century BC, and the country eventually splintered into smaller states during the Spring and Autumn period. These states became independent and warred with one another in the following Warring States period. Much of traditional Chinese culture, literature and philosophy first developed during those troubled times.In 221 BC Qin Shi Huang conquered the various warring states and created for himself the title of Huangdi or "emperor" of the Qin, marking the beginning of imperial China. However, the oppressive government fell soon after his death, and was supplanted by the longer-lived Han dynasty (206 BC – 220 AD). Successive dynasties developed bureaucratic systems that enabled the emperor to control vast territories directly. In the 21 centuries from 206 BC until AD 1912, routine administrative tasks were handled by a special elite of scholar-officials. Young men, well-versed in calligraphy, history, literature, and philosophy, were carefully selected through difficult government examinations. China's last dynasty was the Qing (1644–1912), which was replaced by the Republic of China in 1912, and in the mainland by the People's Republic of China in 1949.Chinese history has alternated between periods of political unity and peace, and periods of war and failed statehood – the most recent being the Chinese Civil War (1927–1949). China was occasionally dominated by steppe peoples, most of whom were eventually assimilated into the Han Chinese culture and population. Between eras of multiple kingdoms and warlordism, Chinese dynasties have ruled parts or all of China; in some eras control stretched as far as Xinjiang and Tibet, as at present. Traditional culture, and influences from other parts of Asia and the Western world (carried by waves of immigration, cultural assimilation, expansion, and foreign contact), form the basis of the modern culture of China.
Eighteen Lectures on Dunhuang
Author: Xinjiang Rong
Publisher: BRILL
ISBN: 9004252339
Category : History
Languages : en
Pages : 573
Book Description
In Eighteen Lectures on Dunhuang, Rong Xinjiang provides an accessible overview of Dunhuang studies, an academic field that emerged following the discovery of a medieval monastic library at the Mogao caves near Dunhuang. The manuscripts were hidden in a cave at the beginning of the 11th century and remained unnoticed until 1900, when a Daoist monk accidentally found them and subsequently sold most of them to foreign explorers and scholars. The availability of this unprecedented amount of first-hand material from China’s middle period provided a stimulus for a number of scholarly fields both in China and the West. Rong Xinjiang’s book provides, for the first time in English, a convenient summary of the history of Dunhuang studies and its contribution to scholarship.
Publisher: BRILL
ISBN: 9004252339
Category : History
Languages : en
Pages : 573
Book Description
In Eighteen Lectures on Dunhuang, Rong Xinjiang provides an accessible overview of Dunhuang studies, an academic field that emerged following the discovery of a medieval monastic library at the Mogao caves near Dunhuang. The manuscripts were hidden in a cave at the beginning of the 11th century and remained unnoticed until 1900, when a Daoist monk accidentally found them and subsequently sold most of them to foreign explorers and scholars. The availability of this unprecedented amount of first-hand material from China’s middle period provided a stimulus for a number of scholarly fields both in China and the West. Rong Xinjiang’s book provides, for the first time in English, a convenient summary of the history of Dunhuang studies and its contribution to scholarship.
Chinese Animation
Author: Rolf Giesen
Publisher: McFarland
ISBN: 1476615527
Category : Performing Arts
Languages : en
Pages : 792
Book Description
With an output of more than 250,000 minutes annually, and with roughly 5,000 producers and production units, the Chinese are leading the field of animated films. Although it is almost impossible to completely cover 90 years of filmmaking, this book provides a comprehensible introduction to the industry's infancy, its Golden Age (Shanghai Animation Film Studio) and today's Chinese animation (in feature films, television series and student films). There are classics such as Princess Iron Fan (made at the time of the Japanese occupation) and the color Havoc in Heaven, both starring the Monkey King Sun Wukong, as well as countless TV stars (Blue Cat, Pleasant Goat and Big Big Wolf) and many almost unknown works by young filmmakers who are not focusing on an audience of children (like most of the industry output).
Publisher: McFarland
ISBN: 1476615527
Category : Performing Arts
Languages : en
Pages : 792
Book Description
With an output of more than 250,000 minutes annually, and with roughly 5,000 producers and production units, the Chinese are leading the field of animated films. Although it is almost impossible to completely cover 90 years of filmmaking, this book provides a comprehensible introduction to the industry's infancy, its Golden Age (Shanghai Animation Film Studio) and today's Chinese animation (in feature films, television series and student films). There are classics such as Princess Iron Fan (made at the time of the Japanese occupation) and the color Havoc in Heaven, both starring the Monkey King Sun Wukong, as well as countless TV stars (Blue Cat, Pleasant Goat and Big Big Wolf) and many almost unknown works by young filmmakers who are not focusing on an audience of children (like most of the industry output).
Frescoes and Fables
Author: Naomi McPherson
Publisher:
ISBN:
Category : Buddhist mural painting and decoration
Languages : en
Pages : 204
Book Description
Publisher:
ISBN:
Category : Buddhist mural painting and decoration
Languages : en
Pages : 204
Book Description
Chinese Animated Film and Ideology
Author: Olga Bobrowska
Publisher: CRC Press
ISBN: 100382224X
Category : Computers
Languages : en
Pages : 136
Book Description
This book presents a contextualized overview of the history of Chinese animated film, pointing out the most influential self-definitions of Chinese culture employed in animation art of Mao Zedong’s rule (1949–1976) but largely focusing on the representation strategies created in the times of reforms and opening-up under Deng Xiaoping (1978–1989/1992). Deeply grounded in cultural studies, the book employs an interdisciplinary approach, interlacing the reflection with the perspectives of political science, film studies, and film festival studies. It focuses on phenomena anchored to the paradigms of nationalization, reform, and internationalization: among them, nuanced understanding of the minzu (national) category (including the classic style of Chinese animation); invention of wash-and-ink painting animation (shuimo donghua); renewal of film theory and animated film language; soft power and cultural diplomacy; and regular access and co-creation of the international industry (festival distribution). This book will be of great interest to those in the fields of animation studies, film studies, political science, Chinese area studies, and Chinese philology.
Publisher: CRC Press
ISBN: 100382224X
Category : Computers
Languages : en
Pages : 136
Book Description
This book presents a contextualized overview of the history of Chinese animated film, pointing out the most influential self-definitions of Chinese culture employed in animation art of Mao Zedong’s rule (1949–1976) but largely focusing on the representation strategies created in the times of reforms and opening-up under Deng Xiaoping (1978–1989/1992). Deeply grounded in cultural studies, the book employs an interdisciplinary approach, interlacing the reflection with the perspectives of political science, film studies, and film festival studies. It focuses on phenomena anchored to the paradigms of nationalization, reform, and internationalization: among them, nuanced understanding of the minzu (national) category (including the classic style of Chinese animation); invention of wash-and-ink painting animation (shuimo donghua); renewal of film theory and animated film language; soft power and cultural diplomacy; and regular access and co-creation of the international industry (festival distribution). This book will be of great interest to those in the fields of animation studies, film studies, political science, Chinese area studies, and Chinese philology.
A Deer of Nine Colors
Author: Shanghai Animation and Film Studio
Publisher: Shanghai Press
ISBN: 9781602209763
Category : Juvenile Fiction
Languages : en
Pages : 32
Book Description
Kids will love this colorfully illustrated Chinese fairytale. In ancient times, a man drowning in a river was rescued by a deer shaded with nine colors. In exchange for his life, the man promises not to talk about the deer's whereabouts. Later, the man reached an imperial palace where the king insisted on hunting down the deer to make clothes out of the deer skin. The man could not resist the opportunity for profit and led them to the same spot as before. He falls back into the water, hoping the deer would show up to rescue him. But this time, the man drowns and the warriors' arrows turn to dust, leaving the deer unharmed.
Publisher: Shanghai Press
ISBN: 9781602209763
Category : Juvenile Fiction
Languages : en
Pages : 32
Book Description
Kids will love this colorfully illustrated Chinese fairytale. In ancient times, a man drowning in a river was rescued by a deer shaded with nine colors. In exchange for his life, the man promises not to talk about the deer's whereabouts. Later, the man reached an imperial palace where the king insisted on hunting down the deer to make clothes out of the deer skin. The man could not resist the opportunity for profit and led them to the same spot as before. He falls back into the water, hoping the deer would show up to rescue him. But this time, the man drowns and the warriors' arrows turn to dust, leaving the deer unharmed.
The Sinitic Languages
Author: Mieczysław Jerzy Künstler
Publisher: Routledge
ISBN: 0429589123
Category : Foreign Language Study
Languages : en
Pages : 394
Book Description
The Sinitic Languages is the quintessence of Mieczysław Jerzy Künstler’s thirty years of research into the Chinese languages. Originally published in Polish in 2000 as Języki chińskie, this work collected Künstler’s various lectures on the fascinating world of this branch of the Sino-Tibetan language family. It marked the apogee of linguistic research of Chinese languages in Poland. With a keen, intuitive understanding of the workings of these languages, Künstler introduces his readership to the historical development of spoken Sinitic languages. Besides analyzing the various stages of Standard Chinese, he also makes a convincing case for classifying Cantonese, Pekinese, Nankinese, Minnanese, Wu, and other so-called "dialects" as distinct languages. Künstler’s work offers an insightful and detailed overview about synchronic and diachronic research on the major language groups of Chinese, a fast growing academic field until today. The present English version was begun by Künstler himself before his untimely demise in 2007. However, it is not merely a translation of the Polish work, but a revised edition that introduces a shift in Sinological linguistics from a genetic to an areal description of Modern Chinese languages. A joint effort of the Polish linguist Alfred Franciszek Majewicz and the Sinologists Ewa Zajdler and Maria Kurpaska helped to bring the original manuscript to its completion. Thus, The Sinitic Languages is now finally accessible for a larger readership. Both amateurs and experts interested in this topic are invited to follow Künstler on his intellectual journey into Sinological linguistics. Künstler intentionally excluded Chinese characters from his work because he viewed the Sinitic languages primarily as spoken languages. In order to provide readers with the opportunity to compare spoken and written language, the editors added an index with glossary to the English version.
Publisher: Routledge
ISBN: 0429589123
Category : Foreign Language Study
Languages : en
Pages : 394
Book Description
The Sinitic Languages is the quintessence of Mieczysław Jerzy Künstler’s thirty years of research into the Chinese languages. Originally published in Polish in 2000 as Języki chińskie, this work collected Künstler’s various lectures on the fascinating world of this branch of the Sino-Tibetan language family. It marked the apogee of linguistic research of Chinese languages in Poland. With a keen, intuitive understanding of the workings of these languages, Künstler introduces his readership to the historical development of spoken Sinitic languages. Besides analyzing the various stages of Standard Chinese, he also makes a convincing case for classifying Cantonese, Pekinese, Nankinese, Minnanese, Wu, and other so-called "dialects" as distinct languages. Künstler’s work offers an insightful and detailed overview about synchronic and diachronic research on the major language groups of Chinese, a fast growing academic field until today. The present English version was begun by Künstler himself before his untimely demise in 2007. However, it is not merely a translation of the Polish work, but a revised edition that introduces a shift in Sinological linguistics from a genetic to an areal description of Modern Chinese languages. A joint effort of the Polish linguist Alfred Franciszek Majewicz and the Sinologists Ewa Zajdler and Maria Kurpaska helped to bring the original manuscript to its completion. Thus, The Sinitic Languages is now finally accessible for a larger readership. Both amateurs and experts interested in this topic are invited to follow Künstler on his intellectual journey into Sinological linguistics. Künstler intentionally excluded Chinese characters from his work because he viewed the Sinitic languages primarily as spoken languages. In order to provide readers with the opportunity to compare spoken and written language, the editors added an index with glossary to the English version.