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Author: Barbara Vanderlinden
Publisher: MIT Press (MA)
ISBN:
Category : Art
Languages : en
Pages : 348
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Book Description
Reflections from curators, historians, philosophers, anthropologists, architects, and writers on the cultural and political conditions of European exhibition practice since the fall of the Berlin Wall.
Author: Barbara Vanderlinden
Publisher: MIT Press (MA)
ISBN:
Category : Art
Languages : en
Pages : 348
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Book Description
Reflections from curators, historians, philosophers, anthropologists, architects, and writers on the cultural and political conditions of European exhibition practice since the fall of the Berlin Wall.
Author:
Publisher: Chronicle Books
ISBN: 1452129460
Category : Art
Languages : en
Pages : 177
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Book Description
Artists around the world have lately been turning to their bookshelves for more than just a good read, opting to cut, paint, carve, stitch or otherwise transform the printed page into whole new beautiful, thought-provoking works of art. Art Made from Books is the definitive guide to this compelling art form, showcasing groundbreaking work by today's most showstopping practitioners. From Su Blackwell's whimsical pop-up landscapes to the stacked-book sculptures of Kylie Stillman, each portfolio celebrates the incredible creative diversity of the medium. A preface by pioneering artist Brian Dettmer and an introduction by design critic Alyson Kuhn round out the collection.
Author: Lucy R. Lippard
Publisher: Plume
ISBN:
Category : Art
Languages : en
Pages : 362
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Book Description
Author: Mira Schor
Publisher: Duke University Press
ISBN: 0822391414
Category : Art
Languages : en
Pages : 338
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Book Description
A Decade of Negative Thinking brings together writings on contemporary art and culture by the painter and feminist art theorist Mira Schor. Mixing theory and practice, the personal and the political, she tackles questions about the place of feminism in art and political discourse, the aesthetics and values of contemporary painting, and the influence of the market on the creation of art. Schor writes across disciplines and is committed to the fluid interrelationship between a formalist aesthetic, a literary sensibility, and a strongly political viewpoint. Her critical views are expressed with poetry and humor in the accessible language that has been her hallmark, and her perspective is informed by her dual practice as a painter and writer and by her experience as a teacher of art. In essays such as “The ism that dare not speak its name,” “Generation 2.5,” “Like a Veneer,” “Modest Painting,” “Blurring Richter,” and “Trite Tropes, Clichés, or the Persistence of Styles,” Schor considers how artists relate to and represent the past and how the art market influences their choices: whether or not to disavow a social movement, to explicitly compare their work to that of a canonical artist, or to take up an exhausted style. She places her writings in the rich transitory space between the near past and the “nextmodern.” Witty, brave, rigorous, and heartfelt, Schor’s essays are impassioned reflections on art, politics, and criticism.
Author: Ronnie Self
Publisher: Routledge
ISBN: 1317812751
Category : Architecture
Languages : en
Pages : 308
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Book Description
As a building type, art museums are unparalleled for the opportunities they provide for architectural investigation and experimentation. They are frequently key components of urban revitalization and often push the limits of building technology. Art museums are places of pleasure, education and contemplation. They are remarkable by their prominence and sheer quantity, and their lessons are useful for all architects and for all building types. This book provides explicit and comprehensive coverage of the most important museums built in the first ten years of the 21st Century in the United States and Europe. By dissecting and analyzing each case, Ronnie Self allows the reader to get under the skin of each design and fully understand the process behind these remarkable buildings. Richly designed with full technical illustrations and sections the book includes the work of Tadao Ando, Zaha Hadid, Peter Cook & Colin Fournier, Renzo Piano, Yoshi Taniguchi, Herzog & de Meuron, Jean Nouvel, SANAA, Daniel Libeskind, Diller Scofidio & Renfro, Steven Holl, Coop Himmelb(l)au, Bernard Tschumi, Sauerbruch Hutton, and Shigeru Ban & Jean de Gastines. Together these diverse projects provide a catalogue of design solutions for the contemporary museum and a snapshot of current architectural thought and culture. One of few books on this subject written by an architect, Self’s analysis thoroughly and critically appraises each project from multiple aspects and crucially takes the reader from concept to building. This is an essential book for any professional engaged in designing a museum.
Author: Mitch Putnam
Publisher: Simon and Schuster
ISBN: 1942872224
Category : Art
Languages : en
Pages : 208
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Book Description
THE ULTIMATE COLLECTION OF GIG POSTERS FROM TODAY’S TOP ROCK AND INDIE BANDS Launched in 2007, OMGPosters.com has become one of the world’s favorite art blogs, showcasing thousands of handmade prints by independent artists and printmakers. OMG Posters: A Decade of Rock Art features works by forty different artists who have sparked the explosive growth of the gig poster scene—creating stunning works of art to commemorate local appearances by touring bands. As you look through these pages, you’ll get to know each artist, learn about their creative processes, and see some of their greatest masterpieces—along with other works from their celebrated portfolios. Mitch Putnam showcases more than three hundred examples of artwork from the most beautiful concert posters and limited edition prints of the last ten years in a meticulously curated collection that covers the entire scope of today’s gig poster scene. Most of these pieces have only ever been available in extremely limited editions, making OMG Posters an indispensable document of a remarkable period in art history.
Author: Catherine Wood
Publisher: Tate Publishing
ISBN: 9781849768238
Category :
Languages : en
Pages : 240
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Book Description
Unpacking the history of performance art and celebrating the work of contemporary practitioners--a must-read for both art lovers and students alike Stunningly beautiful, deeply puzzling, powerfully moving, or intensely unsettling--performance art can evoke a wide variety of responses. In this important survey, Catherine Wood, one of the world's leading curators and writers in this field, provides the broadest and most up-to-date insight into the subject yet published. Wood proposes performance not as a genre separate from object-making but as a medium that has profoundly influenced the shape of contemporary art. From the spectacular forms of intimacy performed by Marina Abramović to the painting processions initiated by Ei Arakawa and the social activism of Tania Bruguera, hugely divergent practices have emerged in the past 30 years that embrace the worlds of sculpture and painting, spectacle, and protest. Shifting the focus from "I" to "We" and then "It," Performance in Contemporary Art is divided into sections that examine the perspective of the individual, the social, and the object. Wood looks at histories of performance through the lens of contemporary practitioners: the Japanese Gutai group in the 1950s, Brazilian neo-concretism in the 1960s, and the feminist performance at Womanhouse in the United States in the 1970s are key examples of historical precedents that have been revisited, reformed, or rejected by contemporary artists in the 21st century.
Author: Janet C. Bishop
Publisher: Prestel
ISBN: 9783791355344
Category : ART
Languages : en
Pages : 0
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Book Description
This catalogue is published by The Baltimore Museum of Art and the San Francisco Museum of Modern Art in association with DelMonico Books * Prestel, Munich, London, and New York, on the occasion of the exhibition Matisse/Diebenkorn, held at The Baltimore Museum of Art, October 23, 2016-January 29, 2017, and at the San Francisco Museum of Modern Art, March 11-May 29, 2017.
Author: Tim Prentice
Publisher: Easton Studio Press, LLC
ISBN: 193521294X
Category : Art
Languages : en
Pages : 144
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Book Description
In the New York Times Michael Kimmelman called them "sleek, whimsical contraptions in a modernist mode"; the Basler Zeitung termed them "net-like structures . . . like hedgehogs or serpents." The kinetic sculptures of Tim Prentice create a novel geometry of air and light. Concentrating on movement rather than object, Prentice harnesses natural elements into his art machines-delicate structures that walk the tightrope between order and chaos, control and serendipity, understated technique and extravagant wonder. Prentice purposely circumscribes the artist's prerogatives, distilling the power of wind and sun into an ever-changing dance of light and shadow. These understated, subtle inventions provide endless distraction, delighting the child in all of us. Drawing on Air offers a many-sided vision of the kinetic sculptor and his works. An essay by Nicholas Fox Weber introduces the artist and his work, while a chapter on "Mechanics" explains some of the physical principles underlying Prentice's whimsical sculptures. Photographs of works-in-progress, principal public commissions as well as occasional pieces created for casual amusement are punctuated by the artist's mordant, sometimes mischievous comments. "Prentice's sculptures . . .are about fluid movement and change, reminding us that everything is in flux. . . . Wonders of engineering, they create evanescent drawings in thin air." -Michael Amy, Art in America "What is grand in these sculptures is the sense of immensity created by their movements, a sense resonant with our most pleasurable apprehensions of land, sea, and sky." -Elaine Bleakney, Sculpture "These refined sculptures are never ponderous, plump or boring but constantly and slowly transforming themselves as though imbued by perpetuum mobile." -Karen Gerig, Basler Zeitung Experiencing Tim Prentice's work is like taking a ride on a roller coaster" -Catalog of the Connecticut Biennial
Author: Stephanie Storey
Publisher: Skyhorse Publishing, Inc.
ISBN: 1628726393
Category : Fiction
Languages : en
Pages : 354
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Book Description
"From 1501 to 1505, Leonardo da Vinci and Michelangelo Buonarroti both lived and worked in Florence. Leonardo was a charming, handsome fifty year-old at the peak of his career. Michelangelo was a temperamental sculptor in his mid-twenties, desperate to make a name for himself. The two despise each other."--Front jacket flap.
