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Author: Worcester Art Museum
Publisher:
ISBN:
Category : Painting, American
Languages : en
Pages : 28
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Book Description
Author: Worcester Art Museum
Publisher:
ISBN:
Category : Painting, American
Languages : en
Pages : 28
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Book Description
Author: John Sloan
Publisher: University of Delaware Press
ISBN: 0874134390
Category : Art
Languages : en
Pages : 316
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Book Description
Descriptions and histories of the 1,265 oils by John Sloan (1871-1951), more than 1,000 of which are illustrated. Includes critical commentary, the artist's own comments, and an analysis of Sloan's work and his role in American painting. Indexing by title and subject. Illustrated.
Author: Scott Kerr
Publisher: St. Louis Mercantile Library
ISBN:
Category : Art
Languages : en
Pages : 250
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Book Description
From the 1930s to the early 1940s, Ste. Genevieve, Missouri was host to one of the most significant art colonies of its time. An American Art Colony is a historical and pictorial journey through the works of these magnificent painters. Their chosen subjects are not of the traditional bucolic landscape; instead they portray the human condition in terms both of political upheaval and of Depression era events. Collectively, the authors present, through a series of biographical essays, an analysis of these painters' lives, their art, and the world in which they lived. The artists are: Thomas Hart Benton, Sister Cassiana Marie, Fred E. Conway, Joseph James Jones, Miriam McKinnie, Joseph John Paul Meert, Bernard Peters, Jesse Beard Rickly, Aimee Goldstone Schweig, Martyl Schweig, E. Oscar Thalinger, Joseph Paul Vorst, and Matthew E. Ziegler.
Author: Archives of American Art
Publisher: Boston : G. K. Hall
ISBN:
Category : Art
Languages : en
Pages : 876
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Book Description
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870994395
Category : Painting
Languages : en
Pages : 730
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Book Description
Author: Kirsten Swinth
Publisher: UNC Press Books
ISBN: 9780807849712
Category : Art
Languages : en
Pages : 334
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Book Description
Thousands of women pursued artistic careers in the United States during the late nineteenth century. According to census figures, the number of women among the ranks of professional artists rose from 10 percent to nearly 50 percent between 1870 and 1890.
Author: Bill Anthes
Publisher: Duke University Press
ISBN: 9780822338666
Category : Art
Languages : en
Pages : 330
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Book Description
This lavishly illustrated art history situates the work of pioneering mid-twentieth-century Native American artists within the broader canon of American modernism.
Author: Ani Boyajian
Publisher:
ISBN:
Category :
Languages : en
Pages : 492
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Book Description
Collected in three volumes, this is the highly anticipated, definitive reference on Stuart Daviss paintings, watercolors, drawings, and published illustrations.
Author: Ingrid Rose
Publisher: Fordham Univ Press
ISBN: 9780823216727
Category : Art
Languages : en
Pages : 154
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Book Description
In his 52 years as a lithographer, Taylor (1907-1991) created 142 prints--all of them represented in this catalogue. During his career he was an Academician of the National Academy of Design, was president of the Society of Washington Printmakers, and taught at the American University in Washington D.C. Several essays surveying Taylor's life and work precede the presentation of captioned bandw images. 9.25x12.25" Annotation copyright by Book News, Inc., Portland, OR
Author: Assoc Prof Catherine Dossin
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472471326
Category : Art
Languages : en
Pages : 329
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Book Description
In The Rise and Fall of American Art, 1940s-1980s, Catherine Dossin challenges the now-mythic perception of New York as the undisputed center of the art world between the end of World War II and the fall of the Berlin Wall, a position of power that brought the city prestige, money, and historical recognition. Dossin reconstructs the concrete factors that led to the shift of international attention from Paris to New York in the 1950s, and documents how ‘peripheries’ such as Italy, Belgium, and West Germany exerted a decisive influence on this displacement of power. As the US economy sank into recession in the 1970s, however, American artists and dealers became increasingly dependent on the support of Western Europeans, and cities like Cologne and Turin emerged as major commercial and artistic hubs - a development that enabled European artists to return to the forefront of the international art scene in the 1980s. Dossin analyses in detail these changing distributions of geopolitical and symbolic power in the Western art worlds - a story that spans two continents, forty years, and hundreds of actors. Her transnational and interdisciplinary study provides an original and welcome supplement to more traditional formal and national readings of the period.
