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Author: Saskia Asser
Publisher: W Books
ISBN:
Category : Photography
Languages : en
Pages : 578
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Book Description
The themes of the Dutch Eyes exhibition were chosen for their significance to the history of photography as well as to the country's cultural history. Areas of particular interest include distinctive 19th-century photographs taken by engineers, the debate about photography's status as an art form at the start of the 20th century, the catastrophic flood in 1953, the former colonies, and \U+2018\the self-critical gaze'. This thematic approach makes it possible to see work by famous photographers alongside work by unknown figures who wielded the camera. The exhibition includes an abundance of work that has never previously been shown, from collections including those of the Rijksmuseum, Stedelijk Museum Amsterdam, Leiden University's Print Room, Amsterdam City Archives and the Nederlands Fotomuseum.
Author: Saskia Asser
Publisher: W Books
ISBN:
Category : Photography
Languages : en
Pages : 578
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Book Description
The themes of the Dutch Eyes exhibition were chosen for their significance to the history of photography as well as to the country's cultural history. Areas of particular interest include distinctive 19th-century photographs taken by engineers, the debate about photography's status as an art form at the start of the 20th century, the catastrophic flood in 1953, the former colonies, and \U+2018\the self-critical gaze'. This thematic approach makes it possible to see work by famous photographers alongside work by unknown figures who wielded the camera. The exhibition includes an abundance of work that has never previously been shown, from collections including those of the Rijksmuseum, Stedelijk Museum Amsterdam, Leiden University's Print Room, Amsterdam City Archives and the Nederlands Fotomuseum.
Author: Susie Protschky
Publisher: Manchester University Press
ISBN: 1526124394
Category : History
Languages : en
Pages : 313
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Book Description
Photographic subjects examines photography at royal celebrations during the reign of Queens Wilhelmina (1898–1948) and Juliana (1948–80), a period spanning the zenith and fall of Dutch rule in Indonesia. It is the first monograph in English on the Dutch monarchy and the Netherlands’ modern empire in the age of mass and amateur photography. Photographs forged imperial networks, negotiated relations of recognition and subjecthood between Indonesians and Dutch authorities, and informed cultural modes of citizenship at a time of accelerated colonial expansion and major social change in the East Indies/Indonesia. This book advances methods in the uses of photographs for social and cultural history, reveals the entanglement of Dutch and Indonesian histories in the twentieth century, and provides a new interpretation of Queens Wilhelmina and Juliana as imperial monarchs.
Author: Oliver Moore
Publisher: Routledge
ISBN: 1000182479
Category : Photography
Languages : en
Pages : 405
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Book Description
Emphasizing the medium’s reception among several Chinese constituencies, this book explores photography’s impact within new discourses on science, as well as its effects in social life, visual modernity and the media during China’s transition from imperial to republican government. General knowledge and academic teaching of early modern Chinese visual culture stops short of fitting photography into the larger context of visual practices and theories. This study redraws the boundaries by making photography the central concern within changing priorities of visual representation and its functions during a period of major cultural and political change. No other study draws on such intimate familiarity with the early glamour of photography as science, commerce and communication in the various local conditions of China’s cities and towns. Joining a body of critical writing that examines photography’s histories outside the familiar confines of the West, this book looks beyond the tourist and imperialist gazes of photographer-adventurers from the Western powers and Japan. It defines instead the Chinese priorities of photographic vision that are abundantly evident in surviving photographs as well as in records as various as technical manuals and personal inscriptions. Local practices and local knowledge are the keys to explain the highly successful indigenization of a medium as globalizing as photography with reference to Chinese society’s own terms and practices. This book will be of particular interest to scholars in art and visual culture, the history of photography and Asian art.
Author: Rineke Dijkstra
Publisher: Guggenheim Museum
ISBN:
Category : Photography
Languages : en
Pages : 268
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Book Description
This volume is the first comprehensive monograph on Rineke Dijkstra to be published in the United States, accompanying the first U.S. mid-career survey of this important Dutch artists work in photography and video. The catalogue features the Beach Portraits and other early works such as the photographs of new mothers and bullfighters, together with selections from Dijkstras later work, including her most recent video installations. Also featured are series that the artist has been working on continuously for years, such as Almerisa (1994), which documents a young immigrant girl as she grows up and adapts to her new environment. Exhibition curators Jennifer Blessing, Senior Curator, Photography, Solomon R. Guggenheim Museum, and Sandra S. Phillips, Senior Curator of Photography, San Francisco Museum of Modern Art, contribute essays accompanied by an interview with the artist by Jan van Adrichem, selected interviews with several of the artists subjects, and entries on the artists series by Chelsea Spengemann, as well as the most comprehensive exhibition history and bibliography to date.
Author: Michael White
Publisher: Manchester University Press
ISBN: 9780719061622
Category : Architecture
Languages : en
Pages : 200
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Book Description
The name De Stijl, title of a magazine founded in the Netherlands in 1917, is now used to identify the abstract art and functional architecture of its major contributors: Mondrian, Van Doesburg, Van der Leck, Oud, Wils and Rietveld. De Stijl achieved international acclaim by the end of the 1920s and its paintings, buildings and furniture made fundamental contributions to the modern movement. This book is the first to emphasize the local context of De Stijl and explore its relationship to the distinctive character of Dutch modernism. It examines how the debates concerning abstraction in painting and spatiality in architecture were intimately connected to contemporary developments in the fields of urban planning, advertising, interior design and exhibition design. The book describes the interaction between the world of mass culture and the fine arts.
Author: Karen Strassler
Publisher: Duke University Press
ISBN: 0822391546
Category : Social Science
Languages : en
Pages : 400
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Book Description
A young couple poses before a painted backdrop depicting a modern building set in a volcanic landscape; a college student grabs his camera as he heads to a political demonstration; a man poses stiffly for his identity photograph; amateur photographers look for picturesque images in a rural village; an old woman leafs through a family album. In Refracted Visions, Karen Strassler argues that popular photographic practices such as these have played a crucial role in the making of modern national subjects in postcolonial Java. Contending that photographic genres cultivate distinctive ways of seeing and positioning oneself and others within the affective, ideological, and temporal location of Indonesia, she examines genres ranging from state identification photos to pictures documenting family rituals. Oriented to projects of selfhood, memory, and social affiliation, popular photographs recast national iconographies in an intimate register. They convey the longings of Indonesian national modernity: nostalgia for rural idylls and “tradition,” desires for the trappings of modernity and affluence, dreams of historical agency, and hopes for political authenticity. Yet photography also brings people into contact with ideas and images that transcend and at times undermine a strictly national frame. Photography’s primary practitioners in the postcolonial era have been Chinese Indonesians. Acting as cultural brokers who translate global and colonial imageries into national idioms, these members of a transnational minority have helped shape the visual contours of Indonesian belonging even as their own place within the nation remains tenuous. Refracted Visions illuminates the ways that everyday photographic practices generate visual habits that in turn give rise to political subjects and communities.
Author: David Freedberg
Publisher: Getty Publications
ISBN: 0892362014
Category : Art
Languages : en
Pages : 458
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Book Description
Historians and art historians provide a critique of existing methodologies and an interdisciplinary inquiry into seventeenth-century Dutch art and culture.
Author: BIRKIN
Publisher:
ISBN: 9789463729642
Category :
Languages : en
Pages :
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Book Description
This alternative study of archive and photography sits firmly against the backdrop of the traditional archive. Although many types of image assemblages feature-public and private, formal and informal, physical and digital-they are all considered in relation to the highly regulated systems that operate within the institutional milieu. Cataloguing is presented as a radical form of knowledge production, and the catalogue as a critical tool for mapping image time. The unfamiliar and overlooked language of image description is considered as having a life, a worth and an aesthetic value of its own. Functioning at the intersection of text and image, this book combines media culture and techniques of the archive, as well as contemporary discourse on art and conceptual writing. There is a media-archaeological debate throughout as to how physical archive systems and material technologies connect with different archival models, including social media spaces and other image networks.
Author: Erina Duganne
Publisher: Routledge
ISBN: 1000181820
Category : Photography
Languages : en
Pages : 476
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Book Description
This innovative text recounts the history of photography through a series of thematically structured chapters. Designed and written for students studying photography and its history, each chapter approaches its subject by introducing a range of international, contemporary photographers and then contextualizing their work in historical terms. The book offers students an accessible route to gain an understanding of the key genres, theories and debates that are fundamental to the study of this rich and complex medium. Individual chapters cover major topics, including: · Description and Abstraction · Truth and Fiction · The Body · Landscape · War · Politics of Representation · Form · Appropriation · Museums · The Archive · The Cinematic · Fashion Photography Boxed focus studies throughout the text offer short interviews, curatorial statements and reflections by photographers, critics and leading scholars that link photography's history with its practice. Short chapter summaries, research questions and further reading lists help to reinforce learning and promote discussion. Whether coming to the subject from an applied photography or art history background, students will benefit from this book's engaging, example-led approach to the subject, gaining a sophisticated understanding of international photography in historical terms.
Author:
Publisher: Penn State Press
ISBN: 9780271048376
Category : Art
Languages : en
Pages : 392
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Book Description
Since the production of the first negative by William Henry Fox Talbot in Wiltshire's Lacock Abbey in 1835, English photography has played a central role in revolutionizing the production of images, yet it has largely evaded critical attention. The Making of English Photography investigates this new enterprise--and specifically how professional photographers shaped a strange aesthetic for their practice. The Making of English Photography examines the development of English photography as an industrial, commercial, and (most problematically) artistic enterprise. Concentrating on the first decades of photography's history, Edwards tracks the pivotal distinction between art and document as it emerged in the writings of the "men of science" and professional photographers, suggesting that this key opposition is rooted in social fantasies of the worker. Through a close reading of the photographic press in the 1860s, he both reconstructs the ideological world of photographers and employs the unstable category of photography to cast light on art, class, and industrial knowledge. Bringing together an array of early photographs, recent historical and theoretical scholarship, and extensive archival sources, The Making of English Photography sheds new light on the prevailing discourses of photography as well as the antinomies of art and work in a world shaped by social division.
