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Author: William Richard Jones
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: William Richard Jones
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: William Falconer
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 552
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Book Description
This collection of essays, chosen by the Philip Hamburger from his 60 years of writing for The New Yorker, chronicles not only the people of US political life (Judge Learned Hand, Fiorello La Guardia, Dean Acheson, FDR, Eisenhower, Reagan, Clinton) but also the places and events, with special emphasis on presidential inaugurations (the author has attended, he thinks, 14). Here is one man's view, both funny and serious, of the glorious diversity of American politics - and of the better angels of our nature.
Author: Michael Edson
Publisher: Rowman & Littlefield
ISBN: 1611462533
Category : Literary Criticism
Languages : en
Pages : 279
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Recent years have witnessed a growing fascination with the printed annotations accompanying eighteenth-century texts. Previous studies of annotation have revealed the margins as dynamic textual spaces both shaping and shaped by diverse aesthetic, historical, and political sensibilities. Yet previous studies have also been restricted to notes by or for canonical figures; they have neglected annotation’s relation to developments in reading audiences and the book trade; and they have overlooked the interaction, even tension, between prose notes and poetry, a tension reflecting eighteenth-century views of poetry as aesthetically superior to prose. Annotation in Eighteenth-Century Poetry addresses these oversights through a substantial introduction and eleven essays analyzing the printed endnotes and footnotes accompanying poems written or annotated between 1700 and 1830. Drawing on methods and critical developments in book history and print culture studies, this collection explores the functions that annotation performed on and through the printed page. By analyzing the annotation specific to poetry, these essays clarify the functions of notes among the other paratexts, including illustrations, by which scholars have mapped poetry’s relation to the expanding book trade and the class-specific production of different formats. Because the reading and writing of poetry boasted social and pedagogical functions that predate the rise of the note as a print technology, studying the relation of notes to poetry also reveals how the evolving layout of the eighteenth-century book wrought significant changes not only on reading practices and reception, but on the techniques that booksellers used to make new poems, steady-sellers, and antiquarian discoveries legible to new readers. Above all, analyzing notes in poetry volumes contributes to larger inquiries into canon formation and the rise of literary studies as a discipline in the eighteenth century.
Author: William Falconer
Publisher: London, W. Pickering
ISBN:
Category : English poetry
Languages : en
Pages : 306
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Author: William Falconer
Publisher: BoD – Books on Demand
ISBN: 3368778935
Category : Fiction
Languages : en
Pages : 274
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Book Description
Reprint of the original, first published in 1836.
Author: Steve Mentz
Publisher: Taylor & Francis
ISBN: 1317016602
Category : Literary Criticism
Languages : en
Pages : 217
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Book Description
During the nineteenth century, British and American naval supremacy spanned the globe. The importance of transoceanic shipping and trade to the European-based empire and her rapidly expanding former colony ensured that the ocean became increasingly important to popular literary culture in both nations. This collection of ten essays by expert scholars in transatlantic British and American literatures interrogates the diverse meanings the ocean assumed for writers, readers, and thinkers on both sides of the Atlantic during this period of global exploration and colonial consolidation. The book’s introduction offers three critical lenses through which to read nineteenth-century Anglophone maritime literature: "wet globalization," which returns the ocean to our discourses of the global; "salt aesthetics," which considers how the sea influences artistic culture and aesthetic theory; and "blue ecocriticism," which poses an oceanic challenge to the narrowly terrestrial nature of "green" ecological criticism. The essays employ all three of these lenses to demonstrate the importance of the ocean for the changing shapes of nineteenth-century Anglophone culture and literature. Examining texts from Moby-Dick to the coral flower-books of Victorian Australia, and from Wordsworth’s sea-poetry to the Arctic journals of Charles Francis Hall, this book shows how important and how varied in meaning the ocean was to nineteenth-century Anglophone readers. Scholars of nineteenth-century globalization, the history of aesthetics, and the ecological importance of the ocean will find important scholarship in this volume.
Author: James Beattie
Publisher:
ISBN:
Category : Beattie, James, 1735-1803
Languages : en
Pages : 318
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Book Description
Author: William Shenstone
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 320
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Book Description
Author: Janet Sorensen
Publisher: Princeton University Press
ISBN: 0691210748
Category : History
Languages : en
Pages : 348
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Book Description
"While eighteenth-century efforts to standardize the English language have long been studied--from Samuel Johnson's 'Dictionary' to grammar and elocution books of the period--less well-known are the era's popular collections of odd slang, criminal argots, provincial dialects, and nautical jargon. 'Strange Vernaculars' delves into how these published works presented the supposed lexicons of the 'common people' and traces the ways that these languages, once shunned and associated with outsiders, became objects of fascination in printed glossaries--from 'The New Canting Dictionary' to Francis Grose's 'Classical Dictionary of the Vulgar Tongue'--and in novels, poems, and songs, including works by Daniel Defoe, John Gay, Samuel Richardson, Robert Burns, and others"--Front jacket flap.
Author: Carl Thompson
Publisher: Clarendon Press
ISBN: 0191531928
Category : Literary Collections
Languages : en
Pages : 312
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Book Description
Carl Thompson explores the romance that can attach to the notion of suffering in travel, and the importance of the persona of 'suffering traveller' in the Romantic self-fashionings of figures such as Wordsworth and Byron. Situating such self-fashionings in the context of the upsurge of tourism in the late eighteenth century, he shows how the Romantics sought to differentiate themselves from mere tourists by following alternative models, and alternative travel 'scripts', in both their travelling and their travel writing. In a rejection of the more conventional roles of picturesque tourist and Grand Tourist, Romantic travellers often preferred to style themselves as heroic explorers, oppressed and endangered mariners, even shipwreck victims. The Suffering Traveller and the Romantic Imagination accordingly returns to the sub-genres of Romantic-era travel writing - the shipwreck narrative, the exploration narrative, the captivity narrative, and the like - that first kindled the Romantic fascination with these figures, to consider the travel scripts seemingly enabled by this source material. Paying particular attention to the narratives of shipwreck and maritime suffering that were a hugely popular part of Romantic-era print culture, and to the equally popular narrative of exploration, the book considers firstly the examples, traditions, and conventions that trained Romantic travellers to think that misadventure as much as adventure could be a route to visionary experience and literary authority. It then explores the political resonance that the figure of the suffering traveller could possess in this Revolutionary era, before treating Wordsworth and Byron as especially influential examples of the 'misadventurous' tendency in Romanticism. In so doing, The Suffering Traveller and the Romantic Imagination offers interesting new perspectives not only on British Romanticism and on travel writing of the Romantic era, but also on many attitudes, practices, and typologies still current in travel and tourism.
