A Constructed Roman Alphabet PDF Download
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Author: David Lance Goines
Publisher: David R. Godine Publisher
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 198
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Book Description
Author: David Lance Goines
Publisher: David R. Godine Publisher
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 198
Get Book Here
Book Description
Author: David Lance Goines
Publisher: David R Godine Pub
ISBN: 9780879233761
Category : Reference
Languages : en
Pages : 120
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Book Description
Shows how to use geometric formulas to construct each letter of the Greek and Roman alphabets as well as Arabic numerals
Author: Thomas Ewing French
Publisher:
ISBN:
Category : Alphabets
Languages : en
Pages : 80
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Book Description
![Alphabetum Romanum [Codex Vaticanus 6852] PDF](https://books.google.com/books/content/images/frontcover/m-Lf0AEACAAJ?fife=w80-h100)
Author: Felice Feliciano
Publisher:
ISBN:
Category : Alphabet
Languages : la
Pages : 0
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Book Description
Author: Edward Clodd
Publisher:
ISBN:
Category : Alphabet
Languages : en
Pages : 226
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Book Description
Author: David Lance Goines
Publisher:
ISBN:
Category : Posters, American
Languages : en
Pages : 136
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Book Description
Ce livre est une présentation chronologique, en couleurs, de 114 affiches du graphiste David Lance Goines. Interview de l'artiste.
Author: Lee Hendrix
Publisher: Getty Publications
ISBN: 1606066587
Category : Art
Languages : en
Pages : 426
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Book Description
Now back in print, “the ultimate book-lover’s gift book” (Los Angeles Times) In 1561–62 the master calligrapher Georg Bocskay (died 1575), imperial secretary to the Holy Roman Emperor Ferdinand I, created Mira calligraphiae monumenta (Model Book of Calligraphy) as a demonstration of his own preeminence among scribes. Some thirty years later, Ferdinand’s grandson, the Emperor Rudolf II, commissioned Europe’s last great manuscript illuminator, Joris Hoefnagel (1542–1600), to embellish the work. The resulting book is at once a treasury of extraordinary beauty and a landmark in the cultural debate between word and image. Bocskay assembled a vast selection of contemporary and historical scripts for a work that summarized all that had been learned about writing to date—a testament to the universal power of the written word. Hoefnagel, desiring to prove the superiority of his art over Bocskay’s words, employed every resource of illusionism, color, and form to devise all manner of brilliant grotesques, from flowers, fruit, insects, and animals to monsters and masks. Unavailable for nearly a decade, this gorgeous volume features over 180 color illustrations, as well as scholarly commentary and biographies of both artists to inspire scholars, bibliophiles, graphic designers, typographers, and calligraphers.
Author: Frank Chouteau Brown
Publisher:
ISBN:
Category : Alphabets
Languages : en
Pages : 242
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Book Description
Author: Nancy Lorraine Thompson
Publisher: Metropolitan Museum of Art
ISBN: 1588392228
Category : Art, Roman
Languages : en
Pages : 218
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Book Description
A complete introduction to the rich cultural legacy of Rome through the study of Roman art ... It includes a discussion of the relevance of Rome to the modern world, a short historical overview, and descriptions of forty-five works of art in the Roman collection organized in three thematic sections: Power and Authority in Roman Portraiture; Myth, Religion, and the Afterlife; and Daily Life in Ancient Rome. This resource also provides lesson plans and classroom activities."--Publisher website.
Author: Kathleen Biddick
Publisher: University of Pennsylvania Press
ISBN: 0812201272
Category : Religion
Languages : en
Pages : 160
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Book Description
In this book Kathleen Biddick investigates the fate of the enduring timelines fabricated by early Christians to distinguish themselves from their Jewish neighbors. Ranging widely across the history of text, technology, and book art, she relates three interwoven stories: the Christians' translation of circumcision into a graphic problem of writing on the heart; the temporal construction of Christian notions of history based on the binary supersession of an Old Testament past by the present of a new dispensation; and the traumatic repetition of the graphic cutting off of Christians from Jews in academic history and anthropology. Moving beyond well-studied theological polemics, Biddick works from the relatively unfamiliar vantage point of the graphic technologies used in medieval and early modern texts and print sources, from maps to trial transcripts to universal histories. Addressing current concerns about the posthuman condition by linking them to a deeper genealogy of disembodiment at the technological heart of imaginary fantasies, she argues that such supersessionary practices extend to contemporary psychoanalytic and postcolonial texts, even as they propose alternative ways of thinking about memory and temporality. Crucial to Biddick's study is the ethical challenge of unbinding the typological imaginary, not in order to disavow theological difference but rather to open up the encounter between Christian and Jew to less deadening teleological readings. Making a significant contribution to the large debate over the transition from "scriptural" to "scientific" culture in Europe, The Typological Imaginary also succeeds in shedding light on the centrality of Jews to medieval and Enlightenment history.
