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Author: Bella Martínez
Publisher:
ISBN: 9781716595462
Category : Congas
Languages : en
Pages : 0
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Book Description
This is the memoir of the conguero who made his way into the world of music to become one of the most influential percussionists in salsa.
Author: Bella Martínez
Publisher:
ISBN: 9781716595462
Category : Congas
Languages : en
Pages : 0
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Book Description
This is the memoir of the conguero who made his way into the world of music to become one of the most influential percussionists in salsa.
Author: Tomas Cruz
Publisher: Mel Bay Publications
ISBN: 1619114976
Category : Music
Languages : en
Pages : 73
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Book Description
In Volume I, Tomasito reveals the time tested conga method which he himselfstudied with Changuito and other master congueros at the ENA conservatory in Havana. Volume I starts at the absolute beginning and is designed for the personwho has never touched the congas, but is also of great value to the advanced player who wishes to understand the foundation and rudiments of the approach that has allowed the ENA and the other Havana conservatories to consistently turn out so many world class congueros each year. Volume I begins with simple exercises to develop technique and systematically works its way through rudiments and 'recursos' for use in solos and fills and basic rhythm patterns such as Salsa, Cha-Cha and Bolero. These are presented using the unique Step by Step online video Method, which enables the student to learn the patterns by watching the video and imitating Tomasito as he builds the patterns stroke by stroke. This, combined with a special type of notation designed to be simple for those who don't read music, results in a conga course that really works, rather than just another reference book to add to the bookshelf!
Author: Tomas Cruz
Publisher: Mel Bay Publications
ISBN: 1619115557
Category : Music
Languages : en
Pages : 89
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Book Description
Volume III is the first educational product to tackle the complex subject of Timba, the new musical genre which has been played in Cuba since 1989. Timba represents a quantum leap for all the instruments of the rhythm section andespecially the congas. The recordings of Tomas Cruz are considered the mostadvanced examples of Timba conga-playing and so fascinated the three coauthors that they sought out Tomas Cruz and spent a year and a half studying his style and meticulously documenting it before even considering the idea of publishing it. After many hundreds of hours of passionate research, thislabor of love eventually reached fruition as Volume III. Volumes II & I were then written to trace the roots of the style and to understand the path Tomas took toarrive at his phenomenal level of technical mastery and rhythmic creativity. Much more than a collection of patterns or exercises, Volume III analyzes Timba arrangements from beginning to end, explaining the role of the congas in each section, the relationship to the clave, and Tomasito's creative process, including an exercise which teaches the reader to invent his own Timba conga parts. It was the intricacies of the material of Volume III which inspired the creation of the Step by Step online video Method, which enables the reader to learn these exciting new rhythms in a fraction of the time it would take workingwith only written music and audio recordings
Author: Tomas Cruz
Publisher: Mel Bay Publications
ISBN: 1619117428
Category : Music
Languages : en
Pages : 89
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Book Description
Volume II is aimed at two distinct categories of readers: 1) Intermediate players who are ready for a wider range of rhythms to study and use in live playing situations; and 2) Experienced congueros who have digested Volume I and now seek to understand the roots of the modern Cuban conga style. Having assimilated the material in Volume I, the student should be able to play basic Son Montuno, Salsa, Chachacha, and Bolero. Volume II moves on to Guaguanco, Iyesa, 6/8, Changui, Afro, Mozambique, Pilon, Songo, Merengue, Bomba, Cumbia and other rhythms that a professional conguero will be expected to know. Each rhythm is accompanied by an article reflecting on its history and role in the "big picture" of Latin music and offering listening recommendations. Like Volume I, it uses the Step by Step online video Method. A special 8-page appendix explains the often infuriatingly complex subject of "clave" with an unprecedented level of clarity and insight. Includes access to online video.
Author: Richard Opheim
Publisher: Okamehachimoku Media
ISBN:
Category : Music
Languages : en
Pages :
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Book Description
The conga oriental is the version of the conga that has existed in Santiago de Cuba since the second decade of the 20th century and afterwards in Guantánamo. The instruments of the conga oriental, treated in Part I, can be divided into four classes: aerophones (cornetas chinas), idiophones (campanas), bimembranophones (bombos or tamboras), and unimembranophones (bocues). Part II introduces ensemble playing and covers such diverse topics as entradas, efectos, marching formation, tempo, and ensemble tuning. The conga ensemble is known principally for playing the eponymous conga toque, but other toques, namely toque masón and concierto, are also described. Finally, there is a chapter on how the conga oriental is played by various professional folkore groups. Part III is a short essay on the conga song. The two principal points of analysis are song structure with emphasis on the AABB structure unique to the conga and a theoretical grouping of conga songs according to provenance. Short histories, ensemble scores, and diagrams of the marching formation of the ten principal congas of Guantánamo and Santiago are reproduced in Part IV. Part V concerns itself with such wider topics as the congueros and the milieu in which they perform, including most importantly the Carnavales of eastern Cuba. The last chapter gives a brief resumé of the general history of the conga oriental.
Author: Charley Gerard
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 168
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Book Description
Author: S. Duncan Reid
Publisher: McFarland
ISBN: 1476640246
Category : Music
Languages : en
Pages : 415
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Book Description
Within one of the most complex musical categories yet to surface, Cal Tjader quietly pioneered the genre as a jazz vibraphonist, composer, arranger and bandleader from the 1950s through the 1980s. Reid tells the life story of a humble musician, written in a familiar, conversational tone that reveals Tjader's complex charisma. Tjader left behind a legacy and a labyrinth of influence, attested by his large audience and innovation that would change the course of jazz. Expanded and revised, this intimate biography now includes additional interviews and anecdotes from Tjader's family, bandmates, and community, print research, and rare photographs, presenting a full history of an undervalued musician, as well as a detailed account of the progression of Latin Jazz.
Author: Greg Jackson
Publisher: Inner3
ISBN: 145371944X
Category : Music
Languages : en
Pages : 396
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Book Description
Congas Full Circle satisfies a missing link in percussion literature. This is the first book for congas and hand drumming that breaks down the patterns of various styles (almost 50!) into small sections that can be digested easier. Although there are many high quality books for hand drummers, the books merely notate the patterns without teaching the reader how to play the rhythms. Congas Full Circle will fill that void. The book includes many exercises to teach the reader how to play rudiments on congas while improving your quality of sound. There are also examples of styles for djembe, batá, bongos, and cajones with music spanning from early African patterns to modern day Salsa and Timba. With almost 400 pages, this is the most comprehensive book on congas available.
Author: Tomás Cruz
Publisher: Mel Bay Publications
ISBN: 0786670797
Category : Music
Languages : en
Pages : 88
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Book Description
Volume III is the first educational product to tackle the complex subject of Timba, the new musical genre which has been played in Cuba since 1989. Timba represents a quantum leap for all the instruments of the rhythm section and especially the congas. The recordings of Toms Cruz are considered the most advanced examples of Timba conga-playing and so fascinated the three coauthors that they sought out Toms Cruz and spent a year and a half studying his style and meticulously documenting it before even considering the idea of publishing it. After many hundreds of hours of passionate research, this "labor of love" eventually reached fruition as Volume III. Volumes II & I were then written to trace the roots of the style and to understand the path Toms took to arrive at his phenomenal level of technical mastery and rhythmic creativity. Much more than a collection of patterns or exercises, Volume III analyzes Timba arrangements from beginning to end, explaining the role of the congas in each section, the relationship to the "clave," and Tomasito's creative process, including an exercise which teaches the reader to invent his own Timba conga parts. It was the intricacies of the material of Volume III which inspired the creation of the Step by Step DVD Method, which enables the reader to learn these exciting new rhythms in a fraction of the time it would take working with only written music and audio recordings.
Author: Ned Sublette
Publisher: Chicago Review Press
ISBN: 1569764204
Category : History
Languages : en
Pages : 690
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Book Description
This entertaining history of Cuba and its music begins with the collision of Spain and Africa and continues through the era of Miguelito Valdes, Arsenio Rodriguez, Benny More, and Perez Prado. It offers a behind-the-scenes examination of music from a Cuban point of view, unearthing surprising, provocative connections and making the case that Cuba was fundamental to the evolution of music in the New World. The ways in which the music of black slaves transformed 16th-century Europe, how the "claves" appeared, and how Cuban music influenced ragtime, jazz, and rhythm and blues are revealed. Music lovers will follow this journey from Andalucia, the Congo, the Calabar, Dahomey, and Yorubaland via Cuba to Mexico, Puerto Rico, Saint-Domingue, New Orleans, New York, and Miami. The music is placed in a historical context that considers the complexities of the slave trade; Cuba's relationship to the United States; its revolutionary political traditions; the music of Santeria, Palo, Abakua, and Vodu; and much more.
