Author: Pasquale Bona
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 88
Book Description
Rhythmical Articulation
Author: Pasquale Bona
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 88
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 88
Book Description
A Complete Method for Rhythmical Articulation...
Author: Pasquale Bona
Publisher:
ISBN:
Category : Singing
Languages : en
Pages : 104
Book Description
Publisher:
ISBN:
Category : Singing
Languages : en
Pages : 104
Book Description
Complete Method for Rhythmical Articulation
Author: Pasquale Bona
Publisher: Carl Fischer, L.L.C.
ISBN: 0825803748
Category : Music
Languages : en
Pages : 84
Book Description
Publisher: Carl Fischer, L.L.C.
ISBN: 0825803748
Category : Music
Languages : en
Pages : 84
Book Description
Majoring in Music
Author: Rich Holly
Publisher: Meredith Music
ISBN: 9781574631500
Category : Study Aids
Languages : en
Pages : 100
Book Description
Offers tips, strategies, and advice on pursuing a music study program at a college, university, or conservatory.
Publisher: Meredith Music
ISBN: 9781574631500
Category : Study Aids
Languages : en
Pages : 100
Book Description
Offers tips, strategies, and advice on pursuing a music study program at a college, university, or conservatory.
Fundamentals of Guitar
Author: Miles Okazaki
Publisher: Mel Bay Publications
ISBN: 1619114860
Category : Music
Languages : en
Pages : 173
Book Description
This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins with the properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetrical scales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadic syntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in "Symmetrical Picking," a method based on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse against pulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds of illustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described in this passage (page 154): "Even in this small area there is a lot of material, potentially a lifetime of study. The amount of information can feel overwhelming to students at any level. For this reason, the book is designed for self-directed practice, with an emphasis on what the player "could" do, rather than what the player "should" do. The principle is to develop your own learning process, rather than following someone else's. The ability to make choices is essential in finding a personal approach to the instrument. Pick and choose the studies that seem interesting - there should be enough variety to accommodate a wide range of personalities. If any particular concept or exercise has been useful as the starting point for a new creative direction, then the book has done its job. Its purpose is not to push any dogma, method, or style, but to open the door to options for guitarists of any background that are looking for new perspectives.
Publisher: Mel Bay Publications
ISBN: 1619114860
Category : Music
Languages : en
Pages : 173
Book Description
This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins with the properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetrical scales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadic syntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in "Symmetrical Picking," a method based on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse against pulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds of illustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described in this passage (page 154): "Even in this small area there is a lot of material, potentially a lifetime of study. The amount of information can feel overwhelming to students at any level. For this reason, the book is designed for self-directed practice, with an emphasis on what the player "could" do, rather than what the player "should" do. The principle is to develop your own learning process, rather than following someone else's. The ability to make choices is essential in finding a personal approach to the instrument. Pick and choose the studies that seem interesting - there should be enough variety to accommodate a wide range of personalities. If any particular concept or exercise has been useful as the starting point for a new creative direction, then the book has done its job. Its purpose is not to push any dogma, method, or style, but to open the door to options for guitarists of any background that are looking for new perspectives.
Hal Leonard Ocarina Method
Author: Cris Gale
Publisher: Hal Leonard Corporation
ISBN: 1495072274
Category : Music
Languages : en
Pages : 132
Book Description
(Ocarina). The Hal Leonard Ocarina Method is a comprehensive, easy-to-use beginner's guide, designed for anyone just learning to play the ocarina. Inside you'll find loads of techniques, tips and fun songs to learn and play. The accompanying online video, featuring author Cris Gale, provides further instruciton as well as demonstrations of the music in the book. Topics covered include: a history of the ocarina * types of ocarinas * breathing and articulation * note names and key signatures * meter signatures and rhythmic notation * fingering charts * many classic folksongs * and more.
Publisher: Hal Leonard Corporation
ISBN: 1495072274
Category : Music
Languages : en
Pages : 132
Book Description
(Ocarina). The Hal Leonard Ocarina Method is a comprehensive, easy-to-use beginner's guide, designed for anyone just learning to play the ocarina. Inside you'll find loads of techniques, tips and fun songs to learn and play. The accompanying online video, featuring author Cris Gale, provides further instruciton as well as demonstrations of the music in the book. Topics covered include: a history of the ocarina * types of ocarinas * breathing and articulation * note names and key signatures * meter signatures and rhythmic notation * fingering charts * many classic folksongs * and more.
Gekeler Method for Oboe, Book II
Author: Kenneth Gekeler
Publisher: Alfred Music
ISBN: 9781457450853
Category : Music
Languages : en
Pages : 52
Book Description
The material in the Gekeler Method for Oboe is divided in two parts. The studies in Part I are for the purpose of developing musical style and interpretation; those in Part II are for the study of scales and intervals, and for improvement of articulation.
Publisher: Alfred Music
ISBN: 9781457450853
Category : Music
Languages : en
Pages : 52
Book Description
The material in the Gekeler Method for Oboe is divided in two parts. The studies in Part I are for the purpose of developing musical style and interpretation; those in Part II are for the study of scales and intervals, and for improvement of articulation.
Foundations for Superior Performance
Author: Richard S. Williams
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 410
Book Description
"Foundations for Superior Performance" is designed to help structure the daily rehearsal and advance the performance level of the ensemble. The primary goal is to offer a framework of exercises and routine drills that will facilitate the mastery of essential playing fundamentals. Different skill levels have been integrated into this book to meet the needs of the inexperienced player, and, at the same time, challenge the most advanced.
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 410
Book Description
"Foundations for Superior Performance" is designed to help structure the daily rehearsal and advance the performance level of the ensemble. The primary goal is to offer a framework of exercises and routine drills that will facilitate the mastery of essential playing fundamentals. Different skill levels have been integrated into this book to meet the needs of the inexperienced player, and, at the same time, challenge the most advanced.
Melodic Rhythms for Guitar (Music Instruction)
Author: William Leavitt
Publisher: Hal Leonard Corporation
ISBN: 1476867208
Category : Music
Languages : en
Pages : 83
Book Description
(Guitar Method). A thorough presentation of rhythms commonly found in contemporary music, including 68 harmonized melodies and 42 rhythm exercises. This highly respected and popular book is also an excellent source for duets, sight-reading and chord studies.
Publisher: Hal Leonard Corporation
ISBN: 1476867208
Category : Music
Languages : en
Pages : 83
Book Description
(Guitar Method). A thorough presentation of rhythms commonly found in contemporary music, including 68 harmonized melodies and 42 rhythm exercises. This highly respected and popular book is also an excellent source for duets, sight-reading and chord studies.
Songs in Motion
Author: Yonatan Malin
Publisher: Oxford University Press, USA
ISBN: 0195340051
Category : Biography & Autobiography
Languages : en
Pages : 250
Book Description
This is an exploratopn of rhythm and meter in the 19th-century German Lied, including songs for voice and piano by Fanny Hensel née Mendelssohn, Franz Schubert, Robert Schumann, Johannes Brahms, and Hugo Wolf. The Lied, as a genre, is characterised especially by the fusion of poetry and music.
Publisher: Oxford University Press, USA
ISBN: 0195340051
Category : Biography & Autobiography
Languages : en
Pages : 250
Book Description
This is an exploratopn of rhythm and meter in the 19th-century German Lied, including songs for voice and piano by Fanny Hensel née Mendelssohn, Franz Schubert, Robert Schumann, Johannes Brahms, and Hugo Wolf. The Lied, as a genre, is characterised especially by the fusion of poetry and music.