A Complete Approach to Overtones PDF Download
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Author: Ben Britton
Publisher: CreateSpace
ISBN: 9781499583489
Category : Music
Languages : en
Pages : 58
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Book Description
A Complete Approach to Overtones is an in-depth treatment on overtones for saxophone. The book provides a full range of exercises and aids to improve the overtone capabilities and overall saxophone playing for every level of saxophonist. Beginners will find the aids they need to achieve their first overtones, and players who can already play a wide range of overtones will find exercises that improve and expand their abilities as well. "Ben Britton has put together a comprehensive volume explaining the overtone series and how to practice with it. A must-have for serious students of the saxophone." - Charles Pillow, Assistant Professor of Jazz Saxophone, Eastman School of Music From the introduction: "One of the most efficient ways to improve saxophone sound or tone is through overtone practice. Just a minute or two of proper overtone practice immediately increases the clarity and richness of tone as well as increases your ability to maintain a great sound while playing technically difficult music. Regularly practicing overtones will lead to consistently achieving those ends and extending your range into the altissimo register. Mastering overtones can result in a near four-octave range with a consistent and beautiful sound throughout."
Author: Ben Britton
Publisher: CreateSpace
ISBN: 9781499583489
Category : Music
Languages : en
Pages : 58
Get Book Here
Book Description
A Complete Approach to Overtones is an in-depth treatment on overtones for saxophone. The book provides a full range of exercises and aids to improve the overtone capabilities and overall saxophone playing for every level of saxophonist. Beginners will find the aids they need to achieve their first overtones, and players who can already play a wide range of overtones will find exercises that improve and expand their abilities as well. "Ben Britton has put together a comprehensive volume explaining the overtone series and how to practice with it. A must-have for serious students of the saxophone." - Charles Pillow, Assistant Professor of Jazz Saxophone, Eastman School of Music From the introduction: "One of the most efficient ways to improve saxophone sound or tone is through overtone practice. Just a minute or two of proper overtone practice immediately increases the clarity and richness of tone as well as increases your ability to maintain a great sound while playing technically difficult music. Regularly practicing overtones will lead to consistently achieving those ends and extending your range into the altissimo register. Mastering overtones can result in a near four-octave range with a consistent and beautiful sound throughout."
Author: Ben Britton
Publisher: Createspace Independent Pub
ISBN: 9781480131477
Category : Music
Languages : en
Pages : 66
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Book Description
This book is designed to guide saxophonists of any genre towards achieving their ideal sound. Not only will pursuing this aspiration result in a more beautiful and powerful tone, but it will also promote virtuosity in other areas of technique such as the ability to execute technical passage, extending the range of the saxophone to four octaves, and widening the palette of available tone colors. The guiding principles for reaching these goals are taught in this book as are corresponding specific exercises to help efficiently achieve them. Accompanying sound clips are available at: www.benbrittonjazz.com/completeapproach "This is a terrific book on an often neglected yet integral part of saxophone playing. I recommend Ben's book to every serious saxophonist." --Walt Weiskopf Editor: Victor Pinto, New Orleans, LA Cover Photophrapy: Frankie Withers, Annapolis, MD
Author: Jan Carley
Publisher: FriesenPress
ISBN: 1460296257
Category : Business & Economics
Languages : en
Pages : 195
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Book Description
"A simple system to find your 'overtone' and create something greater than you ever thought possible. This guide will lead you through a step-by-step process to open up success and leverage transformative possibilities for your life, team or organization."--
Author: Marianne Ploger
Publisher: Createspace Independent Publishing Platform
ISBN: 9781723165481
Category : Ear training
Languages : en
Pages : 308
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Book Description
For over forty years, Marianne Ploger has been teaching music lovers of all ages, interests, and aptitudes to discover their own musical gifts. She has found that it is not the ear that requires training-it is the mind. When the conscious mind knows what it is supposed to do, it effortlessly syncs with natural aural perceptions. In this book, Marianne shares the secrets that have helped hundreds develop more fluency and musicality in hearing, performing, reading, and writing music. Essentially, music is made up of few basic elements: 12 pitches, 11 di-chords, and rhythms grouped into two and/or three beats. Concrete descriptions of what to listen for in each of these elements, discovered by Ploger, will help you to develop the mental and aural skills needed for fluency and musicality. Techniques are provided to help you avoid common psychological pitfalls in the learning process. Find out how easy it is to read in any of the seven clefs, while developing skill in the French fixed syllable system employed at major conservatories throughout the world. After establishing familiarity with the basic elements, learn how to use your newfound knowledge and skill to identify more sophisticated forms, such as chords, modes, scales, polyrhythms and mixed meters.
Author: W. A. Mathieu
Publisher: Simon and Schuster
ISBN: 1620554011
Category : Music
Languages : en
Pages : 724
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Book Description
An exploration of musical harmony from its ancient fundamentals to its most complex modern progressions, addressing how and why it resonates emotionally and spiritually in the individual. W. A. Mathieu, an accomplished author and recording artist, presents a way of learning music that reconnects modern-day musicians with the source from which music was originally generated. As the author states, "The rules of music--including counterpoint and harmony--were not formed in our brains but in the resonance chambers of our bodies." His theory of music reconciles the ancient harmonic system of just intonation with the modern system of twelve-tone temperament. Saying that the way we think music is far from the way we do music, Mathieu explains why certain combinations of sounds are experienced by the listener as harmonious. His prose often resembles the rhythms and cadences of music itself, and his many musical examples allow readers to discover their own musical responses.
Author: Richard Norton
Publisher: Penn State University Press
ISBN:
Category : Music
Languages : en
Pages : 328
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Book Description
This book initiates "the first critical appraisal of the whole of Western tonal consciousness, from the discoveries of Pythagoras to the latest popular song." While tonality has been unwittingly championed as the product of the bourgeois age in Europe and America from 1600 to 1900, Norton states, key-centered music is understood here merely to exhibit components of an encompassing sonic expressivity as durable as any language. The author analyzes fundamental components of Western tonal phenomena that have persisted in music from ancient Jewish cantillation to the so-called atonal procedures of the Schoenberg school and beyond. Norton isolates the role of traditional music theory in the creation of models that attempted to explain tonality solely in terms of the concretized and limited objectivity of the musical score. The author evaluates and discards those features of logical positivism, scientific empiricism, idealism, and vitalism that in his view have encumbered virtually all speculation on tonality. With this negation, his aim is to restore the composer as a creator subject to his own sonic object. The book's approach is particularly indebted to the thought of Theodor Adorno, the member of the Frankfurt School of critical theorists that Norton finds most capable of suggesting an authentic dialectic of tonality. The author interprets the activities of both theorists and composers from various periods within the context of their mutual and conflicting historical interests. Ranging through the fields of physics, acoustics, psychology, sociology, economics, and historical musicology and criticism, Norton demonstrates that the cognitive abilities and disabilities of humans as tonal hearers form a necessary ground for understanding the remarkable vitality of tonality as historical process. Current theories of human tonal activity are hopelessly limited, the book concludes, however self-preserving they have become through the sanction of academic respectability. In short, tonal science, as it is commonly practiced, is not tonal truth. In its place the author urges a thoroughgoing critique of the language and methodology of contemporary tonal speculation, an abandonment of its confining sphere of interest, and a new and liberating approach to tonal consciousness that incorporates all relevant data of human sonic cognition. This approach assumes that tonality is not merely the result of the physical unfolding of natural appearance--the overtone series that so enchanted Rameau, Schenker, Hindemith, and others--and the submission of composers to its assumed authority. Tonality is, rather, Norton contends, a decision made against the chaos of pitch and for the human potential to create works of music that speak with integrity and beauty, that as aesthetic creations neither lag behind nor rush ahead of human enjoyment and understanding.
Author: Carmen Trammell Skaggs
Publisher: LSU Press
ISBN: 0807136751
Category : Literary Criticism
Languages : en
Pages : 177
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Book Description
Overtones of Opera explores the discourse of opera -- both the art form and the social institution -- in selected works of Whitman, Poe, Alcott, Chopin, Cather, James, and Wharton. For some, opera provided a powerful artistic medium for expressing a private aesthetic experience; in opera, they discovered the embodied voice of the artist. Others found not only the spectacle of opera but also its spaces, the opera houses and boxes, perfectly suited for displaying the class-based and commodity driven aspirations of America's new aristocracy. This noteworthy study will inform and enlighten literary scholars, musicologists, and lovers of both opera and literature.
Author: Gerald Hiestand
Publisher: Crossway
ISBN: 1433527146
Category : Religion
Languages : en
Pages : 162
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Book Description
Considering the pervasive immorality and high divorce rate of our contemporary Christian culture, we evidently need a biblically based, theologically compelling, practical understanding of sex, dating, and relationships. Pastors Gerald Hiestand and Jay Thomas counteract this problem with their paradigm-shifting view of purity and relationships—a view that challenges even the basic assumptions of evangelical subculture. Unlike most books on dating, this one cuts straight to the heart of dating relationships, asserting with confidence that the line must be drawn at "no sexual activity" whatever. Few have dared to define and apply the Bible's understanding of purity in premarital relationships to this degree, but Heistand and Thomas have done it. Furthermore, both authors are vocational pastors who communicate regularly with the target audience and have a proven ability to express biblical truth in a winsome and compelling manner. Sex, Dating, and Relationships adds a new, almost provocative voice to the conversation that, with straightforward theological insight, pleads with Christians to get serious about honoring Christ with their sexuality.
Author: Bret Pimentel
Publisher:
ISBN: 9780998806327
Category :
Languages : en
Pages :
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Book Description
Woodwind Basics: Core concepts for playing and teaching flute, oboe, clarinet, bassoon, and saxophone is a fresh, no-nonsense approach to woodwind technique. It outlines the principles common to playing all of the woodwind instruments, and explains their application to each one.The ideas in this book are critical for woodwind players at all levels, and have been battle-tested in university woodwind methods courses, private studios, and school band halls. Fundamental questions answered with newfound clarity include:- What should I listen for in good woodwind playing?- Why is breath support so important, and how do I do and teach it?- What is voicing? How does it relate to ideas like air speed, air temperature, and vowel shapes?- What things does an embouchure need to accomplish?- How can I (or my students) play better in tune?- What role does the tongue really play in articulation?- Which alternate fingering should I choose in a given situation?- How do I select the best reeds, mouthpieces, and instruments?- How should a beginner choose which instrument is the best fit?Woodwind Basics by Bret Pimentel is the new go-to reference for woodwind players and teachers.
Author: Katherine M Krefft
Publisher: Routledge
ISBN: 9780367175528
Category :
Languages : en
Pages : 224
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Book Description
This text presents a methodical, organized approach to counseling students in emotional intelligence (EI) by detailing how to understand and direct emotions, while also keying counselors directly to the underlying emotional motivations behind the behaviors. Divided into four units, the book starts with an overview of emotions and continue to explore the nature of anger, fear, grief, and guilt. Chapters present both explanatory narratives and teen-centered activities to show how these challenging, uncomfortable feelings when unregulated may negate resiliency and lead to anxiety, bullying, depression, and teen suicide. Counselors and educators alike will benefit from the light, unexacting tone that encourages humor and levity and discusses how to handle difficult emotions without harsh and heavy overtones.
