A Companion to the Louvre. A Visit to the Present Collections in the Louvre Museum Paris... PDF Download
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Author: Musée du Louvre (Paris)
Publisher:
ISBN:
Category :
Languages : en
Pages : 223
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Book Description
Author: Musée du Louvre (Paris)
Publisher:
ISBN:
Category :
Languages : en
Pages : 223
Get Book Here
Book Description
![A Companion to the Louvre of to Day [sic] PDF](https://books.google.com/books/content/images/frontcover/lWoLHQAACAAJ?fife=w80-h100)
Author: Musée du Louvre
Publisher:
ISBN:
Category :
Languages : en
Pages : 155
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Author: Musée du Louvre
Publisher:
ISBN:
Category :
Languages : fr
Pages : 0
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Author: Marthe-Marie-Marguerite Gagne
Publisher: Éditions de l'Indispensable
ISBN:
Category :
Languages : en
Pages : 165
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Book Description
Author: Musée du Louvre
Publisher:
ISBN:
Category :
Languages : en
Pages : 246
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: James Gardner
Publisher: Atlantic Monthly Press
ISBN: 0802148794
Category : Art
Languages : en
Pages : 441
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Book Description
The centuries-long history of the Louvre, from humble fortress to Royal palace to the world’s greatest art museum—with photos and building maps. Some ten million people from all over the world flock to the Louvre each year to enjoy its incomparable art collection. Yet few of them are aware of the remarkable history of the site and buildings themselves—a fascinating story that historian James Gardner elegantly chronicles in this authoritative history. More than seven thousand years ago, men and women camped on a spot called le Louvre for reasons unknown. Centuries later, King Philippe Auguste of France constructed a fortress there, just outside the walls of a nascent Paris. Intended to protect the capital against English soldiers stationed in Normandy, the fortress became a royal residence under Charles V two centuries later, and then the monarchy’s principal residence under the great Renaissance king François I. In 1682, when Louis XIV moved his court to Versailles, the Louvre languished until the French Revolution when, during the Reign of Terror in 1793, it first opened its doors to display the nation’s treasures. Ever since—through the Napoleonic era, the Commune, two World Wars, to the present—the Louvre has been a witness to French history, and expanded to become home to a legendary art collection that includes the Mona Lisa and Venus de Milo. Includes sixteen pages of full-color photos illustrating the history of the Louvre, a full-color map detailing its evolution from fortress to museum, and black-and-white images throughout the narrative.
Author: Yōichi Funabashi
Publisher: Peterson Institute
ISBN: 0881320978
Category : Business & Economics
Languages : en
Pages : 324
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Book Description
Managing the Dollar, published four years after the Plaza Agreement took place, was the initial analysis of lessons learned and takeaways from the finance ministers' policy efforts in 1985. Based largely on interviews, immediate analysis illuminates the forces at play and the differences of opinions among the policymakers and how collaborative economic integration can be improved. The piece is being republished to celebrate the 30-year anniversary of the accord and as a companion to a new long-term retrospective.
Author: Mary Knight Potter
Publisher: Legare Street Press
ISBN: 9781021944719
Category :
Languages : en
Pages : 0
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Book Description
Discover the magnificent art collection of the Louvre Museum with this lavishly illustrated guide. Written by art historian Mary Knight Potter, this book provides a detailed overview of the history of the palace and its transformation into one of the greatest museums in the world. From ancient Egyptian artifacts to Renaissance masterpieces, each section features insightful analysis and captivating anecdotes about the artists and their works. With beautiful color reproductions and helpful maps, this volume is an essential companion for any art lover or traveler. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: André Dombrowski
Publisher: John Wiley & Sons
ISBN: 1119373921
Category : Art
Languages : en
Pages : 644
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Book Description
A Companion to Impressionism Presenting an expansive view of the study of Impressionism, this pioneering volume breaks new thematic ground while also reconsidering questions concerning the definition, chronology, and membership of the impressionist movement. In 34 original essays from established and emerging scholars, this collection offers a diverse range of developing topics and new critical approaches to the interpretation of impressionist art. Focusing on the 1860s to 1890s, A Companion to Impressionism explores artists who are well-represented in impressionist studies, including Monet, Renoir, Degas, and Cassatt, as well as Morisot, Caillebotte, Bazille, and other significant yet lesser-known artists. The essays cover a wide variety of methodologies in addressing such topics as Impressionism’s global predominance at the turn of the 20th century, the relationship between Impressionism and the emergence of new media, the materials and techniques of the Impressionists, as well as the movement’s exhibition and reception history. This innovative volume also includes new discussions of modern identity in Impressionism in the contexts of race, nationality, gender, and sexuality and through its explorations of the international reach and influence of Impressionism. Part of the acclaimed Wiley Blackwell Companions to Art History series, this important addition to scholarship in this field stands as the 21st century’s first major and large-scale academic reassessment of Impressionism. Featuring essays by academics, curators, and conservators from around the world, including those from France, Germany, the United States, the United Kingdom, Japan, Turkey, and Argentina, this is an invaluable text for students and scholars studying Impressionism and late 19th-century European art, Post-Impressionism, modern art, and modern French cultural history.
