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Author: Jen Harvie
Publisher: Cambridge University Press
ISBN: 1108386296
Category : Drama
Languages : en
Pages : 325
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Book Description
British theatre underwent a vast transformation and expansion in the decades after World War II. This Companion explores the historical, political, and social contexts and conditions that not only allowed it to expand but, crucially, shaped it. Resisting a critical tendency to focus on plays alone, the collection expands understanding of British theatre by illuminating contexts such as funding, unionisation, devolution, immigration, and changes to legislation. Divided into four parts, it guides readers through changing attitudes to theatre-making (acting, directing, writing), theatre sectors (West End, subsidised, Fringe), theatre communities (audiences, Black theatre, queer theatre), and theatre's relationship to the state (government, infrastructure, nationhood). Supplemented by a valuable Chronology and Guide to Further Reading, it presents up-to-date approaches informed by critical race theory, queer studies, audience studies, and archival research to demonstrate important new ways of conceptualising post-war British theatre's history, practices and potential futures.
Author: Jen Harvie
Publisher: Cambridge University Press
ISBN: 1108386296
Category : Drama
Languages : en
Pages : 325
Get Book Here
Book Description
British theatre underwent a vast transformation and expansion in the decades after World War II. This Companion explores the historical, political, and social contexts and conditions that not only allowed it to expand but, crucially, shaped it. Resisting a critical tendency to focus on plays alone, the collection expands understanding of British theatre by illuminating contexts such as funding, unionisation, devolution, immigration, and changes to legislation. Divided into four parts, it guides readers through changing attitudes to theatre-making (acting, directing, writing), theatre sectors (West End, subsidised, Fringe), theatre communities (audiences, Black theatre, queer theatre), and theatre's relationship to the state (government, infrastructure, nationhood). Supplemented by a valuable Chronology and Guide to Further Reading, it presents up-to-date approaches informed by critical race theory, queer studies, audience studies, and archival research to demonstrate important new ways of conceptualising post-war British theatre's history, practices and potential futures.
Author: Philip Barnes
Publisher:
ISBN: 9780709939962
Category : Theater
Languages : en
Pages : 277
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Book Description
Author: Alistair Davies
Publisher: Psychology Press
ISBN: 9780415128100
Category : History
Languages : en
Pages : 232
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Book Description
The ideal starting point for stuents of recent cultural developments in Britain.
Author: Philip Barnes
Publisher: Routledge
ISBN: 9780415639415
Category : CAS TH 440
Languages : en
Pages : 0
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Book Description
First published in 1986, this compilation offers a guide to the major aspects of contemporary British theatre. It contains entries on playwrights and their plays, on prominent directors, actors and theatre groups; on alternative theatre, schools of dramatic practice and stage history; on certain critical categories and theatre terminology.
Author: Helen E. M. Brooks
Publisher: Cambridge University Press
ISBN: 1108754325
Category : Drama
Languages : en
Pages : 299
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Book Description
The first comprehensive guide to British theatre's engagement with the First World War over the last century, providing accessible and lively coverage of theatre's role in the representation and remembrance of events, focusing on topics including regionality, politics, popular performance, Shakespeare, class, race and gender.
Author: Claire Cochrane
Publisher: Taylor & Francis
ISBN: 104011461X
Category : Performing Arts
Languages : en
Pages : 588
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Book Description
The Routledge Companion to Twentieth Century British Theatre and Performance provides a broad range of perspectives on the multiple models and examples of theatre, artists, enthusiasts, enablers, and audiences that emerged over this formative 100-year period. This first volume covers the first half of the century, constructing an equitable and inclusive history that is more representative of the nation's lived experience than the traditional narratives of British theatre. Its approach is intra-national – weaving together the theatres and communities of England, Scotland, Wales, and Northern Ireland. The essays are organised thematically arranged into sections that address nation, power, and identity; fixity and mobility; bodies in performance; the materiality of theatre and communities of theatre. This approach highlights the synergies, convergences, and divergences of the theatre landscape in Britain during this period, giving a sense of the sheer variety of performance that was taking place at any given moment in time. This is a fascinating and indispensable resource for undergraduate and graduate students, postgraduate researchers, and scholars across theatre and performance studies, cultural studies, and twentieth-century history.
Author: Kirsten Shepherd-Barr
Publisher: Cambridge University Press
ISBN: 110847652X
Category : Art
Languages : en
Pages : 237
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Book Description
The first ever companion to theatre and science brings together research on key topics, performances, and new areas of interest.
Author: Jane Milling
Publisher: Cambridge University Press
ISBN: 0521651328
Category : Drama
Languages : en
Pages : 597
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Book Description
Publisher Description
Author: Susan Rusinko
Publisher: Macmillan Reference USA
ISBN:
Category : Drama
Languages : en
Pages : 288
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Book Description
Author: Peter Eckersall
Publisher: Routledge
ISBN: 135139911X
Category : Performing Arts
Languages : en
Pages : 481
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Book Description
The Routledge Companion to Theatre and Politics is a volume of critical essays, provocations, and interventions on the most important questions faced by today’s writers, critics, audiences, and theatre and performance makers. Featuring texts written by scholars and artists who are diversely situated (geographically, culturally, politically, and institutionally), its multiple perspectives broadly address the question "How can we be political now?" To respond to this question, Peter Eckersall and Helena Grehan have created eight galvanising themes as frameworks or rubrics to rethink the critical, creative, and activist perspectives on questions of politics and theatre. Each theme is linked to a set of guiding keywords: Post (post consensus, post-Brexit, post-Fukushima, post-neoliberalism, post-humanism, post-global financial crisis, post-acting, the real) Assembly (assemblage, disappearance, permission, community, citizen, protest, refugee) Gap (who is in and out, what can be seen/heard/funded/allowed) Institution (visibility/darkness, inclusion, rules) Machine (biodata, surveillance economy, mediatisation) Message (performance and conviction, didacticism, propaganda) End (suffering, stasis, collapse, entropy) Re. (reset, rescale, reanimate, reimagine, replay: how to bring complexity back into the public arena, how art can help to do this). These themes were developed in conversation with key thinkers and artists in the field, and the resulting texts engage with artistic works across a range of modes including traditional theatre, contemporary performance, public protest events, activism, and community and participatory theatre. Suitable for academics, performance makers, and students, The Routledge Companion to Theatre and Politics explores questions of how to be political in the early 21st century, by exploring how theatre and performance might provoke, unsettle, reinforce, or productively destabilise the status quo.
