Author: André Dombrowski
Publisher: John Wiley & Sons
ISBN: 1119373921
Category : Art
Languages : en
Pages : 644
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Book Description
The 21st century's first major academic reassessment of Impressionism, providing a new generation of scholars with a comprehensive view of critical conversations Presenting an expansive view of the study of Impressionism, this extraordinary volume breaks new thematic ground while also reconsidering established questions surrounding the definition, chronology, and membership of the Impressionist movement. In 34 original essays from established and emerging scholars, this collection considers a diverse range of developing topics and offers new critical approaches to the interpretation of Impressionist art. Focusing on the 1860s to 1890s, this Companion explores artists who are well-represented in Impressionist studies, including Monet, Renoir, Degas, and Cassatt, as well as Morisot, Caillebotte, Bazille, and other significant yet lesser-known artists. The essays cover a wide variety of methodologies in addressing such topics as Impressionism's global predominance at the turn of the 20th century, the relationship between Impressionism and the emergence of new media, the materials and techniques of the Impressionists, and the movement's exhibition and reception history. Part of the acclaimed Wiley Blackwell Companions to Art History series, this important new addition to scholarship in this field: Reevaluates the origins, chronology, and critical reception of French Impressionism Discusses Impressionism's account of modern identity in the contexts of race, nationality, gender, and sexuality Explores the global reach and influence of Impressionism in Europe, the Middle East, East Asia, North Africa, and the Americas Considers Impressionism's relationship to the emergence of film and photography in the 19th century Considers Impressionism's representation of the private sphere as compared to its depictions of public issues such as empire, finance, and environmental change Addresses the Impressionist market and clientele, period criticism, and exhibition displays from the late 19th century to the middle of the 20th century Features original essays by academics, curators, and conservators from around the world, including those from France, Germany, the United States, the United Kingdom, Japan, Turkey, and Argentina The Wiley Blackwell Companion to Impressionism is an invaluable text for students and academics studying Impressionism and late 19th century European art, Post-Impressionism, modern art, and modern French cultural history.
Author: Richard R. Brettell
Publisher:
ISBN: 9780300206104
Category : Art, Modern
Languages : en
Pages : 0
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Book Description
Engaging directly with Impressionism in the late 19th century, American artists invented a new and highly diverse formulation of the movement. Mary Cassatt exhibited with the French impressionists as early as 1879, just five years after their initial group show, but most American artists came later to the movement. It was not until the mid-1880s that Americans began to confront the new ideas and techniques of the impressionist aesthetic and not until 1890 that they adapted it to distinctly American sites and subjects. This book highlights more than 60 paintings produced in Europe and America between 1880 and 1900 by 14 American artists.
Author: Barbara Ehrlich White
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 196
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Book Description
Presents interpretive essays of the Impressionist movement and Impressionist artists.
Author: John Rewald
Publisher: ABRAMS
ISBN: 9780810916173
Category : Art
Languages : en
Pages : 232
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Book Description
Essays discuss the work and family life of Renoir, Degas, and Cezanne, the impressionist style of painting, and the role of Paul Durand-Ruel, an influential art dealer
Author: Paul Smith
Publisher: John Wiley & Sons
ISBN: 0470998423
Category : Art
Languages : en
Pages : 552
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Book Description
The Companion provides an accessible critical survey of Western visual art theory from sources in Classical, Medieval and Renaissance thought through to contemporary writings.
Author: David Bradshaw
Publisher: John Wiley & Sons
ISBN: 1405188227
Category : Literary Criticism
Languages : en
Pages : 626
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Book Description
The Companion combines a broad grounding in the essential texts and contexts of the modernist movement with the unique insights of scholars whose careers have been devoted to the study of modernism. An essential resource for students and teachers of modernist literature and culture Broad in scope and comprehensive in coverage Includes more than 60 contributions from some of the most distinguished modernist scholars on both sides of the Atlantic Brings together entries on elements of modernist culture, contemporary intellectual and aesthetic movements, and all the genres of modernist writing and art Features 25 essays on the signal texts of modernist literature, from James Joyce’s Ulysses to Zora Neal Hurston’s Their Eyes Were Watching God Pays close attention to both British and American modernism
Author: William H. Gerdts
Publisher: Abbeville Press
ISBN:
Category : Art
Languages : en
Pages : 290
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Book Description
Lavishly illustrated, meticulously researched, and gracefully written, this definitive study of California's distinctive style of impressionism surveys the movement's sources abroad, its most influential artists, and the critical responses to the style. 248 illustrations, 201 in color.
Author: Richard Shiff
Publisher: University of Chicago Press
ISBN: 022623777X
Category : Art
Languages : en
Pages : 337
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Book Description
Drawing on a broad foundation in the history of nineteenth-century French art, Richard Shiff offers an innovative interpretation of Cézanne's painting. He shows how Cézanne's style met the emerging criteria of a "technique of originality" and how it satisfied critics sympathetic to symbolism as well as to impressionism. Expanding his study of the interaction of Cézanne and his critics, Shiff considers the problem of modern art in general. He locates the core of modernism in a dialectic of making (technique) and finding (originality). Ultimately, Shiff provides not only clarifying accounts of impressionism and symbolism but of a modern classicism as well.
Author: Rebecca M. Brown
Publisher: John Wiley & Sons
ISBN: 1119019532
Category : Art
Languages : en
Pages : 691
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Book Description
A Companion to Asian Art and Architecture presents a collection of 26 original essays from top scholars in the field that explore and critically examine various aspects of Asian art and architectural history. Brings together top international scholars of Asian art and architecture Represents the current state of the field while highlighting the wide range of scholarly approaches to Asian Art Features work on Korea and Southeast Asia, two regions often overlooked in a field that is often defined as India-China-Japan Explores the influences on Asian art of global and colonial interactions and of the diasporic communities in the US and UK Showcases a wide range of topics including imperial commissions, ancient tombs, gardens, monastic spaces, performances, and pilgrimages.
Author: James H. Rubin
Publisher: Univ of California Press
ISBN: 0520248015
Category : Art
Languages : en
Pages : 208
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Book Description
The examples convey not only these major themes but also the painters' belief in the progress of civilization through science and industry. The book thus expands the scope of Impressionist celebrations of modernity to include what might be called Impressionism's "other landscape" and proposes that in the Impressionists' effort to forge a modern landscape art, those signs of modernity defined their vision most clearly."--BOOK JACKET.
