A Collection of Anthems as performed in the Cathedral and Metropolitical Church at Canterbury. Third edition

A Collection of Anthems as performed in the Cathedral and Metropolitical Church at Canterbury. Third edition PDF Author: Cathedral Church (CANTERBURY)
Publisher:
ISBN:
Category :
Languages : en
Pages : 176

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A Collection of Anthems as performed in the Cathedral and Metropolitical Church at Canterbury. Third edition

A Collection of Anthems as performed in the Cathedral and Metropolitical Church at Canterbury. Third edition PDF Author: Cathedral Church (CANTERBURY)
Publisher:
ISBN:
Category :
Languages : en
Pages : 176

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Book Description


General Catalogue of Printed Books

General Catalogue of Printed Books PDF Author: British Museum. Dept. of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 662

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General Catalogue of Printed Books

General Catalogue of Printed Books PDF Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 648

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The British Library General Catalogue of Printed Books to 1975

The British Library General Catalogue of Printed Books to 1975 PDF Author: British Library (London)
Publisher:
ISBN:
Category : Reference
Languages : en
Pages : 536

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A History of Canterbury Cathedral

A History of Canterbury Cathedral PDF Author: Patrick Collinson
Publisher:
ISBN:
Category : History
Languages : en
Pages : 812

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Book Description
This is a lavishly illustrated history of Britain's greatest cathedral from its Anglo-Saxon origins to the late twentieth century. Seven chronological chapters tell the fascinating story of Canterbury from 597, while a further five thematic chapters discuss the Cathedral School, the Archives and Library, the liturgy and music, and the monuments within the Cathedral. The contributors are all leading scholars and their chapters are based on the most up-to-date research. Their emphasis is on the people who, over the centuries, have formed the community of Canterbury and continued the tradition of Christian worship there for over a thousand years. A History of Canterbury Cathedral will be essential for readers with an interest in the Cathedral, as well as for scholars and students of cultural, religious, ecclesiastical, and architectural history.

Church bells, ed. by J.E. Clarke

Church bells, ed. by J.E. Clarke PDF Author: John Erskine Clarke
Publisher:
ISBN:
Category :
Languages : en
Pages : 636

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A catalogue of the library of the College of st. Margaret and st. Bernard, commonly called Queen's college, in the University of Cambridge

A catalogue of the library of the College of st. Margaret and st. Bernard, commonly called Queen's college, in the University of Cambridge PDF Author: Thomas Hartwell Horne
Publisher:
ISBN:
Category : Classified catalogs
Languages : en
Pages : 694

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A Catalogue of the Library of the College of St. Margaret Ad St. Bernard, Commonly Called Queen's College

A Catalogue of the Library of the College of St. Margaret Ad St. Bernard, Commonly Called Queen's College PDF Author: Queens' College (University of Cambridge) Library
Publisher:
ISBN:
Category : Catalogs, Classified
Languages : en
Pages : 904

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A Catalogue of the Library of the College of St. Margaret and St. Bernard

A Catalogue of the Library of the College of St. Margaret and St. Bernard PDF Author: Queens' College (University of Cambridge). Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 694

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English Church Polyphony

English Church Polyphony PDF Author: Roger Bowers
Publisher: Taylor & Francis
ISBN: 1040248454
Category : Music
Languages : en
Pages : 396

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Book Description
The theme of the essays in this volume is the identification of the resources which between c.1320 and 1642 the English church saw fit to provide for the performance of the music of its liturgy. Individual essays describe the music and the choirs of Canterbury and Lincoln Cathedrals, Winchester Cathedral Priory and the private chapel of Cardinal Wolsey, while the personnel of the chapels of Edward III, the Black Prince and John of Gaunt emerge from study of the texts of compositions of the 14th century. From the alignment of contemporary musical and archival sources there arises a web of conclusions relating to the size of ensemble, vocal scoring and sounding pitch envisaged by its composers for English church polyphony of the period c.1320-1559. These essays thus encompass the two most profound of the revolutions to which the music of the English church was subject at this period: the inauguration and widespread adoption of choral polyphony in the years c.1455-85 and the liturgical and doctrinal Reformation of 1547 to 1563.