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Author: Kathleen S. Lamp
Publisher: Univ of South Carolina Press
ISBN: 1611173361
Category : Language Arts & Disciplines
Languages : en
Pages : 280
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Book Description
In A City of Marble, Kathleen Lamp argues that classical rhetorical theory shaped the Augustan cultural campaigns and that in turn the Augustan cultural campaigns functioned rhetorically to help Augustus gain and maintain power and to influence civic identity and participation in the Roman Principate (27 b. c. e.—14 c. e.). Lamp begins by studying rhetorical treatises, those texts most familiar to scholars of rhetoric, and moves on to those most obviously using rhetorical techniques in visual form. She then arrives at those objects least recognizable as rhetorical artifacts, but perhaps most significant to the daily lives of the Roman people—coins, altars, wall painting. This progression also captures the development of the Augustan political myth that Augustus was destined to rule and lead Rome to greatness as a descendant of the hero Aeneas. A City of Marble examines the establishment of this myth in state rhetoric, traces its circulation, and finally samples its popular receptions and adaptations. In doing so, Lamp inserts a long-excluded though significant audience—the common people of Rome—into contemporary understandings of rhetorical history and considers Augustan culture as significant in shaping civic identity, encouraging civic participation, and promoting social advancement. Lamp approaches the relationship between classical rhetoric and Augustan culture through a transdisciplinary methodology drawn from archaeology, art and architectural history, numismatics, classics, and rhetorical studies. By doing so, she grounds Dionysius of Halicarnassus's claims that the Principate represented a renaissance of rhetoric rooted in culture and a return to an Isocratean philosophical model of rhetoric, thus offering a counterstatement to the "decline narrative" that rhetorical practice withered in the early Roman Empire. Thus Lamp's work provides a step toward filling the disciplinary gap between Cicero and the Second Sophistic.
Author: Kathleen S. Lamp
Publisher: Univ of South Carolina Press
ISBN: 1611173361
Category : Language Arts & Disciplines
Languages : en
Pages : 280
Get Book Here
Book Description
In A City of Marble, Kathleen Lamp argues that classical rhetorical theory shaped the Augustan cultural campaigns and that in turn the Augustan cultural campaigns functioned rhetorically to help Augustus gain and maintain power and to influence civic identity and participation in the Roman Principate (27 b. c. e.—14 c. e.). Lamp begins by studying rhetorical treatises, those texts most familiar to scholars of rhetoric, and moves on to those most obviously using rhetorical techniques in visual form. She then arrives at those objects least recognizable as rhetorical artifacts, but perhaps most significant to the daily lives of the Roman people—coins, altars, wall painting. This progression also captures the development of the Augustan political myth that Augustus was destined to rule and lead Rome to greatness as a descendant of the hero Aeneas. A City of Marble examines the establishment of this myth in state rhetoric, traces its circulation, and finally samples its popular receptions and adaptations. In doing so, Lamp inserts a long-excluded though significant audience—the common people of Rome—into contemporary understandings of rhetorical history and considers Augustan culture as significant in shaping civic identity, encouraging civic participation, and promoting social advancement. Lamp approaches the relationship between classical rhetoric and Augustan culture through a transdisciplinary methodology drawn from archaeology, art and architectural history, numismatics, classics, and rhetorical studies. By doing so, she grounds Dionysius of Halicarnassus's claims that the Principate represented a renaissance of rhetoric rooted in culture and a return to an Isocratean philosophical model of rhetoric, thus offering a counterstatement to the "decline narrative" that rhetorical practice withered in the early Roman Empire. Thus Lamp's work provides a step toward filling the disciplinary gap between Cicero and the Second Sophistic.
Author: Stephanie Storey
Publisher: Skyhorse Publishing, Inc.
ISBN: 1628726393
Category : Fiction
Languages : en
Pages : 354
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Book Description
"From 1501 to 1505, Leonardo da Vinci and Michelangelo Buonarroti both lived and worked in Florence. Leonardo was a charming, handsome fifty year-old at the peak of his career. Michelangelo was a temperamental sculptor in his mid-twenties, desperate to make a name for himself. The two despise each other."--Front jacket flap.
Author: Duane Vandenbusche, Rex Myers
Publisher:
ISBN:
Category :
Languages : en
Pages : 242
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Book Description
Author: Joan Marble
Publisher: Transworld Publishers
ISBN: 9780385604772
Category : Biography & Autobiography
Languages : en
Pages : 306
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Book Description
Joan Marble has lived in a 16th-century Roman Palazzo apartment for 30 years. A lifetime of integrating with the Romans and gardening on her beloved terrace above the rooftops has resulted in this memoir. Highly personal and containing anecdote, history, and insight, Joan's experience of Rome and Romans is infected by her contagious fascination for plants, a hobby she shares every week with The Women's Gardening Club of Rome.
Author: Ruth Beaumont Cook
Publisher: NewSouth Books
ISBN: 1588384187
Category : History
Languages : en
Pages : 359
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Book Description
Sylacauga—Alabama’s “Marble City”—is blessed with an abundant natural resource that nurtures both its economy and its cultural heritage. Thirty-five miles long, at least four hundred feet deep, and more than a mile wide, the Sylacauga Marble Belt yields crystalline white marble frequently compared to the Parian marble treasured by Greek sculptors and the Italian Carrara marble often chosen by Michelangelo. Artisans have quarried Sylacauga marble for tombstones since the early 1800s, and architects prized it for years as dimension stone for buildings like the United States Supreme Court. In the early 1900s, Giuseppe Moretti and Gutzon Borglum both chose this marble for magnificent sculptures. When granite, better able to withstand industrial pollution, overtook marble as the preferred architectural stone in the 1930s, Sylacauga’s quarry owners shifted their focus to the production of ground calcium carbonate (GCC), a fundamental ingredient in manufactured products from toothpaste, foodstuffs, and disposable diapers to paints, caulks, and sealants. Many cringe at the idea of blasting and grinding marble into fine powder, but GCC is a vital factor in the local economy. Thankfully, the Magic of Marble Festival, first held in 2009, has revitalized interest in the artistic value of Sylacauga marble, inspiring sculptors from across the United States and masters from Italy to apply their skills to cream-white blocks of this beautiful stone and share their creativity with thousands of residents and visitors each year. This is the story of quarry pioneers, investors, artists, and artisans. It's also the story of their families, who fondly remember their lives along the edge of “the hole” that provided for them.
Author: Elise A. Friedland
Publisher: Amer School of Oriental
ISBN: 9780897570879
Category : History
Languages : en
Pages : 186
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Book Description
"Friedland has done an excellent job of examining from all possible angles this difficult corpus of fragmentary statuary from Panias." -- Irene Bald Romano, University of Arizona, Bryn Mawr Classical Review (2013.03.41) This constitutes the first publication of a deposit of broken, marble statues, discovered in 1992 during excavations of the Roman Sanctuary of Pan at Caesarea Philippi (Banias, Israel). From 245 fragments, twenty-nine statues ranging from colossal to miniature and representing mainstream Graeco-Roman deities and mythological figures are reconstructed. Most date stylistically to the first through the late fourth centuries AD. A catalogue discusses each sculpture's subject, comparanda, workshop associations, and date; three interpretive chapters present the artistic and material origins of the sculptures; patterns of patronage, chronology of sculptural dedication, and display; and sculptural evidence for the sanctuary's pantheon.
Author: Hendrik Dey
Publisher: Cambridge University Press
ISBN: 1108985696
Category : Art
Languages : en
Pages : 956
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Book Description
Integrating the written sources with Rome's surviving remains and, most importantly, with the results of the past half-century's worth of medieval archaeology in the city, The Making of Medieval Rome is the first in-depth profile of Rome's transformation over a millennium to appear in any language in over forty years. Though the main focus rests on Rome's urban trajectory in topographical, architectural, and archaeological terms, Hendrik folds aspects of ecclesiastical, political, social, military, economic, and intellectual history into the narrative in order to illustrate how and why the cityscape evolved as it did during the thousand years between the end of the Roman Empire and the start of the Renaissance. A wide-ranging synthesis of decades' worth of specialized research and remarkable archaeological discoveries, this book is essential reading for anyone interested in how and why the ancient imperial capital transformed into the spiritual heart of Western Christendom.
Author: Fikret Yegül
Publisher: Cambridge University Press
ISBN: 9780521470711
Category : Art
Languages : en
Pages : 912
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Book Description
Since antiquity, Roman architecture and planning have inspired architects and designers. In this volume, Fikret Yegül and Diane Favro offer a comprehensive history and analysis of the Roman built environment, emphasizing design and planning aspects of buildings and streetscapes. They explore the dynamic evolution and dissemination of architectural ideas, showing how local influences and technologies were incorporated across the vast Roman territory. They also consider how Roman construction and engineering expertise, as well as logistical proficiency, contributed to the making of bold and exceptional spaces and forms. Based on decades of first-hand examinations of ancient sites throughout the Roman world, from Britain to Syria, the authors give close accounts of many sites no longer extant or accessible. Written in a lively and accessible manner, Roman Architecture and Urbanism affirms the enduring attractions of Roman buildings and environments and their relevance to a global view of architecture. It will appeal to readers interested in the classical world and the history of architecture and urban design, as well as a wide range of academic fields. With 835 illustrations, including numerous new plans and drawings, as well as digital renderings.
Author: Amalie Smith
Publisher:
ISBN: 9781999992873
Category : Women sculptors
Languages : en
Pages : 0
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Book Description
Amalie Smith ignites everyday encounters into sites of revelation and metamorphosis Recently unearthed from the ground, Marble leaves her new lover in Copenhagen and travels to Athens. The city is overflowing with colour, steam and fragrance, cats cry like babies at night, the economic crisis is raging. In this volatile landscape, Marble grasps the world by exploring its immediate surfaces. Capturing specks of colour on ancient sculptures in the Acropolis Museum with an infrared camera, she simultaneously traces the pioneering sculptor Anne Marie Carl-Nielsen, who spent several months in the same place 110 years earlier. Far away from her husband and children, Carl-Nielsen showed that Archaic sculptures were originally painted in bright colours - a feat which meant defying Victorian gender roles and jeopardising her marriage. Sensuous and electric, yet admirably forensic in its approach to mineral life, Marble is a galvanizing novel about the materials life is made of, about korai and sponge diving, about looking and looking again, written in a spare and pellucid style. Praise for Marble Everything connects. In that Ali Smith/Isabel Waidner way, Amalie Smith manages to stuff a lot of topics in an economic way... Enriching and rewarding - The Bobsphere A resolute novel that, by virtue of its mix of literary suggestion, aesthetic experience and art historical insight, makes something that is simultaneously straightforwardly concrete and almost incomprehensibly abstract come alive - Jyllands-Posten Marble is not reminiscent of much else, but that does not make it odd. Just beautifully its own. It is made of the stuff art and literature is made of. In excess - Berlingske Amalie Smith brings marble to life - Politiken ♥♥♥♥ Admirably vivid - Information Marble is an artistically ambitious and original attempt at creating an open, hybrid and 'impure' strand of novel which integrates and supplements fiction with factual and documentary elements... Amalie Smith digs into the material with knowledge, sensuality, and aesthetic sensibility - Litteratursiden Marble is a novel about insisting on the significance of surfaces, about longing and absorption, about diving and becoming porous. The book thinks across disciplines and aesthetic genre conventions, and hence it is no coincidence that Amalie Smith is a practising artist as well as a writer - Vagant AMALIE SMITH (b. 1985) is a Danish writer and visual artist. A graduate from the Danish Academy of Creative Writing and the Royal Danish Academy of Fine Arts, Smith has published eight hybrid books. She has received numerous awards for her work as an artist and writer, including the Danish Arts Foundation's prestigious three-year working grant, the Danish Crown Prince Couple's Rising Star Award, and the Bodil and Jørgen Munch-Christensen Prize for emerging writers. JENNIFER RUSSELL has published translations of Amalie Smith, Christel Wiinblad, and Peter-Clement Woetmann. She was the recipient of the 2019 Gulf Coast Prize for her translation of Ursula Scavenius's 'Birdland', and in 2020 she received an American-Scandinavian Foundation Award for her co-translation of Rakel Haslund-Gjerrild's All the Birds in the Sky.
Author: John Bryan Ward-Perkins
Publisher: Yale University Press
ISBN: 9780300052923
Category : Architecture
Languages : en
Pages : 542
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Book Description
The history of Roman Imperial architecture is one of the interaction of two dominant themes: in Rome itself the emergence of a new architecture based on the use of a revolutionary new material, Roman concrete; and in the provinces, the development of interrelated but distinctive Romano-provicial schools. The metropolitan school, exemplified in the Pantheon, the Imperial Baths, and the apartment houses of Ostia, constitutes Rome's great original contribution. The role of the provinces ranged from the preservation of a lively Hellenistic tradition to the assimilation of ideas from the east and from the military frontiers. It was--finally--Late Roman architecture that transmitted the heritage of Greece and Rome to the medieval world.
