Author: Susan Jones
Publisher:
ISBN: 0199565325
Category : Art
Languages : en
Pages : 357
Book Description
Literature, Modernism, and Dance explores the complex reciprocal relationship between literature and dance in the modernist period
Literature, Modernism, and Dance
Author: Susan Jones
Publisher:
ISBN: 0199565325
Category : Art
Languages : en
Pages : 357
Book Description
Literature, Modernism, and Dance explores the complex reciprocal relationship between literature and dance in the modernist period
Publisher:
ISBN: 0199565325
Category : Art
Languages : en
Pages : 357
Book Description
Literature, Modernism, and Dance explores the complex reciprocal relationship between literature and dance in the modernist period
Ebony
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 128
Book Description
EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine.
Publisher:
ISBN:
Category :
Languages : en
Pages : 128
Book Description
EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine.
Rhythmic Reclamation
Author: Jason Wrench
Publisher: Totally Entwined Group (USA+CAD)
ISBN: 1802506403
Category : Fiction
Languages : en
Pages : 310
Book Description
FROM EXCITING AUTHOR OF LGBTQIA ROMANCE JASON WRENCH Book three in the Love and Liquidation series From the ashes of tragedy, a love story emerges triumphant. What if the terrorist attack that tore your life apart was only the beginning? Five years after the attacks on the West Lawn of the US Capitol, Blayne' s and Ethan' s lives have gone in different directions. Blayne' s life has spiraled out of control, him living in Washington, DC, and Ethan remains haunted, unable to move past the man who dumped him. When shadowy organizations vying for global dominance set their sights on these ex-lovers, Blayne and Ethan get caught in the crosshairs. Unexpectedly reunited by a mysterious group called The Foundation, they are swept into a dangerous world of conspiracies and deceit. With threats around every corner, they uncover shocking secrets and lies linked to the devastating attack in Washington, DC. Forced to confront unfinished business, Blayne and Ethan pretend to reconcile and get engaged as a cover. But escalating attacks continue, and surviving will test the foundation beneath their feet. After the dust settles from an explosive public showdown, can Blayne and Ethan build a loving family from the wreckage— one that rises above the sins of a child' s contentious legacy?
Publisher: Totally Entwined Group (USA+CAD)
ISBN: 1802506403
Category : Fiction
Languages : en
Pages : 310
Book Description
FROM EXCITING AUTHOR OF LGBTQIA ROMANCE JASON WRENCH Book three in the Love and Liquidation series From the ashes of tragedy, a love story emerges triumphant. What if the terrorist attack that tore your life apart was only the beginning? Five years after the attacks on the West Lawn of the US Capitol, Blayne' s and Ethan' s lives have gone in different directions. Blayne' s life has spiraled out of control, him living in Washington, DC, and Ethan remains haunted, unable to move past the man who dumped him. When shadowy organizations vying for global dominance set their sights on these ex-lovers, Blayne and Ethan get caught in the crosshairs. Unexpectedly reunited by a mysterious group called The Foundation, they are swept into a dangerous world of conspiracies and deceit. With threats around every corner, they uncover shocking secrets and lies linked to the devastating attack in Washington, DC. Forced to confront unfinished business, Blayne and Ethan pretend to reconcile and get engaged as a cover. But escalating attacks continue, and surviving will test the foundation beneath their feet. After the dust settles from an explosive public showdown, can Blayne and Ethan build a loving family from the wreckage— one that rises above the sins of a child' s contentious legacy?
Spy
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 76
Book Description
Smart. Funny. Fearless."It's pretty safe to say that Spy was the most influential magazine of the 1980s. It might have remade New York's cultural landscape; it definitely changed the whole tone of magazine journalism. It was cruel, brilliant, beautifully written and perfectly designed, and feared by all. There's no magazine I know of that's so continually referenced, held up as a benchmark, and whose demise is so lamented" --Dave Eggers. "It's a piece of garbage" --Donald Trump.
Publisher:
ISBN:
Category :
Languages : en
Pages : 76
Book Description
Smart. Funny. Fearless."It's pretty safe to say that Spy was the most influential magazine of the 1980s. It might have remade New York's cultural landscape; it definitely changed the whole tone of magazine journalism. It was cruel, brilliant, beautifully written and perfectly designed, and feared by all. There's no magazine I know of that's so continually referenced, held up as a benchmark, and whose demise is so lamented" --Dave Eggers. "It's a piece of garbage" --Donald Trump.
Big Deal
Author: Kevin Winkler
Publisher: Oxford University Press
ISBN: 0199336806
Category : Performing Arts
Languages : en
Pages : 369
Book Description
Bob Fosse (1927-1987) is recognized as one of the most significant figures in post-World War II American musical theater. With his first Broadway musical, The Pajama Game in 1954, the "Fosse style" was already fully developed, with its trademark hunched shoulders, turned-in stance, and stuttering, staccato jazz movements. Fosse moved decisively into the role of director with Redhead in 1959 and was a key figure in the rise of the director-choreographer in the Broadway musical. He also became the only star director of musicals of his era--a group that included Jerome Robbins, Gower Champion, Michael Kidd, and Harold Prince--to equal his Broadway success in films. Following his unprecedented triple crown of show business awards in 1973 (an Oscar for Cabaret, Emmy for Liza with a Z, and Tony for Pippin), Fosse assumed complete control of virtually every element of his projects. But when at last he had achieved complete autonomy, his final efforts, the film Star 80 and the musical Big Deal, written and directed by Fosse, were rejected by audiences and critics. A fascinating look at the evolution of Fosse as choreographer and director, Big Deal: Bob Fosse and Dance in the American Musical considers Fosse's career in the context of changes in the Broadway musical theater over four decades. It traces his early dance years and the importance of mentors George Abbott and Jerome Robbins on his work. It examines how each of the important women in his adult life--all dancers--impacted his career and influenced his dance aesthetic. Finally, the book investigates how his evolution as both artist and individual mirrored the social and political climate of his era and allowed him to comfortably ride a wave of cultural changes.
Publisher: Oxford University Press
ISBN: 0199336806
Category : Performing Arts
Languages : en
Pages : 369
Book Description
Bob Fosse (1927-1987) is recognized as one of the most significant figures in post-World War II American musical theater. With his first Broadway musical, The Pajama Game in 1954, the "Fosse style" was already fully developed, with its trademark hunched shoulders, turned-in stance, and stuttering, staccato jazz movements. Fosse moved decisively into the role of director with Redhead in 1959 and was a key figure in the rise of the director-choreographer in the Broadway musical. He also became the only star director of musicals of his era--a group that included Jerome Robbins, Gower Champion, Michael Kidd, and Harold Prince--to equal his Broadway success in films. Following his unprecedented triple crown of show business awards in 1973 (an Oscar for Cabaret, Emmy for Liza with a Z, and Tony for Pippin), Fosse assumed complete control of virtually every element of his projects. But when at last he had achieved complete autonomy, his final efforts, the film Star 80 and the musical Big Deal, written and directed by Fosse, were rejected by audiences and critics. A fascinating look at the evolution of Fosse as choreographer and director, Big Deal: Bob Fosse and Dance in the American Musical considers Fosse's career in the context of changes in the Broadway musical theater over four decades. It traces his early dance years and the importance of mentors George Abbott and Jerome Robbins on his work. It examines how each of the important women in his adult life--all dancers--impacted his career and influenced his dance aesthetic. Finally, the book investigates how his evolution as both artist and individual mirrored the social and political climate of his era and allowed him to comfortably ride a wave of cultural changes.
Don't Act, Just Dance
Author: Catherine Gunther Kodat
Publisher: Rutgers University Press
ISBN: 0813565286
Category : History
Languages : en
Pages : 229
Book Description
At some point in their career, nearly all the dancers who worked with George Balanchine were told “don’t act, dear; just dance.” The dancers understood this as a warning against melodramatic over-interpretation and an assurance that they had all the tools they needed to do justice to the steps—but its implication that to dance is already to act in a manner both complete and sufficient resonates beyond stage and studio. Drawing on fresh archival material, Don’t Act, Just Dance places dance at the center of the story of the relationship between Cold War art and politics. Catherine Gunther Kodat takes Balanchine’s catch phrase as an invitation to explore the politics of Cold War culture—in particular, to examine the assumptions underlying the role of “apolitical” modernism in U.S. cultural diplomacy. Through close, theoretically informed readings of selected important works—Marianne Moore’s “Combat Cultural,” dances by George Balanchine, Merce Cunningham, and Yuri Grigorovich, Stanley Kubrick’s Spartacus, and John Adams’s Nixon in China—Kodat questions several commonly-held beliefs about the purpose and meaning of modernist cultural productions during the Cold War. Rather than read the dance through a received understanding of Cold War culture, Don’t Act, Just Dance reads Cold War culture through the dance, and in doing so establishes a new understanding of the politics of modernism in the arts of the period.
Publisher: Rutgers University Press
ISBN: 0813565286
Category : History
Languages : en
Pages : 229
Book Description
At some point in their career, nearly all the dancers who worked with George Balanchine were told “don’t act, dear; just dance.” The dancers understood this as a warning against melodramatic over-interpretation and an assurance that they had all the tools they needed to do justice to the steps—but its implication that to dance is already to act in a manner both complete and sufficient resonates beyond stage and studio. Drawing on fresh archival material, Don’t Act, Just Dance places dance at the center of the story of the relationship between Cold War art and politics. Catherine Gunther Kodat takes Balanchine’s catch phrase as an invitation to explore the politics of Cold War culture—in particular, to examine the assumptions underlying the role of “apolitical” modernism in U.S. cultural diplomacy. Through close, theoretically informed readings of selected important works—Marianne Moore’s “Combat Cultural,” dances by George Balanchine, Merce Cunningham, and Yuri Grigorovich, Stanley Kubrick’s Spartacus, and John Adams’s Nixon in China—Kodat questions several commonly-held beliefs about the purpose and meaning of modernist cultural productions during the Cold War. Rather than read the dance through a received understanding of Cold War culture, Don’t Act, Just Dance reads Cold War culture through the dance, and in doing so establishes a new understanding of the politics of modernism in the arts of the period.
The Gait as Political Choreography
Author: Ami Kobayashi
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311142927X
Category :
Languages : en
Pages : 232
Book Description
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311142927X
Category :
Languages : en
Pages : 232
Book Description
Blumenfeld's Dictionary of Acting and Show Business
Author: Robert Blumenfeld
Publisher: Hal Leonard Corporation
ISBN: 9780879103637
Category : Performing Arts
Languages : en
Pages : 396
Book Description
The first complete entertainment dictionary to be published, this work contains entries on acting in film, professionalism in acting, verse technique, and more. An invaluable index of subjects by category covers 17 topics, including lighting, commercials, contracts, drama, professional organizations, the media, and theater.
Publisher: Hal Leonard Corporation
ISBN: 9780879103637
Category : Performing Arts
Languages : en
Pages : 396
Book Description
The first complete entertainment dictionary to be published, this work contains entries on acting in film, professionalism in acting, verse technique, and more. An invaluable index of subjects by category covers 17 topics, including lighting, commercials, contracts, drama, professional organizations, the media, and theater.
A Body of Work
Author: David Hallberg
Publisher: Simon and Schuster
ISBN: 1476771170
Category : Biography & Autobiography
Languages : en
Pages : 432
Book Description
David Hallberg, the first American to join the famed Bolshoi Ballet as a principal dancer and the dazzling artist The New Yorker described as “the most exciting male dancer in the western world,” presents a look at his artistic life—up to the moment he returns to the stage after a devastating injury that almost cost him his career. Beginning with his real-life Billy Elliot childhood—an all-American story marred by intense bullying—and culminating in his hard-won comeback, Hallberg’s “moving and intelligent” (Daniel Mendelsohn) memoir dives deep into life as an artist as he wrestles with ego, pushes the limits of his body, and searches for ecstatic perfection and fulfillment as one of the world’s most acclaimed ballet dancers. Rich in detail ballet fans will adore, Hallberg presents an “unsparing…inside look” (The New York Times) and also reflects on universal and relatable themes like inspiration, self-doubt, and perfectionism as he takes you into daily classes, rigorous rehearsals, and triumphant performances, searching for new interpretations of ballet’s greatest roles. He reveals the loneliness he felt as a teenager leaving America to join the Paris Opera Ballet School, the ambition he had to tame as a new member of American Ballet Theatre, and the reasons behind his headline-grabbing decision to be the first American to join the top rank of Bolshoi Ballet, tendered by the Artistic Director who would later be the victim of a vicious acid attack. Then, as Hallberg performed throughout the world at the peak of his abilities, he suffered a crippling ankle injury and botched surgery leading to an agonizing retreat from ballet and an honest reexamination of his entire life. Combining his powers of observation and memory with emotional honesty and artistic insight, Hallberg has written a great ballet memoir and an intimate portrait of an artist in all his vulnerability, passion, and wisdom. “Candid and engrossing” (The Washington Post), A Body of Work is a memoir “for everyone with a heart” (DC Metro Theater Arts).
Publisher: Simon and Schuster
ISBN: 1476771170
Category : Biography & Autobiography
Languages : en
Pages : 432
Book Description
David Hallberg, the first American to join the famed Bolshoi Ballet as a principal dancer and the dazzling artist The New Yorker described as “the most exciting male dancer in the western world,” presents a look at his artistic life—up to the moment he returns to the stage after a devastating injury that almost cost him his career. Beginning with his real-life Billy Elliot childhood—an all-American story marred by intense bullying—and culminating in his hard-won comeback, Hallberg’s “moving and intelligent” (Daniel Mendelsohn) memoir dives deep into life as an artist as he wrestles with ego, pushes the limits of his body, and searches for ecstatic perfection and fulfillment as one of the world’s most acclaimed ballet dancers. Rich in detail ballet fans will adore, Hallberg presents an “unsparing…inside look” (The New York Times) and also reflects on universal and relatable themes like inspiration, self-doubt, and perfectionism as he takes you into daily classes, rigorous rehearsals, and triumphant performances, searching for new interpretations of ballet’s greatest roles. He reveals the loneliness he felt as a teenager leaving America to join the Paris Opera Ballet School, the ambition he had to tame as a new member of American Ballet Theatre, and the reasons behind his headline-grabbing decision to be the first American to join the top rank of Bolshoi Ballet, tendered by the Artistic Director who would later be the victim of a vicious acid attack. Then, as Hallberg performed throughout the world at the peak of his abilities, he suffered a crippling ankle injury and botched surgery leading to an agonizing retreat from ballet and an honest reexamination of his entire life. Combining his powers of observation and memory with emotional honesty and artistic insight, Hallberg has written a great ballet memoir and an intimate portrait of an artist in all his vulnerability, passion, and wisdom. “Candid and engrossing” (The Washington Post), A Body of Work is a memoir “for everyone with a heart” (DC Metro Theater Arts).
Expanded Choreographies - Choreographic Histories
Author: Anna Leon
Publisher: transcript Verlag
ISBN: 3839461057
Category : Performing Arts
Languages : en
Pages : 355
Book Description
From objects to sounds, choreography is expanding beyond dance and human bodies in motion. This book offers one of the rare systematic investigations of expanded choreography as it develops in contemporaneity, and is the first to consider expanded choreography from a trans-historical perspective. Through case studies on different periods of European dance history - ranging from Renaissance dance to William Forsythe's choreographic objects and from Baroque court ballets to digital choreographies - it traces a journey of choreography as a practice transcending its sole association with dancing, moving, human bodies.
Publisher: transcript Verlag
ISBN: 3839461057
Category : Performing Arts
Languages : en
Pages : 355
Book Description
From objects to sounds, choreography is expanding beyond dance and human bodies in motion. This book offers one of the rare systematic investigations of expanded choreography as it develops in contemporaneity, and is the first to consider expanded choreography from a trans-historical perspective. Through case studies on different periods of European dance history - ranging from Renaissance dance to William Forsythe's choreographic objects and from Baroque court ballets to digital choreographies - it traces a journey of choreography as a practice transcending its sole association with dancing, moving, human bodies.