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Author: Leander Trowbridge Chamberlain
Publisher:
ISBN:
Category : Colombia
Languages : en
Pages : 768
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Book Description
Author: Leander Trowbridge Chamberlain
Publisher:
ISBN:
Category : Colombia
Languages : en
Pages : 768
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1262
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Author: United States. Congress. House. Committee on Foreign Affairs
Publisher:
ISBN:
Category : Panama
Languages : en
Pages : 754
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Book Description
Author: Albert Shaw
Publisher:
ISBN:
Category :
Languages : en
Pages : 1048
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 786
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Author:
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ISBN:
Category : American literature
Languages : en
Pages : 788
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Author: James Brown Scott
Publisher:
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Category : Electronic journals
Languages : en
Pages : 482
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Author:
Publisher:
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Category : American fiction
Languages : en
Pages : 868
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Book Description
Vols. 227-230, no. 2 include: Stuff and nonsense, v. 5-6, no. 8, Jan. 1929-Aug. 1930.
Author: Timothy V. Dugan
Publisher: McFarland
ISBN: 1476628351
Category : Literary Criticism
Languages : en
Pages : 431
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Book Description
Ajax, the archetypal Greek warrior, has over the years been trivialized as a peripheral character in the classics through Hollywood representations, and by the use of his name on household cleaning products. Examining a broad range of sources--from film, art and literature to advertising and sports--this study of the "Bulwark of the Achaeans" and his mythological image redefines his presence in Western culture, revealing him as the predominant voice in The Iliad and in myriad works across the classical canon.
Author: Katherine A. Zien
Publisher: Rutgers University Press
ISBN: 0813584256
Category : Art
Languages : en
Pages : 280
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Book Description
Sovereign Acts explores how artists, activists, and audiences performed and interpreted sovereignty struggles in the Panama Canal Zone, from the Canal Zone’s inception in 1903 to its dissolution in 1999. In popular entertainments and patriotic pageants, opera concerts and national theatre, white U.S. citizens, West Indian laborers, and Panamanian artists and activists used performance as a way to assert their right to the Canal Zone and challenge the Zone’s sovereignty, laying claim to the Zone’s physical space and imagined terrain. By demonstrating the place of performance in the U.S. Empire’s legal landscape, Katherine A. Zien transforms our understanding of U.S. imperialism and its aftermath in the Panama Canal Zone and the larger U.S.-Caribbean world.
