Author: Léon M. J. Delaissé
Publisher: Berkeley, U. of California P
ISBN:
Category : Illumination of books and manuscripts, Dutch
Languages : en
Pages : 102
Book Description
A Century of Dutch Manuscript Illumination
A Century of Dutch Manuscript Illumination
Author: L.M.J. Delaisse
Publisher: Univ of California Press
ISBN: 0520321359
Category : Art
Languages : en
Pages : 598
Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1968.
Publisher: Univ of California Press
ISBN: 0520321359
Category : Art
Languages : en
Pages : 598
Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1968.
Illuminated Manuscripts from Belgium and the Netherlands in the J. Paul Getty Museum
Author: J. Paul Getty Museum
Publisher: Getty Publications
ISBN: 1606060147
Category : Art
Languages : en
Pages : 132
Book Description
This is a lavishly illustrated survey of the J. Paul Getty's collection of illuminated manuscripts from Belgium and the Netherlands.
Publisher: Getty Publications
ISBN: 1606060147
Category : Art
Languages : en
Pages : 132
Book Description
This is a lavishly illustrated survey of the J. Paul Getty's collection of illuminated manuscripts from Belgium and the Netherlands.
Illuminating the Renaissance
Author: Thomas Kren
Publisher: Getty Publications
ISBN: 0892367040
Category : Art
Languages : en
Pages : 593
Book Description
This comprehensive and richly illustrated catalogue focuses on the finest illustrated manuscripts produced in Europe during the great epoch in Flemish illumination. During this aesthetically fertile period – beginning in 1467 with the reign of the Burgundian duke Charles the Bold and ending in 1561 with the death of the artist Simon Bening – the art of book painting was raised to a new level of sophistication. Sharing inspiration with the celebrated panel painters of the time, illuminators achieved astonishing innovations in the handling of color, light, texture, and space, creating a naturalistic style that would dominate tastes throughout Europe for nearly a century. Centering on the notable artists of the period – Simon Marmion, the Vienna Master of Mary of Burgundy, Gerard David, Gerard Horenbout, Bening, and others – the catalogue examines both devotional and secular manuscript illumination within a broad context: the place of illuminators within the visual arts, including artistic exchange between book painters and panel painters; the role of court patronage and the emergence of personal libraries; and the international appeal of the new Flemish illumination style. Contributors to the catalogue include Maryan W. Ainsworth, curator of European paintings at the Metropolitan Museum of Art; independent scholar Catherine Reynolds; and Elizabeth Morrison, assistant curator of manuscripts at the Getty Museum. Illuminating the Renaissance is published in conjunction with an exhibition organized by the Getty Museum, the Royal Academy of Arts, London, and the British Library to be held at the Getty Museum from June 17 to September 7, 2003, and at the Royal Academy of Arts from November 25, 2003 to February 22, 2004.
Publisher: Getty Publications
ISBN: 0892367040
Category : Art
Languages : en
Pages : 593
Book Description
This comprehensive and richly illustrated catalogue focuses on the finest illustrated manuscripts produced in Europe during the great epoch in Flemish illumination. During this aesthetically fertile period – beginning in 1467 with the reign of the Burgundian duke Charles the Bold and ending in 1561 with the death of the artist Simon Bening – the art of book painting was raised to a new level of sophistication. Sharing inspiration with the celebrated panel painters of the time, illuminators achieved astonishing innovations in the handling of color, light, texture, and space, creating a naturalistic style that would dominate tastes throughout Europe for nearly a century. Centering on the notable artists of the period – Simon Marmion, the Vienna Master of Mary of Burgundy, Gerard David, Gerard Horenbout, Bening, and others – the catalogue examines both devotional and secular manuscript illumination within a broad context: the place of illuminators within the visual arts, including artistic exchange between book painters and panel painters; the role of court patronage and the emergence of personal libraries; and the international appeal of the new Flemish illumination style. Contributors to the catalogue include Maryan W. Ainsworth, curator of European paintings at the Metropolitan Museum of Art; independent scholar Catherine Reynolds; and Elizabeth Morrison, assistant curator of manuscripts at the Getty Museum. Illuminating the Renaissance is published in conjunction with an exhibition organized by the Getty Museum, the Royal Academy of Arts, London, and the British Library to be held at the Getty Museum from June 17 to September 7, 2003, and at the Royal Academy of Arts from November 25, 2003 to February 22, 2004.
Flemish Manuscript Painting in Context
Author: Elizabeth Morrison
Publisher: Getty Publications
ISBN: 0892368527
Category : Art
Languages : en
Pages : 212
Book Description
A companion to the Getty’s prize-winning exhibition catalogue Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, this volume contains thirteen selected papers presented at two conferences held in conjunction with that exhibition. The first was organized by the Getty Museum, and the second was held at the Courtauld Institute of Art under the sponsorship of the Courtauld Institute and the Royal Academy of Arts. Added here is an essay by Margaret Scott on the role of dress during the reign of Charles the Bold. Texts include Lorne Campbell’s research into Rogier van der Weyden’s work as an illuminator, Nancy Turner’s investigation of materials and methods of painting in Flemish manuscripts, and trenchant commentary by Jonathan Alexander and James Marrow on the state of current research on Flemish illumination. A recurring theme is the structure of collaboration in manuscript production. The essays also reveal an important new patron of manuscript illumination and address the role of illuminated manuscripts at the Burgundian court. A series of biographies of Burgundian scribes is featured.
Publisher: Getty Publications
ISBN: 0892368527
Category : Art
Languages : en
Pages : 212
Book Description
A companion to the Getty’s prize-winning exhibition catalogue Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, this volume contains thirteen selected papers presented at two conferences held in conjunction with that exhibition. The first was organized by the Getty Museum, and the second was held at the Courtauld Institute of Art under the sponsorship of the Courtauld Institute and the Royal Academy of Arts. Added here is an essay by Margaret Scott on the role of dress during the reign of Charles the Bold. Texts include Lorne Campbell’s research into Rogier van der Weyden’s work as an illuminator, Nancy Turner’s investigation of materials and methods of painting in Flemish manuscripts, and trenchant commentary by Jonathan Alexander and James Marrow on the state of current research on Flemish illumination. A recurring theme is the structure of collaboration in manuscript production. The essays also reveal an important new patron of manuscript illumination and address the role of illuminated manuscripts at the Burgundian court. A series of biographies of Burgundian scribes is featured.
The Medieval World at Our Fingertips
Author: Christopher De Hamel
Publisher: Harvey Miller Publishers
ISBN: 9781909400887
Category : Illumination of books and manuscripts, Medieval
Languages : en
Pages : 0
Book Description
No manuscript is an island. We may consider medieval illumination as a single characteristic of the whole Middle Ages, but every manuscript is part of the evolving history of European art and culture, and every one belongs to a place and period. The Sandra Hindman Collection is a remarkable journey through time and location. Every illuminated cutting described here is a microcosm of a larger history. A sublime initial from a twelfth-century Bible from France is part of a setting which includes Chartres Cathedral, the Crusades and Abelard; two late thirteenth-century narrative miniatures of saints from northern Italy have stepped from in a world inhabited by Giotto and Dante and the basilica of Santa Croce in Florence; a miniature by the Berlin Master of Mary of Burgundy belongs in age of Rogier van der Weyden and Hans Memling; a painting from a choir book by the 'Master B.F.' can hold its place with Leonardo da Vinci and Palestrina. Manuscripts were always at the heart of intellectual and visual culture. For thirty years Sandra Hindman has been selecting and refining a collection of perfect medieval miniatures which are the quintessence of their time. Each is a window which illuminates a world. The history of stained glass, architecture, fresco painting, tapestries and wood carving, as well as medieval literature, religion, music and romance, are all made slightly clearer and more focused by looking at the illuminated miniatures chosen for exhibition here.
Publisher: Harvey Miller Publishers
ISBN: 9781909400887
Category : Illumination of books and manuscripts, Medieval
Languages : en
Pages : 0
Book Description
No manuscript is an island. We may consider medieval illumination as a single characteristic of the whole Middle Ages, but every manuscript is part of the evolving history of European art and culture, and every one belongs to a place and period. The Sandra Hindman Collection is a remarkable journey through time and location. Every illuminated cutting described here is a microcosm of a larger history. A sublime initial from a twelfth-century Bible from France is part of a setting which includes Chartres Cathedral, the Crusades and Abelard; two late thirteenth-century narrative miniatures of saints from northern Italy have stepped from in a world inhabited by Giotto and Dante and the basilica of Santa Croce in Florence; a miniature by the Berlin Master of Mary of Burgundy belongs in age of Rogier van der Weyden and Hans Memling; a painting from a choir book by the 'Master B.F.' can hold its place with Leonardo da Vinci and Palestrina. Manuscripts were always at the heart of intellectual and visual culture. For thirty years Sandra Hindman has been selecting and refining a collection of perfect medieval miniatures which are the quintessence of their time. Each is a window which illuminates a world. The history of stained glass, architecture, fresco painting, tapestries and wood carving, as well as medieval literature, religion, music and romance, are all made slightly clearer and more focused by looking at the illuminated miniatures chosen for exhibition here.
Illuminated Manuscripts in Classical and Mediaeval Times
Author: John Henry Middleton
Publisher: Cambridge : University Press
ISBN:
Category : Illumination of books and manuscripts
Languages : en
Pages : 306
Book Description
Publisher: Cambridge : University Press
ISBN:
Category : Illumination of books and manuscripts
Languages : en
Pages : 306
Book Description
Masterpieces of the J. Paul Getty Museum: Illuminated Manuscripts
Author: Thomas Kren
Publisher: Getty Publications
ISBN: 0892364467
Category : Art
Languages : en
Pages : 130
Book Description
The Getty Museum’s collection of illuminated manuscripts, featured in this book, comprises masterpieces of medieval and Renaissance art. Dating from the tenth to the sixteenth century, they were produced in France, Italy, Belgium, Germany, England, Spain, Poland, and the eastern Mediterranean. Among the highlights are four Ottonian manuscripts, Romanesque treasures from Germany, Italy, and France, an English Gothic Apocalypse, and late medieval manuscripts painted by such masters as Jean Fouquet, Girolamo da Cremona, Simon Marmion, and Joris Hoefnagel. Included are glistening liturgical books, intimate and touching devotional books for private use, books of the Bible, lively histories by Giovanni Boccaccio and Jean Froissart, and a breathtaking Model Book of Calligraphy.
Publisher: Getty Publications
ISBN: 0892364467
Category : Art
Languages : en
Pages : 130
Book Description
The Getty Museum’s collection of illuminated manuscripts, featured in this book, comprises masterpieces of medieval and Renaissance art. Dating from the tenth to the sixteenth century, they were produced in France, Italy, Belgium, Germany, England, Spain, Poland, and the eastern Mediterranean. Among the highlights are four Ottonian manuscripts, Romanesque treasures from Germany, Italy, and France, an English Gothic Apocalypse, and late medieval manuscripts painted by such masters as Jean Fouquet, Girolamo da Cremona, Simon Marmion, and Joris Hoefnagel. Included are glistening liturgical books, intimate and touching devotional books for private use, books of the Bible, lively histories by Giovanni Boccaccio and Jean Froissart, and a breathtaking Model Book of Calligraphy.
The Book of Hours of Catherine of Cleves
Author: John Plummer
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 136
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 136
Book Description
Dutch Art
Author: Sheila D. Muller
Publisher: Routledge
ISBN: 1135495742
Category : Social Science
Languages : en
Pages : 664
Book Description
An illustrated feast for the eye and intellect Dutch Art explores developments in art, art history, art criticism, and cultural history of the Netherlands from the artists' workshops for the Utrecht Dom in 1475 to the latest movements of the 1990s. it is lavishly illustrated with 147 black-and-white photographs and 16 pages in full color. More than 100 internationally recognized scholars, museum professionals, artists, and art critics contributed signed essays to this monumental work, including historians, sociologists, and literary historians.
Publisher: Routledge
ISBN: 1135495742
Category : Social Science
Languages : en
Pages : 664
Book Description
An illustrated feast for the eye and intellect Dutch Art explores developments in art, art history, art criticism, and cultural history of the Netherlands from the artists' workshops for the Utrecht Dom in 1475 to the latest movements of the 1990s. it is lavishly illustrated with 147 black-and-white photographs and 16 pages in full color. More than 100 internationally recognized scholars, museum professionals, artists, and art critics contributed signed essays to this monumental work, including historians, sociologists, and literary historians.