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Author: T. Heaton Cooper
Publisher: Dover Publications
ISBN: 048684272X
Category : Art
Languages : en
Pages : 115
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Book Description
This slim and focused guide to understanding and analyzing perspective in drawing was written by T. Heaton Cooper, a longtime instructor at the Cleveland School of Art. It consists of 50 examples: every left-hand page features a graphic representation of the written descriptions on the opposite page, providing an improved understanding of the concepts via visual examples. Discussions and directions on foreshortening and shadows in relation to perspective complement the illustrations. Students, art teachers, and artists wishing to improve their skills will find this book an ideal resource for study and reference. Its compact size will make it an easy addition to the paint box or sketch kit.
Author: T. Heaton Cooper
Publisher: Dover Publications
ISBN: 048684272X
Category : Art
Languages : en
Pages : 115
Get Book Here
Book Description
This slim and focused guide to understanding and analyzing perspective in drawing was written by T. Heaton Cooper, a longtime instructor at the Cleveland School of Art. It consists of 50 examples: every left-hand page features a graphic representation of the written descriptions on the opposite page, providing an improved understanding of the concepts via visual examples. Discussions and directions on foreshortening and shadows in relation to perspective complement the illustrations. Students, art teachers, and artists wishing to improve their skills will find this book an ideal resource for study and reference. Its compact size will make it an easy addition to the paint box or sketch kit.
Author: Gwen White
Publisher:
ISBN:
Category : Perspective
Languages : en
Pages : 80
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Book Description
Author: William V. Dunning
Publisher: Syracuse University Press
ISBN: 9780815625087
Category : Art
Languages : en
Pages : 276
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Book Description
No artist, critic, or art historian disputes the importance of recording how and why our conceptions and methods of depicting pictorial space have changed from ancient to modern times, and yet no previous book has provided a comprehensive history centered around these changing images of pictorial space and the ways in which their evolution reflects ideological changes in society. Dunning traces the two thousand year evolution of the conception and the depiction of space in European (primarily Italian and French) and American painting. Unraveling one illusory image after another into their particular elements, he explains the development of new styles and images in painting as a continuous rearrangement of these basic elements. Following this progression through the Greco-Roman period, the Italian Renaissance, impressionism, and the end of modern art, the author concludes with today's postmodern concentration on linguistic aspects in painting, a change from the former emphasis on space and illusion. Changing Images of Pictorial Space, with over forty illustrations, will be of interest to a wide audience—from art historians, painters, and art educators to general readers who wish to understand more about one of the central organizing principles in all schools and periods of art.
Author: F. MOTUFAGA
Publisher:
ISBN: 9781980963301
Category :
Languages : en
Pages : 55
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Book Description
Pictorial drawing in this volume incudes parallel projection and perspective projection concepts.In Parallel projection:* The concepts of axonometric projection i.e. isometric, dimetric and trimetric :* How a projection of a drawing in axonometric projection is drawn.* The different tilt planes in axonometric projection* The methods of constructing axonometric scales * Isometric projection drawings from a true diagonal* Constructing the isometric tilt angle* Constructing the diametric tilt angle* The isometric circle and sphere in comparison to a circle* Adjusting the isometric drawing methods for a circle to accommodate isometric projection* The comparison of constructing isometric circles using the ordinates method and the 8 points method with respect to isometric drawing or projection.* An analysis of the approximate 4 arcs method for isometric* Drawing a sphere in isometric.* The concepts of oblique projection :* The comparison of constructing oblique circles with respect to cavalier or cabinet oblique.* The 8 points method for oblique drawing as compared to the ordinates method for oblique drawing* Drawing an ordinates method for cabinet oblique.* Views of planometric drawings in 2 and 3 dimensions.In Perspective projection:* The concepts of one and two point perspective.* The concepts of perspective drawing are discussed as paths or trajectories approach. * The perspective range* The receding direction* The planes in perspective:* Vertical and horizontal planes* Picture plane* Eye level plane* Line of Sight plane* SP to VP plane* Methods of locating points in one and two point perspective
Author: James Elkins
Publisher: Cornell University Press
ISBN: 1501723898
Category : Art
Languages : en
Pages : 344
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Book Description
Perspective has been a divided subject, orphaned among various disciplines from philosophy to gardening. In the first book to bring together recent thinking on perspective from such fields as art history, literary theory, aesthetics, psychology, and the history of mathematics, James Elkins leads us to a new understanding of how we talk about pictures. Elkins provides an abundantly illustrated history of the theory and practice of perspective. Looking at key texts from the Renaissance to the present, he traces a fundamental historical change that took place in the way in which perspective was conceptualized; first a technique for constructing pictures, it slowly became a metaphor for subjectivity. That gradual transformation, he observes, has led to the rifts that today separate those who understand perspective as a historical or formal property of pictures from those who see it as a linguistic, cognitive, or epistemological metaphor. Elkins considers how the principal concepts of perspective have been rewritten in work by Erwin Panofsky, Hubert Damisch, Martin Jay, Paul Ricoeur, Jacques Lacan, Maurice Merleau-Ponty, and E. H. Gombrich. The Poetics of Perspective illustrates that perspective is an unusual kind of subject: it exists as a coherent idea, but no one discipline offers an adequate exposition of it. Rather than presenting perspective as a resonant metaphor for subjectivity, a painter's tool without meaning, a disused historical practice, or a model for vision and representation, Elkins proposes a comprehensive revaluation. The perspective he describes is at once a series of specific pictorial decisions and a powerful figure for our knowledge of the world.
Author: Julie Paschkis
Publisher: Henry Holt and Company (BYR)
ISBN: 1250773148
Category : Juvenile Fiction
Languages : en
Pages : 19
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Book Description
Where Lily Isn't is Julie Paschkis and Margaret Chodos-Irvine's beautiful bereavement picture book celebrating the love of a lost pet. Lily ran and jumped and barked and whimpered and growled and wiggled and wagged and licked and snuggled. But not now. It is hard to lose a pet. There is sadness, but also hope—for a beloved pet lives on in your heart, your memory, and your imagination.
Author: Hanneke Grootenboer
Publisher: University of Chicago Press
ISBN: 0226309703
Category : Art
Languages : en
Pages : 222
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Book Description
Perspective determines how we, as viewers, perceive painting. We can convince ourselves that a painting of a bowl of fruit or a man in a room appears to be real by the way these objects are rendered. Likewise, the trick of perspective can prevent us from being absorbed in a scene. Connecting contemporary critical theory with close readings of seventeenth-century Dutch visual culture, The Rhetoric of Perspective puts forth the claim that painting is a form of thinking and that perspective functions as the language of the image. Aided by a stunning full-color gallery, Hanneke Grootenboer proposes a new theory of perspective based on the phenomenological aspects of non-narrative still-life, trompe l'oeil, and anamorphic imagery. Drawing on playful and mesmerizing baroque images, Grootenboer characterizes what she calls their "sophisticated deceit," asserting that painting is more about visual representation than about its supposed objects. Offering an original theory of perspective's impact on pictorial representation, the act of looking, and the understanding of truth in painting, Grootenboer shows how these paintings both question the status of representation and explore the limits and credibility of perception. “An elegant and honourable synthesis.”—Keith Miller, Times Literary Supplement
Author: John Locke
Publisher:
ISBN: 9780486241234
Category : Decoration and ornament
Languages : en
Pages : 0
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Book Description
Isometric perspective is the picture of an object adrift in imaginary space. 75 mind-boggling designs.
Author: Jeffrey J. Wing
Publisher: Createspace Independent Publishing Platform
ISBN: 9781530284276
Category :
Languages : en
Pages : 224
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Book Description
A wide range of readers will be intrigued by the subject of paper money. This book is highly illustrated, making it an enticing study for those that simply enjoy the many art forms on the world's currencies. Paper money is part of the currency of every nation in the world, conveying messages of historical significance, ranging from the affairs of government in war and peace to the consequences of challenging economic times and political upheaval. The evolution of its colorful imagery and revealing script provide for an interesting study with broad appeal. Whether it expressed the pride that a town, state, or nation found in its historical background, its heroes and distinguished citizens, its architectural accomplishments, or even themes of religious importance and the natural environment, paper money almost always reflected the temperament of the community. This book explores the role that money plays in our everyday lives and addresses the perception of a money's value. What is it that gives this paper any real, material value, when it is backed solely by one's faith in the government that issued it? History records the answer, by the number of governments which have experience hyperinflation. The enigma that people will accept the value of paper money unbacked by anything of real substance is a major topic covered by this book. INDEX is shown below: Preface Introduction Paper Money Authenticity Chapter 1-Images, Symbols, and Words -U.S Paper Money -Hidden Messages and Symbols -Portrait Significance -Dual Currencies -Commemoratives and Cultures Chapter 2-Indians, Slaves, Propaganda and War -Indians -U.S. Slavery -Russia / Germany -Concentration Camps -World War II Era -IndoChina, Vietnam & Cambodia -Cuba -Military Payment Certificates -Miscellaneous 1960's-1980's -World Slavery -Recent Propaganda Chapter 3-World Inflation -Zimbabwe (2006-2009) -Romania (2003-2005) -Turkey (2000-2005) -Zaire/Rep. of Congo (1992-2007) -Belarus (1992-2000) -Peru (1991-2001) -Angola (1987-1999) -Georgia (1994-1995) -Poland (1924-1994) -Yugoslavia (1990-1994) -Bosnia-Herzegovina (1992-1994) -Mexico (1988-1992) -Brazil (1986-1994) -Nicaragua (1985-1991) -Argentina (1981-1993) -Bolivia (1981-1987) -Chile (1967-2008) -Hungary (1946-1957) -Greece (1944) -Russia (1917-1997) -Germany (1874-1945) -Introduction to Notgeld Closing Thoughts References
Author: Kristina Kleutghen
Publisher: University of Washington Press
ISBN: 0295805528
Category : Art
Languages : en
Pages : 388
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Book Description
In the Forbidden City and other palaces around Beijing, Emperor Qianlong (r. 1736-1795) surrounded himself with monumental paintings of architecture, gardens, people, and faraway places. The best artists of the imperial painting academy, including a number of European missionary painters, used Western perspectival illusionism to transform walls and ceilings with visually striking images that were also deeply meaningful to Qianlong. These unprecedented works not only offer new insights into late imperial China’s most influential emperor, but also reflect one way in which Chinese art integrated and domesticated foreign ideas. In Imperial Illusions, Kristina Kleutghen examines all known surviving examples of the Qing court phenomenon of “scenic illusion paintings” (tongjinghua), which today remain inaccessible inside the Forbidden City. Produced at the height of early modern cultural exchange between China and Europe, these works have received little scholarly attention. Richly illustrated, Imperial Illusions offers the first comprehensive investigation of the aesthetic, cultural, perceptual, and political importance of these illusionistic paintings essential to Qianlong’s world. Art History Publication Initiative. For more information, visit http://arthistorypi.org/books/imperial-illusions
