Author: Roger S. Wieck
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 146
Book Description
This book features 107 of the finest examples of illuminated pages from medieval and Renaissance Books of Hours. Roger Wieck's comprehensive text introduces the Book of Hours -- a "bestseller" for three hundred years -- to the general reader, discussing its iconography, the artists who illuminated this genre, and its role as a religious text in the lives of its owners. As a collection of both stirring words and inspiring images, the Book of Hours thus comprised a series of "painted prayers".
Painted Prayers
Author: Roger S. Wieck
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 146
Book Description
This book features 107 of the finest examples of illuminated pages from medieval and Renaissance Books of Hours. Roger Wieck's comprehensive text introduces the Book of Hours -- a "bestseller" for three hundred years -- to the general reader, discussing its iconography, the artists who illuminated this genre, and its role as a religious text in the lives of its owners. As a collection of both stirring words and inspiring images, the Book of Hours thus comprised a series of "painted prayers".
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 146
Book Description
This book features 107 of the finest examples of illuminated pages from medieval and Renaissance Books of Hours. Roger Wieck's comprehensive text introduces the Book of Hours -- a "bestseller" for three hundred years -- to the general reader, discussing its iconography, the artists who illuminated this genre, and its role as a religious text in the lives of its owners. As a collection of both stirring words and inspiring images, the Book of Hours thus comprised a series of "painted prayers".
Catalogue of Manuscripts and Early Printed Books: Italy and part of France
Author: John Pierpont Morgan
Publisher:
ISBN:
Category : Block books
Languages : en
Pages : 304
Book Description
Publisher:
ISBN:
Category : Block books
Languages : en
Pages : 304
Book Description
The Spitz Master
Author: Gregory Clark
Publisher: Getty Publications
ISBN: 0892367121
Category : Art
Languages : en
Pages : 106
Book Description
Clark examines the book of hours in the context of medieval culture, the book trade in Paris, and the role of Paris as an international center of illumination. 64 illustrations, 40 in color.
Publisher: Getty Publications
ISBN: 0892367121
Category : Art
Languages : en
Pages : 106
Book Description
Clark examines the book of hours in the context of medieval culture, the book trade in Paris, and the role of Paris as an international center of illumination. 64 illustrations, 40 in color.
Time Sanctified
Author: Roger S. Wieck
Publisher: George Braziller
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 236
Book Description
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Publisher: George Braziller
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 236
Book Description
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The Gualenghi-d'Este Hours
Author: Kurt Barstow
Publisher: Getty Publications
ISBN: 9780892363704
Category : Art
Languages : en
Pages : 280
Book Description
An illustrated treatise on a book of hours created between 1469 and 1473 in Ferrara, Italy.
Publisher: Getty Publications
ISBN: 9780892363704
Category : Art
Languages : en
Pages : 280
Book Description
An illustrated treatise on a book of hours created between 1469 and 1473 in Ferrara, Italy.
The Hours of Simon de Varie
Author: James H. Marrow
Publisher: Getty Publications
ISBN: 9780892362844
Category : Art
Languages : en
Pages : 274
Book Description
Leading French painters in the late medieval period executed miniatures for lavishly illuminated books of hours. In the mid-fifteenth century, Simon de Varie commissioned such a book. Completed in 1455, it included five priceless works by the most eminent French painter of the time, Jean Fouquet, as well as other striking paintings by two of his contemporaries. In the seventeenth century, Simon de Varie's book was divided into three sections and sold as separate volumes. Two of these volumes are today in the Royal Library in The Hague. The third volume--thought lost until 1984, when it surfaced in a private collection and was subsequently acquired by the Getty Museum--contains the first miniatures by Jean Fouquet to have been discovered in eighty years. This beautiful book will reproduce in color all of the miniatures and historiated initials in the original manuscript, along with selected text pages with secondary decoration. Comparative illustrations also accompany the two essays in the volume. Marrow's text addresses the role of books of hours in late medieval culture; the contents and form of de Varie's Hours; and the relationship of the miniatures by Fouquet to the rest of the artist's oeuvre. In a related essay, Francois Avril discusses the position of Simon de Varie and his family in mid-fifteenth-century France. The publication of The Hours of Simon de Varie adds to the Getty's impressive list of publications on illuminated manuscripts begun in 1990 and including the widely acclaimed facsimile Mira calligraphiae monumenta.
Publisher: Getty Publications
ISBN: 9780892362844
Category : Art
Languages : en
Pages : 274
Book Description
Leading French painters in the late medieval period executed miniatures for lavishly illuminated books of hours. In the mid-fifteenth century, Simon de Varie commissioned such a book. Completed in 1455, it included five priceless works by the most eminent French painter of the time, Jean Fouquet, as well as other striking paintings by two of his contemporaries. In the seventeenth century, Simon de Varie's book was divided into three sections and sold as separate volumes. Two of these volumes are today in the Royal Library in The Hague. The third volume--thought lost until 1984, when it surfaced in a private collection and was subsequently acquired by the Getty Museum--contains the first miniatures by Jean Fouquet to have been discovered in eighty years. This beautiful book will reproduce in color all of the miniatures and historiated initials in the original manuscript, along with selected text pages with secondary decoration. Comparative illustrations also accompany the two essays in the volume. Marrow's text addresses the role of books of hours in late medieval culture; the contents and form of de Varie's Hours; and the relationship of the miniatures by Fouquet to the rest of the artist's oeuvre. In a related essay, Francois Avril discusses the position of Simon de Varie and his family in mid-fifteenth-century France. The publication of The Hours of Simon de Varie adds to the Getty's impressive list of publications on illuminated manuscripts begun in 1990 and including the widely acclaimed facsimile Mira calligraphiae monumenta.
Golf Book
Author: Carlos Miranda García-Tejedor
Publisher:
ISBN: 9788416509782
Category :
Languages : en
Pages : 252
Book Description
Publisher:
ISBN: 9788416509782
Category :
Languages : en
Pages : 252
Book Description
The Art of Illumination
Author: Timothy Husband
Publisher: Metropolitan Museum of Art
ISBN: 1588392945
Category : Belles heures of Jean of France, Duke of Berry
Languages : en
Pages : 390
Book Description
Publisher: Metropolitan Museum of Art
ISBN: 1588392945
Category : Belles heures of Jean of France, Duke of Berry
Languages : en
Pages : 390
Book Description
Set in Stone
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588391922
Category : Face in art
Languages : en
Pages : 240
Book Description
Publisher description
Publisher: Metropolitan Museum of Art
ISBN: 1588391922
Category : Face in art
Languages : en
Pages : 240
Book Description
Publisher description
Illuminating the Renaissance
Author: Thomas Kren
Publisher: Getty Publications
ISBN: 0892367040
Category : Art
Languages : en
Pages : 593
Book Description
This comprehensive and richly illustrated catalogue focuses on the finest illustrated manuscripts produced in Europe during the great epoch in Flemish illumination. During this aesthetically fertile period – beginning in 1467 with the reign of the Burgundian duke Charles the Bold and ending in 1561 with the death of the artist Simon Bening – the art of book painting was raised to a new level of sophistication. Sharing inspiration with the celebrated panel painters of the time, illuminators achieved astonishing innovations in the handling of color, light, texture, and space, creating a naturalistic style that would dominate tastes throughout Europe for nearly a century. Centering on the notable artists of the period – Simon Marmion, the Vienna Master of Mary of Burgundy, Gerard David, Gerard Horenbout, Bening, and others – the catalogue examines both devotional and secular manuscript illumination within a broad context: the place of illuminators within the visual arts, including artistic exchange between book painters and panel painters; the role of court patronage and the emergence of personal libraries; and the international appeal of the new Flemish illumination style. Contributors to the catalogue include Maryan W. Ainsworth, curator of European paintings at the Metropolitan Museum of Art; independent scholar Catherine Reynolds; and Elizabeth Morrison, assistant curator of manuscripts at the Getty Museum. Illuminating the Renaissance is published in conjunction with an exhibition organized by the Getty Museum, the Royal Academy of Arts, London, and the British Library to be held at the Getty Museum from June 17 to September 7, 2003, and at the Royal Academy of Arts from November 25, 2003 to February 22, 2004.
Publisher: Getty Publications
ISBN: 0892367040
Category : Art
Languages : en
Pages : 593
Book Description
This comprehensive and richly illustrated catalogue focuses on the finest illustrated manuscripts produced in Europe during the great epoch in Flemish illumination. During this aesthetically fertile period – beginning in 1467 with the reign of the Burgundian duke Charles the Bold and ending in 1561 with the death of the artist Simon Bening – the art of book painting was raised to a new level of sophistication. Sharing inspiration with the celebrated panel painters of the time, illuminators achieved astonishing innovations in the handling of color, light, texture, and space, creating a naturalistic style that would dominate tastes throughout Europe for nearly a century. Centering on the notable artists of the period – Simon Marmion, the Vienna Master of Mary of Burgundy, Gerard David, Gerard Horenbout, Bening, and others – the catalogue examines both devotional and secular manuscript illumination within a broad context: the place of illuminators within the visual arts, including artistic exchange between book painters and panel painters; the role of court patronage and the emergence of personal libraries; and the international appeal of the new Flemish illumination style. Contributors to the catalogue include Maryan W. Ainsworth, curator of European paintings at the Metropolitan Museum of Art; independent scholar Catherine Reynolds; and Elizabeth Morrison, assistant curator of manuscripts at the Getty Museum. Illuminating the Renaissance is published in conjunction with an exhibition organized by the Getty Museum, the Royal Academy of Arts, London, and the British Library to be held at the Getty Museum from June 17 to September 7, 2003, and at the Royal Academy of Arts from November 25, 2003 to February 22, 2004.