A Biographical Dictionary of Old English Music PDF Download
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Author: Jeffrey Pulver
Publisher: London : K. Paul, Trench, Trubner & Company, Limited, J. Curwen & sons, Limited ; New York : E. P. Dutton & Company
ISBN:
Category : Music
Languages : en
Pages : 566
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Book Description
Author: Jeffrey Pulver
Publisher: London : K. Paul, Trench, Trubner & Company, Limited, J. Curwen & sons, Limited ; New York : E. P. Dutton & Company
ISBN:
Category : Music
Languages : en
Pages : 566
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Book Description
Author: James Duff Brown
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 484
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Book Description
Author: Jeffrey Pulver
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 537
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Book Description
Author: Theodore Baker
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 724
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Book Description
Author: Willi Apel
Publisher: Harvard University Press
ISBN: 9780674375017
Category : Music
Languages : en
Pages : 968
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Book Description
Contains nearly 1000 pages of precise and accessible information on all musical subjects.
Author: Nicolas Slonimsky
Publisher: Macmillan Reference USA
ISBN:
Category : Music
Languages : en
Pages : 1618
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Book Description
This new edition (last, 1992) includes entries on some 500 musicians who were not included in the eighth edition (such as violin virtuoso Sarah Chang) and updates many others (such as composer John Cage, who died after the 8th edition was published). As before, entries also include musicians and composers of the 1800s and artists from other musical genres whose work has significantly influenced 20th century classical music. A glossary of terms is included at the end of the volume. c. Book News Inc.
Author: Oscar Thompson
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 2506
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Book Description
Author: Andrew Ashbee
Publisher: Routledge
ISBN: 1000109143
Category : Music
Languages : en
Pages : 263
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Book Description
Pioneering work on the musical material from the archives of the English court was undertaken by Nagel (1894), Lafontaine (1909) and Stokes (in the Musical Antiquary 1903-1913). Records of English Court Music (a series of seven volumes covering the period 1485-1714) is the first attempt to compile a systematic calendar of such references. It aims to revise these earlier studies where necessary, adding significant details which researchers omitted, clarifying the context of documents and substituting current call-marks for defunct references. Volume V is primarily concerned with the post-Restoration years already partially covered in volumes I and II. The material from the Exchequer and Declared Accounts of the Treasurer of the Chamber has been revised to include references to trumpeters and drummers. Other sections are devoted to material outside the Lord Chamberlain's papers: the Signet Office Docquet Books, Secret Service accounts and more from the Exchequer; the Corporation of Musick (controlled by the Court musicians) and to the range of music material from accounts of the Receivers General. Samples from the comprehensive records of the Lord Steward's department (including those of the Cofferer of the Household) are also provided. Andrew Ashbee was the winner of the Oldman Prize in 1987 for Volume II in the series of 'Records of English Court Music', awarded by the UK branch of the International Association of Music Libraries for the year's best book on music librarianship, bibliography and reference.
Author: Bessie Graham
Publisher:
ISBN:
Category : Best books
Languages : en
Pages : 662
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Book Description
Author: Allen Scott
Publisher: Indiana University Press
ISBN: 0253014565
Category : Music
Languages : en
Pages : 518
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Book Description
Since it was first published in 1993, the Sourcebook for Research in Music has become an invaluable resource in musical scholarship. The balance between depth of content and brevity of format makes it ideal for use as a textbook for students, a reference work for faculty and professional musicians, and as an aid for librarians. The introductory chapter includes a comprehensive list of bibliographical terms with definitions; bibliographic terms in German, French, and Italian; and the plan of the Library of Congress and the Dewey Decimal music classification systems. Integrating helpful commentary to instruct the reader on the scope and usefulness of specific items, this updated and expanded edition accounts for the rapid growth in new editions of standard works, in fields such as ethnomusicology, performance practice, women in music, popular music, education, business, and music technology. These enhancements to its already extensive bibliographies ensures that the Sourcebook will continue to be an indispensable reference for years to come.
