A 2nd Book of two English Cantatas for a Voice and Instruments PDF Download
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Author: Thomas Augustine Arne
Publisher:
ISBN:
Category :
Languages : en
Pages : 28
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Book Description
Author: Thomas Augustine Arne
Publisher:
ISBN:
Category :
Languages : en
Pages : 28
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Book Description
Author: Royal College of Music (Great Britain)
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 380
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Book Description
Author: Edith Betty Schnapper
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 614
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Book Description
Author: Calkin and Budd
Publisher:
ISBN:
Category :
Languages : en
Pages : 218
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Book Description
Author: Sacred Harmonic Society
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 426
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 428
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Book Description
Author: Sacred Harmonic Society (London, England). Library
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 348
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Book Description
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 764
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Book Description
Author: Anonymous
Publisher: BoD – Books on Demand
ISBN: 3368165038
Category : Fiction
Languages : en
Pages : 426
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Book Description
Reprint of the original, first published in 1872.
Author: Kathryn Lowerre
Publisher: Routledge
ISBN: 1351886517
Category : Performing Arts
Languages : en
Pages : 306
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Book Description
Unlike collections of essays which focus on a single century or whose authors are drawn from a single discipline, this collection reflects the myriad performance options available to London audiences, offering readers a composite portrait of the music, drama, and dance productions that characterized this rich period. Just as the performing arts were deeply interrelated, the essays presented here, by scholars from a range of fields, engage in dialogue with others in the volume. The opening section examines a famous series of 1701 performances based on the competition between composers to set William Congreve's masque The Judgment of Paris to music. The essays in the central section (the 'mainpiece') showcase performers and productions on the London stage from a variety of perspectives, including English 'tastes' in art and music, the use of dance, the depiction of madness and masculinity in both spoken and musical performances, and genres and modes in the context of contemporary criticism and theatrical practice. A brief afterpiece looks at comic pieces in relation to satire, parody and homage. By bringing together work by scholars of music, dance, and drama, this cross-disciplinary collection illuminates the interconnecting strands that shaped a vibrant theatrical world.
